Earlier in this courtyard was an artillery school. The Rector of the Vilnius University S. Malewski as well as lived in the building of this courtyardA poet Adam Mickiewicz spent much time with his son in their house in 1818-1819. As the first-year student, he lived in one of those buildings. Later, it became a gathering place of the PhilomatsThe courtyard is surrounded by two-storey buildings. A Gothic façade of one of them is facing Pilies StreetAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2023
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The founder of the church was a Grand Hetman and Vilnius Voivode of the Grand Duchy of Lithuania. The 17th-century church's façade is modest, however the interior is richly ornate with a number of stucco mouldings The church was built to mark the liberation of Vilnius from Moscow (The 1655-1661 War) and the founder's own escape from the hands of rebellious soldiers. The interior was created by the Italians G. P. Perti and G. M. Galli, who decorated it with more than 2,000 stucco mouldings The chandelier was created in 1905 in Riga and represents the Biblical Noah's arkAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018
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The life and work of Dr. Jurgis and Marija Šlapelis reflects the life of the region of Vilnius from the second half of the 19th century to 1940. Both of them have been cultural figures in Lithuania. Marija was actress. They published Lithuanian books that were banned at that timeDr. Jurgis and Marija Šlapelis owned the only Lithuanian language bookstore in Vilnius during 1906-1949. The Šlapelis family bought the house in 1926. Before, it was a goldsmith's workshops, and later housed a small holet called the Hotel de Philadelphie, and a wine shop The building is an example of the 17-th century architecture. Dr. Jurgis died in 1941, and Marija in 1977 at the age of 97. After WWII, the house was nationalised, and, therefore, Marija Šlapelis was forced to live in two small rooms upstairs, with the only access to them through another person's quarters. Marija stipulated in her ...
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Christmas Tree decoration at the Cathedral Basilica Square in Vilnius. The belfry is seen in the backgroundChristmas decoration in front of the principal building of the castle complex in Vilnius Old Town - Cathedral BasilicaCathedral Basilica of Vilnius is erected on the place of the pagan altar with a ceasred fire to the pagan god Perkūnas (god of Thunder)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019
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The entrance to the courtyard in which the Judenrat (Jewish Council) was located during WWII in the Large Jewish Ghetto in VilniusThe building of the Judenrat which functioned from September 1941 to September 1943 within the Large Jewish Ghetto that was formed around Rūdninkų SquareHebrew inscription above the windows on a former Jewish shopAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019
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Polish King Jan Sobieski, Russian Emperor Alexander I and French Emperor Napoleon I visited the mansion on various occasions. The building was reconstructed in 1839-1841. The present façade is ClassicalA Florentine artist Michelangelo Palloni, was invited from Italy in 1674 to work at Pažaislis monastery and church near Kaunas, and Mykolas Kazimieras Pacas then commissioned him to paint frescoes for of this estate.Unfortunately, none of the original interior, which also included rich stucco work, remainsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2022
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At the Church of the Holy Spirit, a Dominican monastery was established on St. Ignatius Street in 1501. In the 19th century, the buildings of the monastery were converted into a prison The entrance from St. Ignatius Street to the former old Jesuit Novitiate: arranged around three courtyards. It is the same age as the nearby Church of St. IgnatiusThe Church of St. Ignatius was erected from 1622 to 1647 being devastated by fires in 1748-1750. It suffered during the war against Russia from 1655 to 1661. The porch was added in the 19th century.All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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It was not until 1503 when Grand Duke of Lithuania and King of Poland Alexander Jagiellon granted a privilege that the construction of the wall began. The year 1522 is considered to mark the end of the construction, when Grand Duke of Lithuania Sigismund the Old exempted the residents of Vilnius from the duty of keeping guard at the castle and ordered 24 guards to be posted at the city gatesThe length of the defensive wall was 2,5 kilometres having 10 gates. The wall surrounded the territory of today's Old Town, approximatelly 100 hectars. The foundation of the defensive wall was built of stone, and bricks were mainly used at the level of loopholes and higher. The was was adapted for defence with gunpoweder-operated firearms Until the late-18th century, the Vilnius defensive wall was frequently renovated. The wall served for the last time in 1794 during the uprising led by ...
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In this house, belonging at the time to a university professor, Adam Mickiewicz stayed for a short period in 1822 and completed the poem "Gražina"It is small museum of three rooms but it is currently being expended. Among the exhibits are several portraits of Adam Mickiewicz and some period furniture, including a table and chair from Kaunas and a chair from Paris that the poet himself usedThe exhibition includes among the many volumes of his work in foreign languages, for instance, a Persian translation of his "Sonnets from the Crimea" All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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The interior od the church is in the Rococo style with the exception of the Pac Chapel, which is late Baroque in the exterior, and rather Classical in the interior Impressive, gently-curved church pulpit in the Rococo style is created from wood and gold-plated tin in the second half of the 18th centuryThe church's mural painting is the only one of its size remaining in Lithuania. One arch depicts 19 scenes from St. Theresa's lifeAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic
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Bronze door of the Central Library of Vilnius University. It portrays the university's history (est. 1579) along with that of Konigsberg's University (est. 1544)The Observatory Tower, on the spire of which the Jesuit university founders placed an IHS monogram of JesusThe building's façade is decorated in Rococo-style window framing with sun and Zodiac signes, with mathematical and astronomical instruments in between the windows All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018
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The architect of the Vilnius Bastion is unknown. The building that rose in the early 17th century is attributed to the period of late Renaissance and in that period Vilnius did not have a municipal architectThe wars of the mid-17th century and the 18th century weakened the military power of the Grand Duchy of Lithuania. The army led by the Russian Emperor Aleksey Mikhailovich approached Vilnius in August 1655 and seized the cityWhen Vilnius was liberated in 1660, the city's defensive fortifications needed repair. However, there was not enough funds and the citizens were unable to maintain defensive fortifications, supply them with arms and gunpowder and provide securityAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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The Bastion is comprised of a tower, cannon room and 48 m. the long corridor connecting it with the towerThe walls and moats of the Bastion were excavated in 1965-1970, and the canon room was renovated in 1985-1986 The entire Bastion is converted into a museum, and since 1987 it houses an exhibition of defensive fortifications and weaponryAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019
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The fortifications at the top of Tower St. have been restored and today form the Bastion Museum of the original early 17th century BarbecanA view from Tower St. on St. Casimir church (early 17th century Baroque style)Tower St. with the building of the former Augustine monastery (left)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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Cathedral Basilica of St. Stanislaus and St. Vladislaus in Vilnius. Today the Cathedral Basilica is in the Classicist style as it was redisigned in 1783-1801 by Lithuanian architect Laurynas Gucevičius Baroque-style Cathedral's St. Casimir's Chapel built in 1610-1632 for holding the remains of St. Casimir (declared in 1604 by Pope Clemens VIII as the saint Cathedral Basilica Bell Tower. It is rebuilt tower that was part of the defensive wall that encircled the Lower CastleSaveAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018
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The church was named after St. Nicholas, who was the Bishop of Myra and the patron of travelers and merchants. The character of Santa Claus is thought to be based on this saintThe Church of St. Nicholas in Vilnius is the oldest surviving Late Gothic church in Lithuania. The small church was used by the Franciscan monks, who lived nearbyThe interior of the church is decorated with ornate rib and groin vaults. A 16th-century picture of St. Nicholas with a silver frame is located on the left altarAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018
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The silver cofin of St. Casimir is under a plaster canopy accompanied by relics. Under the cofin is a miraculous painting in a silver frame, with a silver statue with the saint's attributes placed on the cofin. The relief features a very rare depiction of a smiling Blessed Virgin Mary with Baby JesusIn the chapel there are eight silver-plated wooden Baroque statues of the Kings and Grand Dukes of Poland and Lithuania from the Gediminid and Jagiellon dynasties from the 17th centuryThree-Handed Image of St. Casimir c. 1520. This painting is considered to be miraculous. In 1743 the painting was put into a silver, gold-plated framing. St. Casimir is holding lilies and a rosary, which are his symbolsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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It was built by the Benedictine Sisters near their convent. It acquired its present-day appearance after a great fire in Vilnius in 1737. The church has a rich interior decorated with stucco mouldings and artificial marble. Today the church is restored and adapted for concerts. It also hosts the International Christopher Summer Music FestivalFlanking the church on Vilniaus Street, a particularly elegant Chapel of Providence was erected in 1641 and rebuilt in 1746The single-nave church has 9 magnificent Late Baroque altars and a pulpitAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018
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The organ, made by famous German master Adam G. Casparini in 1776, is one of the most valuable cultural monuments of Lithuania. The organ itself is the only surviving original 18th-century instrument in LithuaniaThe church has many Baroque frescoes. In the cupola, there is a multi-figural composition "Apotheosis of the Holy Spirit" (neo-Baroque, 19th century)The altars and the pulpit are lavishly decorated with round and relief sculptures and ornamentation All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018
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