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In this house, belonging at the time to a university professor, Adam Mickiewicz stayed for a short period in 1822 and completed the poem "Gražina"It is small museum of three rooms but it is currently being expended. Among the exhibits are several portraits of Adam Mickiewicz and some period furniture, including a table and chair from Kaunas and a chair from Paris that the poet himself usedThe exibition includes among the many volumes of his work in foreign languages, for instance, a Persian translation of his "Sonnets from the Crimea" All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

According to legend, the monastery and wooden church were built circa 1332 in the burial spot of the Franciscan monks that had been martyred by Lithuanian pagansThe building complex is formed in the mid-18th century. Today, the church possess six Late Baroque-style altars, with the main altar having a picture of the Holy Virgin Mary that is considered to be miraculous. A copy of the picture is painted on the façade in 1742 The monument to famous Lithuanian neo-Classicist architect Laurinas Gucevičius, the founder of Vilnius neo-Classicism, is erected in 1994 in the square in front of the church.   All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

This building in Savičiaus Street in Vilnius Old Town acquired its present appearance in the 18th century with the 19th-century façade. Until the mid-19th century, the building was home to Vilnius governors and burgomasters In 1995, on the artist's 120th anniversary, a memorial culture center and the flat museum was opened in this house. The center and museum, today, hosts lectures on music, art, and philosophy, as well as chamber concertsM. K. Čiurlionis created 350 musical pieces and around 500 artworks. When he lived in this house, he created his most remarkable paintingsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The Church of the Heart of Jesus is a significant monument of Baroque (finished in 1756). It is the only Roman Catholic church in Lithuania to be built along a Greek Orthodox cross designThe church has a large octagonal cupola (dome) and a very reach the elegant exterior. The interior is no less magnificent, although it was severely damaged during the Soviet timeAfter 1945, a prison was established in the church and convent buildings. The church interior and the plan of the convent buildings were transformed. After 1990, the sacral buildings are returned to their former ownersAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020[wpedon id="1558" align="left"]

The church was financed by Grand Chancellor of the Grand Duchy of Lithuania, Grand Hetman, and Vilnius Voivode - Lew Sapieha, who had converted to Roman Catholicism from Calvinism. He was one of the most influential nobles in the Grand Duchy of LithuaniaLew Sapieha gave the church and surrounding buildings for the Bernardine nuns to have a convent and built a Sapieha family mausoleum in the churchThe convent was also a place where the daughters of rich aristocrats were taught. Today, the Church Heritage Museum operates in the churchAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

St. Lazarus' almshouse operated in this church, plague and famine victims were buried there. In 1715, the church and the monastery were given to the brethren of St. Rochus who tended to sick people, and in 1752 - to the sisters of MaryIn a cemetery at the church many outstanding people were buried, among others architect Laurynas Stuoka-Gucevičius. A memorial plaque to him is set up on the south façade of the church. However, later the cemetery was turned into a storage site of construction materialsThe church was severely damaged during a fire in 1794. The church was reconstructed and slightly transformed in 1801-1806. In 1864, the convent was closed down, and the buildings converted into a prisonAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020[wpedon id="1558" align="left"]

End of Stiklų St. on the intersection with Dominikonų St. and Šv. Ignoto St. in the Old Town in VilniusIn Stiklų St. No. 4 stands a typical building with a so-called Courtyard of the Printing House. Its history goes back to the 15th century. In the 16th century it held the Mamonichi printing house. A Gothic building in the courtyard with the exterior and fragments of the interior was reconstructed in 1974. In front of it a sculpture of "The Chronicler" is erected in 1973Wall (right) of the former Russian Orthodox church in Stiklų St. No. 17All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020[wpedon id="1558" align="left"]

The building was noted for its stately late Baroque appearance. Michelangelo Palloni and Pietro Perti are thought to be the authors of the decorationsNoteworthy is an interesting Baroque pediment with a stucco bas-reliefA courtyard of the estate. Today, the buildings belongs to the Lithuanian Academy of Music and TheatreAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020[wpedon id="1558" align="left"]

The Old Campus in the Old town - Rectorate building. On April 1st, 1579 the King of Poland and Grand Duke of Lithuania Stephen Bathory issues a royal charter recognizing the Jesuit College into a universityThe Old Campus in the Old town - Rector's Office and former Astronomical Observatory building (right) and the Central Library building (left) with the Central Library Courtyard in front of the buildingsThe History Facutly building (left) and the Central Library building (right) with the arched gates to Mikalojus Dukša Courtyard (left) and Mathias Casimir Sarbievius Courtyard (forward). The Old Campus of the university has 13 courtyardsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

It is thought that a settlement existed on this site before the times of Gediminas and even Mindaugas (killed in 1263), in the 12th centuryThere are several interesting buildings on Bokšto StreetView of Vilnius' Bastion from Bokšto StreetAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The church received its current form in 1738-1749 after fires in the cityThe church was rebuilted by Vilnius Baroque architect J. K. Glaubitz in the ornate Late Baroque style, and installed 24 altars insite The church bell tower received its current shape in 1737. The bell tower is 68 m tall. It is the tallest building in Vilnius Old TownAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The architect of the Vilnius Bastion is unknown. The building that rose in the early 17th century is attributed to the period of late Renaissance and in that period Vilnius did not have a municipal architectThe wars of the mid-17th century and the 18th century weakened the military power of the Grand Duchy of Lithuania. The army led by the Russian Emperor Aleksey Mikhailovich approached Vilnius in August 1655 and seized the cityWhen Vilnius was liberated in 1660, the city's defensive fortifications needed repair. However, there was not enough funds and the citizens were unable to maintain defensive fortifications, supply them with arms and gunpowder and provide securityAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

Until the 15th century, the castle was the residence of the Lithuanian Grand Dukes. The complex was built from the beginning of the 14th century to the beginning of the 15th century The castle is comprised of two parts - the bailey and the residential palace, which is divided by a canal, which at the same time was filled with lake waterThe castle is surrounded in a circle by a two-story wooden galleryAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The Town Hall hosted a court, archive, weapons depository, as well as a prison for artisans that had broken the law. Burgomasters also held meetings in the Town Hall, as did the Council of Merchants Since 1991, Vilnius Old Town Hall once again is functioning as a place for holding important events like art exhibitions, concerts, conferences, meetings, etcIn the Middle Ages, the Town Hall Square was a place where physical punishment was carried out. There were gallows and a scaffold nearby, where executions were carried outAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The church is Gothic, with some Baroque forms that it acquired in the late 18th centuryIn 1812 the church was partly destroyed by the French army that used it as a granary. Since 1864 the church was closed and converted into an archive The church adjoins a monastery, the oldest in Lithuania, whose construction began in Gediminas' times (in 1334)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The Górecki estate in Dominikonų St. 15 is a two-storey Gothic house. It was built on this site in the late 15th or early 16th century. In 1649 it was bought by Vilnius UniversityZawisha estate is known since late 16th or early 17th century. It was renovated in the late 18th century. The façade is strictly symmetrical, done in the style of early Classicism. Renaissance vaults have survivedDominikonų Street is dominated by the Roman Catholic Church of the Holy Spirit and the Dominican Monastery (1501)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020[wpedon id="1558" align="left"]

Simonas Daukantas was one of the first authors to start forming the concept of an ethnic Lithuanian nation and its cultural history. The first book on the history of Lithuania "The Deeds of Ancient Lithuanians and Samogitians" was written by Simonas Daukantas (1793-1864) in 1822 while he was still studying at Vilnius UniversityThe larger part of the premises in this courtyard belongs to the Faculty of Philology. The Institute of Foreign Languages is located here too"Domus Philologiae" with the lobby of Muses on the first floor of the east wing is decorated by a fresco created by Rimtautas Gibavičius in 1969All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

Monument to the Gaon of Vilnius Elijah ben Solomon Zalman (1720-1797) called "Jewish Saga". The monument is located on the place where he lived. The house was destroyed during WWII and it was not restored. Nearby the monument there is a memorial plaque in Lithuanian and Hebrew on a building at Žydų (Jewish) Street Antokolski Street in Vilnius Old Town's Jewish Quarter. In this street the famous 19th century sculptor Mark Antokolski lived in 1843-1862. It was here he created his first sculptors depicting the inhabitants of his native quarter, which later gained recognitionMėsinių Street in Vilnius Old Town. That was one of the longest and most important street in the Jewish QuarterAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

A museum operates today in the House of Signatories, along with a memorial hall where the act of Lithuania's independence was signed on February 16th, 1918 when Lithuania was under the German occupation and administration during WWI (1915-1918)The first floor of the house with statues symbolizing agriculture and fishing is very decorative. Niches on the second floor hold two male bustsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The silver cofin of St. Casimir is under a plaster canopy accompanied by relics. Under the cofin is a miraculous painting in a silver frame, with a silver statue with the saint's attributes placed on the cofin. The relief features a very rare depiction of a smiling Blessed Virgin Mary with Baby JesusIn the chapel there are eight silver-plated wooden Baroque statues of the Kings and Grand Dukes of Poland and Lithuania from the Gediminid and Jagiellon dynasties from the 17th centuryThree-Handed Image of St. Casimir c. 1520. This painting is considered to be miraculous. In 1743 the painting was put into a silver, gold-plated framing. St. Casimir is holding lilies and a rosary, which are his symbolsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020