Town Hall Square has been a market place since very early times, and it today dominated by the Town Hall which was formerly a court, with the basement being used as prison cellsThe Town Hall back-side. The present building was constructed between 1785 and 1799 by the Classical architect Lithuanian Laurynas Stuoka-Gucevičius The square in front of the Town Hall is the venue for an annual three-day crafts market on the weekend closest to March 4th, St. Casimir's DayAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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Wonderful panoramic view can be seen from the roof (platform) of Gediminas Tower (Upper Castle Tower)Despite wars and destructions, the architectural ensemble of Vilnius Old Town remains unique. Baroque domes and towers of Vilnius Old Town coexist with an irregular medieval city plan Vilnius Old Town is lacking German or Scandinavian features, rather reminiscent of Prague or Rome, Vilnius differs greatly from the other Baltic capitalsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019
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Of the two wings, only the east one is open to the public. It is used as a venue for art-exhibitions, usually for work by contemporary artistsThe east wing was given a tower in the mid-19th century. As viewing a show, visitors can admire its lavishly decorated rooms, with their elaborate woodwork and intricately painted walls and ceilingsThe most magnificent building is the eastern maintenance building, in which the interiors of the second half of the 18th century have been restoredAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2021
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In this house, belonging at the time to a university professor, Adam Mickiewicz stayed for a short period in 1822 and completed the poem "Gražina"It is small museum of three rooms but it is currently being expended. Among the exhibits are several portraits of Adam Mickiewicz and some period furniture, including a table and chair from Kaunas and a chair from Paris that the poet himself usedThe exhibition includes among the many volumes of his work in foreign languages, for instance, a Persian translation of his "Sonnets from the Crimea" All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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The main façade of the Presidential Palace (Prezidentura) in Vilnius at Simonas Daukantas SquareThe presidential coat-of-arms is adorning the entrance to the President's Chancellery on University StreetThe Inner Courtyard of the Presidential Palace - the palace of the President of the Republic of Lithuania since 1997All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018
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The church and Vilnius Calvary are an expression of gratitude to God for the liberation in 1661 of Lithuania from the Russian EmpireIt is the second oldest and once the most famous Calvary in Lithuania, revered by pilgrims and processions of believersThe late Baroque church was rebuilt in the 18th century. The central nave is decorated with 18th century mural paintings, the sacristy - with 18th century stucco relief worksAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2021
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This building in Savičiaus Street in Vilnius Old Town acquired its present appearance in the 18th century with the 19th-century façade. Until the mid-19th century, the building was home to Vilnius governors and burgomasters In 1995, on the artist's 120th anniversary, a memorial culture center and the flat museum was opened in this house. The center and museum, today, hosts lectures on music, art, and philosophy, as well as chamber concertsM. K. Čiurlionis created 350 musical pieces and around 500 artworks. When he lived in this house, he created his most remarkable paintingsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019
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Užupio street is the main street in the city's district of Užupis. The district was in the Soviet time one of the most dilapidated districts in Vilnius. Many of the buildings did not have electricity and sanitary facilities, and the streets were unlitThe River Užupis which separates Užupis district from the Old Town. On one side of the river is a unique ensemble of sacred buildings and a park, while on the other side is "Republic of Užupis", where a number of artists live and work"Angel of Užupis" sculpture. An angel is playing a trumpet that provides ideas about Užupis to others and protects the district. The 24th Article of the Constitution of Užupis, for instance, says that "Everyone has the right to understand nothing". The district is separated from the Old Town by the River Vilnia on three sides, and by a high hill on the fourth sideAll photos ...
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In 1986 the east winf of the Old Arsenal was restored. It houses the Museum of Applied Art and Design. The Old Arsenal enables the visitors to feel the ambience of the Renaissance Vilnius The building of the Old Arsenal was remodelled by Sigismund Augustus (second half of the 16th century) in the Renaissance style, mainly by adding a third floor (the attic), decorated in double arch niches. In was an enormous building, reputed to be the largest in the Polish-Lithuanian Commonwealth The Old Arsenal was badly damaged during the war with Russia in 1655-1661, and remained a virtual ruin until the late 18th century when in 1780 was rebuilt and burned down at the end of WWIIAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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The palace has always been representional: rulers, kings, emperors and kings-to-be like Napoleon, Stanislaus August Poniatowski, Alexander I, Louis XVIII and others used to stay there on their visits to VilniusThe Soviets turned the palace into an officer's club later to be converted into Artist HouseIn 1939, when Vilnius had been part of Lithuania, plans to settle the Presidency in the palace were advanced. However, it was not until 1997 that these plans were carried outAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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The present church was built in the late 17th century, after its predecessor was burnt down in the 1655 during the war with Russia. The church was completed only in the middle of the 18th century The nave is 24 metres high, making it the tallest in Vilnius; and its length is the same, with accounts for its concentrated appearance when viewed from the sideIn the north tower is a particularly ornate chapel, dedicated to the Dominican St. Hyacinth, with frescoes depicting scenes from his life. The fresco above the entrance depicts the Virgin Mary and Angels. The church was returned to the Dominicans in 1993All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018
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The entrance to the Knight Street in Vilnius Old TownA courtyard after the end of the Knight StreetThe end of the Knight Street (followed by the courtyard)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2021
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The architect Michail Prozorov designed the rectangular building with three-walled apse according to the requirements of Karaim liturgyThe oriental-style exterior has a protruding central part and the onion-shaped dome over it. The distinctive exterior of the building emphasises its unique purposeIn 1949, the Kenessa, along with many other sacral buildings, was nationalized and closed down. In 1988, it was returned to the Karaim community. In 1993, it was re-consecrated and has remained open sinceAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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The Library of the Lithuanian Academy of Sciences was established in 1941 together with the Academy of Sciences, in the building of the former State Wróblewski LibraryBetween two world wars, State Wróblewski Library was one of the largest libraries in Vilnius. It was founded by lower Tadeusz Wróblewski. In 1941, the new Library inherited from it some 163.000 volumes, more than 35.000 manuscripts, large collections of numismatics, cartography, and artworksAfter WWII, the Library was supplemented by extensive collections from other libraries. Today, its stocks count more than 3.77 mln itemsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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St. Lazarus' almshouse operated in this church, plague and famine victims were buried there. In 1715, the church and the monastery were given to the brethren of St. Rochus who tended to sick people, and in 1752 - to the sisters of MaryIn a cemetery at the church many outstanding people were buried, among others architect Laurynas Stuoka-Gucevičius. A memorial plaque to him is set up on the south façade of the church. However, later the cemetery was turned into a storage site of construction materialsThe church was severely damaged during a fire in 1794. The church was reconstructed and slightly transformed in 1801-1806. In 1864, the convent was closed down, and the buildings converted into a prisonAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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After being baptized in 1251 into the Roman Catholicism in 1251, Grand Duke Mindaugas built the first cathedral in Vilnius on the site of the present-day Cathedral Basilica (Cathedral of St. Stanislaus and St. Vladislaus). Before that, in pagan times an altar, a sacred fire or even a Perkūnas sanctuary was located on the site of today's Cathedral Basilica The creation of the Lithuanian state started as late as the 13th century. Its first outstanding ruler Mindaugas was baptized in 1251 and crowned King of Lithuania on July 6th, 1253. Today, July 6th is a national holiday of Lithuanian statehood It is assumed that it was Mindaugas who built the first Cathedral in Vilnius. Traces of the original Cathedral incorporating Romanesque style features have been discovered in the vaults of the present Cathedral. After Mindaugas's death, the Christian (Roman Catholic) Cathedral was turned into a place of pagan worship. The author ...
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An idea to designate this small street a memorial site to writers began to be implemented in 2008Literatų Street No. 5: The Piasecki house built in the late 18th century. In 1823, having arrived from Kaunas, Adam Mickiewicz resided here at the invitation of the parents of his friend Kazimierz Piasecki. On the pediment of the entry arch a memorial plaque with a Polish inscription is set up; plaques with Lithuanian and Russian inscriptions are set below on both sides of the arch In the 19th century there were many bookshops on this street, hence its nameAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019
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One of Baroque gates of the Sapieha ParkAmong the surviving details of the palace are Baroque façades with stucco relief works by Pietro Perti and three Baroque gates. The park is the only one in Vilnius Vilnius with features of a regular Baroque park The palace and the gates were decorated with sculptures and frescoes created by masters who had worked in the Church of St. Peter and St. Paul and St. Casimir's Chapel of the Cathedral Basilica in VilniusAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019
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The founder of the church was a Grand Hetman and Vilnius Voivode of the Grand Duchy of Lithuania. The 17th-century church's façade is modest, however the interior is richly ornate with a number of stucco mouldings The church was built to mark the liberation of Vilnius from Moscow (The 1655-1661 War) and the founder's own escape from the hands of rebellious soldiers. The interior was created by the Italians G. P. Perti and G. M. Galli, who decorated it with more than 2,000 stucco mouldings The chandelier was created in 1905 in Riga and represents the Biblical Noah's arkAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018
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A semi-circular corridor of the Bastion of Vilnius, where cannons were lined up at embrasures, was called a casemate. A special platform with a parapet for heavy artillery was built on the terrace of the bastionA 48-m long, 2,8-m wide and 3,5 m high impressive tunnel leads from the tower to the underground casemate. Cannons brought to the tower would be rolled down this tunnelThe main part of the Bastion of Vilnius is the casemate. It is an underground horseshoe-shaped room for cannons. The casemate forms a semicircle around a 3-4 metre-high hill heightened with sand. From the outside the façade is 8 m high, and sloping, and is built from bricksAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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