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Trakų St. finishes where it meets Pylimo St, which runs along the course of the old city wall. There used to be a gate here, which was pulled down together with the wall at the very beginning of the 19th century. In the niche of the Umiastowski estate (Trakų St. 2) there is a Statue of "The City Guard" (1973) In Trakų Street, there is the Church of Our Lady of the Assumption that was founded here by the noble Goštautas family in 1387, the same year as Lithuania became converted to Christianity. However, it is believed that the church with the monastery existed even earlierOne of courtyards of the buildings in Trakų StreetAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020[wpedon id="1558" align="left"]

A museum operates today in the House of Signatories, along with a memorial hall where the act of Lithuania's independence was signed on February 16th, 1918 when Lithuania was under the German occupation and administration during WWI (1915-1918)The first floor of the house with statues symbolizing agriculture and fishing is very decorative. Niches on the second floor hold two male bustsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

Martynas Mažvydas National Library of Lithuania is a national cultural institution open to all users, active in the areas of dissemination of information, culture, science, and education, performing library activities and ensuring implementation of the national information policy falling within its competence The mission of the library is to be the Lithuanian space of knowledge-creating value for the public The vision of the library: to become an integral part of the state's information policy, culture, education, science, and economic progressAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

One of Baroque gates of the Sapieha ParkAmong the surviving details of the palace are Baroque façades with stucco relief works by Pietro Perti and three Baroque gates. The park is the only one in Vilnius Vilnius with features of a regular Baroque park The palace and the gates were decorated with sculptures and frescoes created by masters who had worked in the Church of St. Peter and St. Paul and St. Casimir's Chapel of the Cathedral Basilica in VilniusAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

Alumnatas Courtyard was the location for the student dormitory of a pontifical seminary in which seminary students (alumni) and future Greek Catholic (Uniate) priests lived. The courtyard is located in the Monastery Quarter of Vilnius very close to the Old Campus of Vilnius University and Presidential Palace (Prezidentura). Alumnatas (the Greek Catholic/Uniate) Courtyard in probably the most impressive and beautiful courtyards in Old Town of VilniusIn the mid-17th century, the courtyard was remodelledin an Italian Renaissance style , along with a chapelLater the buldings around Alumnatas Courtyard passed to Vilnius UniversityAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The church is Gothic, with some Baroque forms that it acquired in the late 18th centuryIn 1812 the church was partly destroyed by the French army that used it as a granary. Since 1864 the church was closed and converted into an archive The church adjoins a monastery, the oldest in Lithuania, whose construction began in Gediminas' times (in 1334)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The silver cofin of St. Casimir is under a plaster canopy accompanied by relics. Under the cofin is a miraculous painting in a silver frame, with a silver statue with the saint's attributes placed on the cofin. The relief features a very rare depiction of a smiling Blessed Virgin Mary with Baby JesusIn the chapel there are eight silver-plated wooden Baroque statues of the Kings and Grand Dukes of Poland and Lithuania from the Gediminid and Jagiellon dynasties from the 17th centuryThree-Handed Image of St. Casimir c. 1520. This painting is considered to be miraculous. In 1743 the painting was put into a silver, gold-plated framing. St. Casimir is holding lilies and a rosary, which are his symbolsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

St. Lazarus' almshouse operated in this church, plague and famine victims were buried there. In 1715, the church and the monastery were given to the brethren of St. Rochus who tended to sick people, and in 1752 - to the sisters of MaryIn a cemetery at the church many outstanding people were buried, among others architect Laurynas Stuoka-Gucevičius. A memorial plaque to him is set up on the south façade of the church. However, later the cemetery was turned into a storage site of construction materialsThe church was severely damaged during a fire in 1794. The church was reconstructed and slightly transformed in 1801-1806. In 1864, the convent was closed down, and the buildings converted into a prisonAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020[wpedon id="1558" align="left"]

The church is an elegant late Baroque monument built-in 1702-1730. It is made even more attractive by an asymmetrical monastery ensemble in 1713-1730The towers date from the mid-18th century. They end in rococo domes with lanterns Both the church and the monastery belonged to the Jesuit Order. The monastery was intended for the Jesuit monks with 10 years of service experience seeking to become professed Jesiuts, i.e., to make the last ceremonial vowes All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

It is thought that a settlement existed on this site before the times of Gediminas and even Mindaugas (killed in 1263), in the 12th centuryThere are several interesting buildings on Bokšto StreetView of Vilnius' Bastion from Bokšto StreetAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

At the egde of Vingio Park, stands a Classical chapel built by Governor Nikolai Repnin for his wife in 1799-1800Behind the chapel, one can find the restored graves of the German, Russian, Polish, Turkish and Austro-Hungarian soldiers killed in both world wars A monument to the soldiers of the Central Powers killed in WWI in Vingio ParkAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020[wpedon id="1558" align="left"]

One of the focal touristic attractions in the Žvėrynas district of Vilnius is the traditional type of the wooden houses coloured in different coloursŽvėrynas means "menagerie" or "beastland". In the 19th century a forest grew in this areaSince 1893, the process of urbanization of the district of Žvėrynas started with the building of wooden and brick villas and summerhouses. Today, this district of Vilnius is a prestigiuos residential part of the capitalAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020[wpedon id="1558" align="left"]

The interior od the church is in the Rococo style with the exception of the Pac Chapel, which is late Baroque in the exterior, and rather Classical in the interior Impressive, gently-curved church pulpit in the Rococo style is created from wood and gold-plated tin in the second half of the 18th centuryThe church's mural painting is the only one of its size remaining in Lithuania. One arch depicts 19 scenes from St. Theresa's lifeAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020[wpedon id="1558" align="left"]

It was not until 1503 when Grand Duke of Lithuania and King of Poland Alexander Jagiellon granted a privilege that the construction of the wall began. The year 1522 is considered to mark the end of the construction, when Grand Duke of Lithuania Sigismund the Old exempted the residents of Vilnius from the duty of keeping guard at the castle and ordered 24 guards to be posted at the city gatesThe length of the defensive wall was 2,5 kilometres having 10 gates. The wall surrounded the territory of today's Old Town, approximatelly 100 hectars. The foundation of the defensive wall was built of stone, and bricks were mainly used at the level of loopholes and higher. The was was adapted for defence with gunpoweder-operated firearms Until the late-18th century, the Vilnius defensive wall was frequently renovated. The wall served for the last time in 1794 during the uprising led by ...

The palace has always been representional: rulers, kings, emperors and kings-to-be like Napoleon, Stanislaus August Poniatowski, Alexander I, Louis XVIII and others used to stay there on their visits to VilniusThe Soviets turned the palace into an officer's club later to be converted into Artist HouseIn 1939, when Vilnius had been part of Lithuania, plans to settle the Presidency in the palace were advanced. However, it was not until 1997 that these plans were carried outAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020[wpedon id="1558" align="left"]

A former Gothic façade that was uncovered at Karmelitų Str. around Rūdninkų Square in the Old Town of VilniusThe back-side façade from the inner courtyardThe back-side façade from the inner courtyard. The house is located on the territory of WWII Large Jewish Ghetto All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020[wpedon id="1558" align="left"]

The Church of the Assumption is one of the Vilnius' most beautiful Baroque churches and most mature building of the Vilnius' Baroque schoolConstruction on the church began in 1695 and the final work was carried out by Vilnius' Baroque architect Johann Christoph Glaubitz (1700-1767) in 1750-1756The front façade is adorned by a domical rotunda vestibule, and two elegant towers with clocks All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The organ, made by famous German master Adam G. Casparini in 1776, is one of the most valuable cultural monuments of Lithuania. The organ itself is the only surviving original 18th-century instrument in LithuaniaThe church has many Baroque frescoes. In the cupola, there is a multi-figural composition "Apotheosis of the Holy Spirit" (neo-Baroque, 19th century)The altars and the pulpit are lavishly decorated with round and relief sculptures and ornamentation All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

Beside the main house (close to the Antakalnio St.) stands a residential house, in which the first exhibition of Lithuanian art took place in 1907A monument to the brothers Vileišis in Vilnius near the River NerisThe main Vileišis building was one of the first in Vilnius, for whose construction a rare material in Lithuania - concrete - was used. The main house was built in 1904-1906 by the Lithuanian businessman and public figure Petras Vileišis according to a design by engineer August Klein   All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The founder of the church was a Grand Hetman and Vilnius Voivode of the Grand Duchy of Lithuania. The 17th-century church's façade is modest, however the interior is richly ornate with a number of stucco mouldings The church was built to mark the liberation of Vilnius from Moscow (The 1655-1661 War) and the founder's own escape from the hands of rebellious soldiers. The interior was created by the Italians G. P. Perti and G. M. Galli, who decorated it with more than 2,000 stucco mouldings The chandelier was created in 1905 in Riga and represents the Biblical Noah's arkAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018