A former Gothic façade that was uncovered at Karmelitų Str. around Rūdninkų Square in the Old Town of VilniusThe back-side façade from the inner courtyardThe back-side façade from the inner courtyard. The house is located on the territory of WWII Large Jewish GhettoAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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At the egde of Vingio Park, stands a Classical chapel built by Governor Nikolai Repnin for his wife in 1799-1800Behind the chapel, one can find the restored graves of the German, Russian, Polish, Turkish and Austro-Hungarian soldiers killed in both world wars A monument to the soldiers of the Central Powers killed in WWI in Vingio ParkAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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The Church of the Assumption is one of the Vilnius' most beautiful Baroque churches and most mature building of the Vilnius' Baroque schoolConstruction on the church began in 1695 and the final work was carried out by Vilnius' Baroque architect Johann Christoph Glaubitz (1700-1767) in 1750-1756The front façade is adorned by a domical rotunda vestibule, and two elegant towers with clocks All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019
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One of the focal touristic attractions in the Žvėrynas district of Vilnius is the traditional type of the wooden houses coloured in different coloursŽvėrynas means "menagerie" or "beastland". In the 19th century a forest grew in this areaSince 1893, the process of urbanization of the district of Žvėrynas started with the building of wooden and brick villas and summerhouses. Today, this district of Vilnius is a prestigiuos residential part of the capitalAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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Cathedral Basilica of St. Stanislaus and St. Vladislaus in Vilnius. Today the Cathedral Basilica is in the Classicist style as it was redisigned in 1783-1801 by Lithuanian architect Laurynas Gucevičius Baroque-style Cathedral's St. Casimir's Chapel built in 1610-1632 for holding the remains of St. Casimir (declared in 1604 by Pope Clemens VIII as the saint Cathedral Basilica Bell Tower. It is rebuilt tower that was part of the defensive wall that encircled the Lower CastleSaveAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018
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Althought it appears quite large from the outside, the thikness of the tower's walls make it a relatively small exibition space. Its floors hold various items of weaponry and engravings, and models which give an idea of how the site looked and was used in earlier timesThere are models of the three castles from the 14th and early 17th century. They provide an interesting comparison, to show how the site developedThe focal attraction of the museum is the view from the roof, and a narrow staircase leads visitors up to a parapet that overlooks the entire center of the city. This is the best place from which to appreciate the variety of colours of the Old TownAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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A plaque above the entrance to the courtyard of the house in which Mark Antokolski lived in the Old Town of VilniusThe inner courtyard of the house in which Mark Antokolski livedMark Antokolski returned to Vilnius every summer while studying at the Imperial Art Academy in St. Petersburg in the years 1862-1868All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019
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The building in Vilnius Street in Vilnius No. 25 in which Jonas Basanavičius died in hospital on February 16th, 1927. The day of his death coincided with the anniversary of the Independence Act in 1918A memorial plaque on the building informs that in this building in 1909 the Editorial Board of the oldest Lithuanian newspaper "Lithuanian News" started to work Another memorial plague on the building as this building housed a music school, where the famous violinist Jascha Heifetz studied in 1905-1909 All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2022
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The Užupis Art Incubator is open to all beginning and experienced artistsA view from the Užupis Art Incubator to the Russian Orthodox Church of the Blessed Mother of GodThe River of Vilnia seen from the Užupis Art IncubatorAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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The architect Michail Prozorov designed the rectangular building with three-walled apse according to the requirements of Karaim liturgyThe oriental-style exterior has a protruding central part and the onion-shaped dome over it. The distinctive exterior of the building emphasises its unique purposeIn 1949, the Kenessa, along with many other sacral buildings, was nationalized and closed down. In 1988, it was returned to the Karaim community. In 1993, it was re-consecrated and has remained open sinceAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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In 1695 the Trinitarians set up a community on the right bank of the River Neris just to the north of Vilnius. Therefore, the place is known as Trinapolis (a city of the Trinitarians)In 1750-1760 Trinapolis was reconstructed in the late Baroque style. It was a summer residence of Vilnius bishopsIn Soviet times the church was closed down. Today, the monastery is used as a retreat house by an order of nuns, and the church is not regularly openAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2022
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The Grand Duke of Lithuania Sigismund (1432-1440), who ruled briefly after the death of his brother Vytautas the Great (died in 1430), granted equal rights to the Russian Orthodox believers living in the capital-city of Vilnius - before long they came to constitute one half of the members of the city board and guild elders In the Middle Ages Vilnius (today Old Town) was increasingly multy-national as it was the case with the Grand Duchy of Lithuania as well. The city was, in fact, divided into four quarters according to the ethnic and religious belonging of its citizens: the German Quarter, the Russian Quarter, the Jewish Quarter, and the Tartar Quarter. Each of these city quarters had the main street named according to the ethnic belonging of their inhabitantsThe Russian Street in Old Town of Vilnius ends with the Russian Orthodox Cathedral (Sobor) of the Dormition of the Holy Mother ...
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The Church of the Heart of Jesus is a significant monument of Baroque (finished in 1756). It is the only Roman Catholic church in Lithuania to be built along a Greek Orthodox cross designThe church has a large octagonal cupola (dome) and a very reach the elegant exterior. The interior is no less magnificent, although it was severely damaged during the Soviet timeAfter 1945, a prison was established in the church and convent buildings. The church interior and the plan of the convent buildings were transformed. After 1990, the sacral buildings are returned to their former ownersAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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The silver cofin of St. Casimir is under a plaster canopy accompanied by relics. Under the cofin is a miraculous painting in a silver frame, with a silver statue with the saint's attributes placed on the cofin. The relief features a very rare depiction of a smiling Blessed Virgin Mary with Baby JesusIn the chapel there are eight silver-plated wooden Baroque statues of the Kings and Grand Dukes of Poland and Lithuania from the Gediminid and Jagiellon dynasties from the 17th centuryThree-Handed Image of St. Casimir c. 1520. This painting is considered to be miraculous. In 1743 the painting was put into a silver, gold-plated framing. St. Casimir is holding lilies and a rosary, which are his symbolsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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The Bastion is comprised of a tower, cannon room and 48 m. the long corridor connecting it with the towerThe walls and moats of the Bastion were excavated in 1965-1970, and the canon room was renovated in 1985-1986 The entire Bastion is converted into a museum, and since 1987 it houses an exhibition of defensive fortifications and weaponryAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019
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The present church was built in the late 17th century, after its predecessor was burnt down in the 1655 during the war with Russia. The church was completed only in the middle of the 18th century The nave is 24 metres high, making it the tallest in Vilnius; and its length is the same, with accounts for its concentrated appearance when viewed from the sideIn the north tower is a particularly ornate chapel, dedicated to the Dominican St. Hyacinth, with frescoes depicting scenes from his life. The fresco above the entrance depicts the Virgin Mary and Angels. The church was returned to the Dominicans in 1993All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018
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A museum operates today in the House of Signatories, along with a memorial hall where the act of Lithuania's independence was signed on February 16th, 1918 when Lithuania was under the German occupation and administration during WWI (1915-1918)The first floor of the house with statues symbolizing agriculture and fishing is very decorative. Niches on the second floor hold two male bustsHaving acquired this house in the late 19th century, Karol Sztral reconstructed it according to architect Aleksei Polozov's project in the style of HistoricismAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019
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The founder of the church was a Grand Hetman and Vilnius Voivode of the Grand Duchy of Lithuania. The 17th-century church's façade is modest, however the interior is richly ornate with a number of stucco mouldings The church was built to mark the liberation of Vilnius from Moscow (The 1655-1661 War) and the founder's own escape from the hands of rebellious soldiers. The interior was created by the Italians G. P. Perti and G. M. Galli, who decorated it with more than 2,000 stucco mouldings The chandelier was created in 1905 in Riga and represents the Biblical Noah's arkAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018
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The Town Hall hosted a court, archive, weapons depository, as well as a prison for artisans that had broken the law. Burgomasters also held meetings in the Town Hall, as did the Council of Merchants Since 1991, Vilnius Old Town Hall once again is functioning as a place for holding important events like art exhibitions, concerts, conferences, meetings, etcIn the Middle Ages, the Town Hall Square was a place where physical punishment was carried out. There were gallows and a scaffold nearby, where executions were carried outAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019
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The architect of the Vilnius Bastion is unknown. The building that rose in the early 17th century is attributed to the period of late Renaissance and in that period Vilnius did not have a municipal architectThe wars of the mid-17th century and the 18th century weakened the military power of the Grand Duchy of Lithuania. The army led by the Russian Emperor Aleksey Mikhailovich approached Vilnius in August 1655 and seized the cityWhen Vilnius was liberated in 1660, the city's defensive fortifications needed repair. However, there was not enough funds and the citizens were unable to maintain defensive fortifications, supply them with arms and gunpowder and provide securityAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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