The Russian Orthodox Church of St. Michael and St. Constantine

Trakų St. finishes where it meets Pylimo St, which runs along the course of the old city wall. There used to be a gate here, which was pulled down together with the wall at the very beginning of the 19th century. In the niche of the Umiastowski estate (Trakų St. 2) there is a Statue of "The City Guard" (1973) In Trakų Street, there is the Church of Our Lady of the Assumption that was founded here by the noble Goštautas family in 1387, the same year as Lithuania became converted to Christianity. However, it is believed that the church with the monastery existed even earlierOne of courtyards of the buildings in Trakų StreetAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

Užupio street is the main street in the city's district of Užupis. The district was in the Soviet time one of the most dilapidated districts in Vilnius. Many of the buildings did not have electricity and sanitary facilities, and the streets were unlitThe River Užupis which separates Užupis district from the Old Town. On one side of the river is a unique ensemble of sacred buildings and a park, while on the other side is "Republic of Užupis", where a number of artists live and work"Angel of Užupis" sculpture. An angel is playing a trumpet that provides ideas about Užupis to others and protects the district. The 24th Article of the Constitution of Užupis, for instance, says that "Everyone has the right to understand nothing". The district is separated from the Old Town by the River Vilnia on three sides, and by a high hill on the fourth sideAll photos ...

The architect Michail Prozorov designed the rectangular building with three-walled apse according to the requirements of Karaim liturgyThe oriental-style exterior has a protruding central part and the onion-shaped dome over it. The distinctive exterior of the building emphasises its unique purposeIn 1949, the Kenessa, along with many other sacral buildings, was nationalized and closed down. In 1988, it was returned to the Karaim community. In 1993, it was re-consecrated and has remained open sinceAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The church received its current form in 1738-1749 after fires in the cityThe church was rebuilted by Vilnius Baroque architect J. K. Glaubitz in the ornate Late Baroque style, and installed 24 altars insite The church bell tower received its current shape in 1737. The bell tower is 68 m tall. It is the tallest building in Vilnius Old TownAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

According to legend, the monastery and wooden church were built circa 1332 in the burial spot of the Franciscan monks that had been martyred by Lithuanian pagansThe building complex is formed in the mid-18th century. Today, the church possess six Late Baroque-style altars, with the main altar having a picture of the Holy Virgin Mary that is considered to be miraculous. A copy of the picture is painted on the façade in 1742 The monument to famous Lithuanian neo-Classicist architect Laurinas Gucevičius, the founder of Vilnius neo-Classicism, is erected in 1994 in the square in front of the church.   All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

This is the first Evangelical Lutheran Church (Kirche) built-in Vilnius in 1555 on the initiative of the Chancellor of the Grand Duchy of Lithuania Nicholas Radziwiłł the Black. In front of the church, there is a monument erected to Martin Luther The church was rebuilt in 1662 and substantially reconstructed in 1738-1744. In 1944 it was closed down. In 1993 it was returned to the parishioners and renovatedThe church has a single nave and an original pentagonal shape. Its magnificent high altar was designed by German Protestant architect Jan (Johan) Krzysztof GlaubitzAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The founder of the church was a Grand Hetman and Vilnius Voivode of the Grand Duchy of Lithuania. The 17th-century church's façade is modest, however the interior is richly ornate with a number of stucco mouldings The church was built to mark the liberation of Vilnius from Moscow (The 1655-1661 War) and the founder's own escape from the hands of rebellious soldiers. The interior was created by the Italians G. P. Perti and G. M. Galli, who decorated it with more than 2,000 stucco mouldings The chandelier was created in 1905 in Riga and represents the Biblical Noah's arkAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

St. Lazarus' almshouse operated in this church, plague and famine victims were buried there. In 1715, the church and the monastery were given to the brethren of St. Rochus who tended to sick people, and in 1752 - to the sisters of MaryIn a cemetery at the church many outstanding people were buried, among others architect Laurynas Stuoka-Gucevičius. A memorial plaque to him is set up on the south façade of the church. However, later the cemetery was turned into a storage site of construction materialsThe church was severely damaged during a fire in 1794. The church was reconstructed and slightly transformed in 1801-1806. In 1864, the convent was closed down, and the buildings converted into a prisonAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The life and work of Dr. Jurgis and Marija Šlapelis reflects the life of the region of Vilnius from the second half of the 19th century to 1940. Both of them have been cultural figures in Lithuania. Marija was actress. They published Lithuanian books that were banned at that timeDr. Jurgis and Marija Šlapelis owned the only Lithuanian language bookstore in Vilnius during 1906-1949. The Šlapelis family bought the house in 1926. Before, it was a goldsmith's workshops, and later housed a small holet called the Hotel de Philadelphie, and a wine shop The building is an example of the 17-th century architecture. Dr. Jurgis died in 1941, and Marija in 1977 at the age of 97. After WWII, the house was nationalised, and, therefore, Marija Šlapelis was forced to live in two small rooms upstairs, with the only access to them through another person's quarters. Marija stipulated in her ...

There were formerly two separate Gothic houses. Both were built before 1514 and belonged to clergy, goldsmiths, a surgeon and pharmacists. During the 1655-1661 war with Russia they were damaged and handed over to the capitulary of the Cathedral, which had them rebuilt in the Baroque styleThe building were severely damaged during the Second World War and renovated in 1957-1960Decorative Gothic façades and cylindrical vaults in the basement and on the ground floor have been reconstructed All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

A museum operates today in the House of Signatories, along with a memorial hall where the act of Lithuania's independence was signed on February 16th, 1918 when Lithuania was under the German occupation and administration during WWI (1915-1918)The first floor of the house with statues symbolizing agriculture and fishing is very decorative. Niches on the second floor hold two male bustsHaving acquired this house in the late 19th century, Karol Sztral reconstructed it according to architect Aleksei Polozov's project in the style of HistoricismAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

At the Church of the Holy Spirit, a Dominican monastery was established on St. Ignatius Street in 1501. In the 19th century, the buildings of the monastery were converted into a prison The entrance from St. Ignatius Street to the former old Jesuit Novitiate: arranged around three courtyards. It is the same age as the nearby Church of St. IgnatiusThe Church of St. Ignatius was erected from 1622 to 1647 being devastated by fires in 1748-1750. It suffered during the war against Russia from 1655 to 1661. The porch was added in the 19th century.All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

In 1986 the east winf of the Old Arsenal was restored. It houses the Museum of Applied Art and Design. The Old Arsenal enables the visitors to feel the ambience of the Renaissance Vilnius The building of the Old Arsenal was remodelled by Sigismund Augustus (second half of the 16th century) in the Renaissance style, mainly by adding a third floor (the attic), decorated in double arch niches. In was an enormous building, reputed to be the largest in the Polish-Lithuanian Commonwealth  The Old Arsenal was badly damaged during the war with Russia in 1655-1661, and remained a virtual ruin until the late 18th century when in 1780 was rebuilt and burned down at the end of WWIIAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The Górecki estate in Dominikonų St. 15 is a two-storey Gothic house. It was built on this site in the late 15th or early 16th century. In 1649 it was bought by Vilnius UniversityZawisha estate is known since late 16th or early 17th century. It was renovated in the late 18th century. The façade is strictly symmetrical, done in the style of early Classicism. Renaissance vaults have survivedDominikonų Street is dominated by the Roman Catholic Church of the Holy Spirit and the Dominican Monastery (1501)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

One of the Latin inscriptions: "This house is that of Urania: be gone profane worries! Here the humble Earth is scorned: from here one rises to the stars"Here it was a Jesuit pharmacy. Medical herbs were grown in the courtyardThe buildings of the Observatory Courtyard are the oldest in the university ensembleAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The building was noted for its stately late Baroque appearance. Michelangelo Palloni and Pietro Perti are thought to be the authors of the decorationsNoteworthy is an interesting Baroque pediment with a stucco bas-reliefA courtyard of the estate. Today, the buildings belongs to the Lithuanian Academy of Music and TheatreAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The family of the noblemen Chodkiewicz bought a house that stood on this site, and transformed it into a Renaissance residenceGrand Hall of the Vilnius Picture Gallery in former Chodkiewicz PalaceThe Classicist interior of the palace is a notable feature of the building of former Chodkiewicz Palace, today the Vilnius Picture GalleryAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

A geographical centre of Europe - 25 km far from Vilnius. From 2015 Summer You will get a special Certificate that you have visited the Geographical center of Europe. Don't miss the chance to get it for freeThe Baltic States of Europe - Estonia, Latvia & LithuaniaVytis (The Knight) - The Coat of Arm of both historical Grand Duchy of Lithuania and present-day the Republic of LithuaniaOrigins of images: Facebook, Twitter, Wikimedia, Wikipedia, Flickr, Google, Imageinjection & Pinterest.Read our Disclaimer/Legal Statement!Donate to Support UsWe would like to ask you to consider a small donation to help our team keep working.

The Bastion is comprised of a tower, cannon room and 48 m. the long corridor connecting it with the towerThe walls and moats of the Bastion were excavated in 1965-1970, and the canon room was renovated in 1985-1986 The entire Bastion is converted into a museum, and since 1987 it houses an exhibition of defensive fortifications and weaponryAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The organ, made by famous German master Adam G. Casparini in 1776, is one of the most valuable cultural monuments of Lithuania. The organ itself is the only surviving original 18th-century instrument in LithuaniaThe church has many Baroque frescoes. In the cupola, there is a multi-figural composition "Apotheosis of the Holy Spirit" (neo-Baroque, 19th century)The altars and the pulpit are lavishly decorated with round and relief sculptures and ornamentation All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018