The church is an elegant late Baroque monument built-in 1702-1730. It is made even more attractive by an asymmetrical monastery ensemble in 1713-1730The towers date from the mid-18th century. They end in rococo domes with lanterns Both the church and the monastery belonged to the Jesuit Order. The monastery was intended for the Jesuit monks with 10 years of service experience seeking to become professed Jesiuts, i.e., to make the last ceremonial vowes All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019
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The building was noted for its stately late Baroque appearance. Michelangelo Palloni and Pietro Perti are thought to be the authors of the decorationsNoteworthy is an interesting Baroque pediment with a stucco bas-reliefA courtyard of the estate. Today, the buildings belongs to the Lithuanian Academy of Music and TheatreAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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The architect Michail Prozorov designed the rectangular building with three-walled apse according to the requirements of Karaim liturgyThe oriental-style exterior has a protruding central part and the onion-shaped dome over it. The distinctive exterior of the building emphasises its unique purposeIn 1949, the Kenessa, along with many other sacral buildings, was nationalized and closed down. In 1988, it was returned to the Karaim community. In 1993, it was re-consecrated and has remained open sinceAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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The church was financed by Grand Chancellor of the Grand Duchy of Lithuania, Grand Hetman, and Vilnius Voivode - Lew Sapieha, who had converted to Roman Catholicism from Calvinism. He was one of the most influential nobles in the Grand Duchy of LithuaniaLew Sapieha gave the church and surrounding buildings for the Bernardine nuns to have a convent and built a Sapieha family mausoleum in the churchThe convent was also a place where the daughters of rich aristocrats were taught. Today, the Church Heritage Museum operates in the churchAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019
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Town Hall Square has been a market place since very early times, and it today dominated by the Town Hall which was formerly a court, with the basement being used as prison cellsThe Town Hall back-side. The present building was constructed between 1785 and 1799 by the Classical architect Lithuanian Laurynas Stuoka-Gucevičius The square in front of the Town Hall is the venue for an annual three-day crafts market on the weekend closest to March 4th, St. Casimir's DayAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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In this house, belonging at the time to a university professor, Adam Mickiewicz stayed for a short period in 1822 and completed the poem "Gražina"It is small museum of three rooms but it is currently being expended. Among the exhibits are several portraits of Adam Mickiewicz and some period furniture, including a table and chair from Kaunas and a chair from Paris that the poet himself usedThe exhibition includes among the many volumes of his work in foreign languages, for instance, a Persian translation of his "Sonnets from the Crimea" All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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The main façade of the Presidential Palace (Prezidentura) in Vilnius at Simonas Daukantas SquareThe presidential coat-of-arms is adorning the entrance to the President's Chancellery on University StreetThe Inner Courtyard of the Presidential Palace - the palace of the President of the Republic of Lithuania since 1997All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018
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Bronze door of the Central Library of Vilnius University. It portrays the university's history (est. 1579) along with that of Konigsberg's University (est. 1544)The Observatory Tower, on the spire of which the Jesuit university founders placed an IHS monogram of JesusThe building's façade is decorated in Rococo-style window framing with sun and Zodiac signes, with mathematical and astronomical instruments in between the windows All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018
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A former Gothic façade that was uncovered at Karmelitų Str. around Rūdninkų Square in the Old Town of VilniusThe back-side façade from the inner courtyardThe back-side façade from the inner courtyard. The house is located on the territory of WWII Large Jewish GhettoAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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The museum is located in the north wing of the Old Arsenal and looks at Neolithic, Bronze and Iron Age Lithuania followed by the various tribes that inhabited the area until they combined to form a state in the 13th centuryThe museum displays object found in burial sites, such as pins, amulets, rings, brooches, knives or necklaces. You can as well as see regional dressses of Lithuanian tribes before the formation of the state in the mid-13th century The museum shows a hoard of some 16.000 17th-century coins found in 1999 in Vilnius. It is believed that the hoard may have been hidden during the 1700-1721 Great Northen War. Nevertheless, it is the largest collection of old coins to be found in Lithuania All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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This building in Savičiaus Street in Vilnius Old Town acquired its present appearance in the 18th century with the 19th-century façade. Until the mid-19th century, the building was home to Vilnius governors and burgomasters In 1995, on the artist's 120th anniversary, a memorial culture center and the flat museum was opened in this house. The center and museum, today, hosts lectures on music, art, and philosophy, as well as chamber concertsM. K. Čiurlionis created 350 musical pieces and around 500 artworks. When he lived in this house, he created his most remarkable paintingsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019
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The Church of the Assumption is one of the Vilnius' most beautiful Baroque churches and most mature building of the Vilnius' Baroque schoolConstruction on the church began in 1695 and the final work was carried out by Vilnius' Baroque architect Johann Christoph Glaubitz (1700-1767) in 1750-1756The front façade is adorned by a domical rotunda vestibule, and two elegant towers with clocks All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019
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Its foundations are superimposed on the remains of a square tower, one of the oldest brick buildings in Lithuania, whose bricks are bound in the pre-Cothis (Baltic) manner An oval four-story tower with loopholes was built on these remains. Originally, it was a defensive tower of the Lower CastleThe underground square part dates from the 13th century, and the round part - from the late 14th century All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019
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Upper Caste's Gediminas Tower (14th century) with the Royal Palace of Lithuania (the Palace of Grand Dukes of Lithuania, 16th century). Today, it houses a museum and an observation deck from which it can be seen a beautiful panorama of the city from the 75 m. high perchThe museum exposition features plans of castlereconstruction as well as armamentsGediminas Tower with the Lithuanian tricolor flag became a symbol of Lithuania. Gediminas Tower is a Western tower of the Higher Castle of Vilnius with an octagonal plan, stone foundations, and mainly brick walls built in the Gothic mannerAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018
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It was not until 1503 when Grand Duke of Lithuania and King of Poland Alexander Jagiellon granted a privilege that the construction of the wall began. The year 1522 is considered to mark the end of the construction, when Grand Duke of Lithuania Sigismund the Old exempted the residents of Vilnius from the duty of keeping guard at the castle and ordered 24 guards to be posted at the city gatesThe length of the defensive wall was 2,5 kilometres having 10 gates. The wall surrounded the territory of today's Old Town, approximatelly 100 hectars. The foundation of the defensive wall was built of stone, and bricks were mainly used at the level of loopholes and higher. The was was adapted for defence with gunpoweder-operated firearms Until the late-18th century, the Vilnius defensive wall was frequently renovated. The wall served for the last time in 1794 during the uprising led by ...
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All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic
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The Galera Gallery in the Užupis Art Incubator also operates there, where exhibitions of various kinds of art are organizedGalera of Užupis is an Alternative art gallery. That is a place similar to the former Christiana district in Copenhagen in DenmarkThe Užupis district and its Art Incubator are separated from the Old Town in Vilnius on three sides by the River Vilnia, and by a high hill on the fourth sideAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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The interior od the church is in the Rococo style with the exception of the Pac Chapel, which is late Baroque in the exterior, and rather Classical in the interior Impressive, gently-curved church pulpit in the Rococo style is created from wood and gold-plated tin in the second half of the 18th centuryThe church's mural painting is the only one of its size remaining in Lithuania. One arch depicts 19 scenes from St. Theresa's lifeAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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The building in Vilnius Street in Vilnius No. 25 in which Jonas Basanavičius died in hospital on February 16th, 1927. The day of his death coincided with the anniversary of the Independence Act in 1918A memorial plaque on the building informs that in this building in 1909 the Editorial Board of the oldest Lithuanian newspaper "Lithuanian News" started to work Another memorial plague on the building as this building housed a music school, where the famous violinist Jascha Heifetz studied in 1905-1909 All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2022
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The organ, made by famous German master Adam G. Casparini in 1776, is one of the most valuable cultural monuments of Lithuania. The organ itself is the only surviving original 18th-century instrument in LithuaniaThe church has many Baroque frescoes. In the cupola, there is a multi-figural composition "Apotheosis of the Holy Spirit" (neo-Baroque, 19th century)The altars and the pulpit are lavishly decorated with round and relief sculptures and ornamentation All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018
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