The Building in Vilnius Street No. 25

Upper Caste's Gediminas Tower (14th century) with the Royal Palace of Lithuania (the Palace of Grand Dukes of Lithuania, 16th century). Today, it houses a museum and an observation deck from which it can be seen a beautiful panorama of the city from the 75 m. high perchThe museum exposition features plans of castlereconstruction as well as armamentsGediminas Tower with the Lithuanian tricolor flag became a symbol of Lithuania. Gediminas Tower is a Western tower of the Higher Castle of Vilnius with an octagonal plan, stone foundations, and mainly brick walls built in the Gothic mannerAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

This is the first Evangelical Lutheran Church (Kirche) built-in Vilnius in 1555 on the initiative of the Chancellor of the Grand Duchy of Lithuania Nicholas Radziwiłł the Black. In front of the church, there is a monument erected to Martin Luther The church was rebuilt in 1662 and substantially reconstructed in 1738-1744. In 1944 it was closed down. In 1993 it was returned to the parishioners and renovatedThe church has a single nave and an original pentagonal shape. Its magnificent high altar was designed by German Protestant architect Jan (Johan) Krzysztof GlaubitzAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The church is endowed by Juliana, the wife of Lithuania's Grand Duke Algirdas (1345-1377) and mother of Lithuania's and Poland's ruler Jogaila. Grand Duke of Lithuania Jogaila baptized Lithuania in 1387. She was buried in the churchFragments of Gothic masonry have survived in the bottom part and in some segments up to the top. The present façades and the cupola imitate Georgian medieval architectureIn 1415 the church was transformed into a cathedral. In 1511-1522 it was reconstructed by Prince Constantine Ostrogsky. In 1516 Helen (a Russian Orthodox), wife of Alexander Jagiellon (Polish King and Lithuanian Grand Duke) was buried there. In 1609 the cathedral was given to the Uniates (Greek Catholics). In 1865-1868 it rendered its present appearance, and it began to function as a church again All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The Church of the Assumption is one of the Vilnius' most beautiful Baroque churches and most mature building of the Vilnius' Baroque schoolConstruction on the church began in 1695 and the final work was carried out by Vilnius' Baroque architect Johann Christoph Glaubitz (1700-1767) in 1750-1756The front façade is adorned by a domical rotunda vestibule, and two elegant towers with clocks All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

Beside the main house (close to the Antakalnio St.) stands a residential house, in which the first exhibition of Lithuanian art took place in 1907A monument to the brothers Vileišis in Vilnius near the River NerisThe main Vileišis building was one of the first in Vilnius, for whose construction a rare material in Lithuania - concrete - was used. The main house was built in 1904-1906 by the Lithuanian businessman and public figure Petras Vileišis according to a design by engineer August Klein   All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The Augustines established themselves on this site in Vilnius Old Town after 1661. The monastery date from the late 18th centuryIn 1833-1842 the monastery housed the Vilnius Spiritual Academy. In 1859 it was converted into a Russian Orthodox Church of St. AndrewIn 1918 the church was returned to the Roman Catholics and renovated. After WWII the interior was destroyed during the installation of a ferroconcrete ceiling; the church was used as a warehouse in the Soviet timeAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

In 1695 the Trinitarians set up a community on the right bank of the River Neris just to the north of Vilnius. Therefore, the place is known as Trinapolis (a city of the Trinitarians)In 1750-1760 Trinapolis was reconstructed in the late Baroque style. It was a summer residence of Vilnius bishopsIn Soviet times the church was closed down. Today, the monastery is used as a retreat house by an order of nuns, and the church is not regularly openAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2022 

The Galera Gallery in the Užupis Art Incubator also operates there, where exhibitions of various kinds of art are organizedGalera of Užupis is an Alternative art gallery. That is a place similar to the former Christiana district in Copenhagen in DenmarkThe Užupis district and its Art Incubator are separated from the Old Town in Vilnius on three sides by the River Vilnia, and by a high hill on the fourth sideAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The museum is located in the north wing of the Old Arsenal and looks at Neolithic, Bronze and Iron Age Lithuania followed by the various tribes that inhabited the area until they combined to form a state in the 13th centuryThe museum displays object found in burial sites, such as pins, amulets, rings, brooches, knives or necklaces. You can as well as see regional dressses of Lithuanian tribes before the formation of the state in the mid-13th century The museum shows a hoard of some 16.000 17th-century coins found in 1999 in Vilnius. It is believed that the hoard may have been hidden during the 1700-1721 Great Northen War. Nevertheless, it is the largest collection of old coins to be found in Lithuania All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

A monument to dr. Jonas Basanavičius in Vilnius in front of the building of the Lithuanian National PhilharmonicDr. Jonas Basanavičius chaired the session of Lithuanian Council that adopted the Act of Independence of Lithuania on 1918-02-16. He was the first to sign the Act of the Proclamation of the Lithuanian IndependenceBalancing between Lithuanian and Polish interests, he refused to participate in the opening of the Polish Stefan Batory University (today Vilnius University)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

Polish King Jan Sobieski, Russian Emperor Alexander I and French Emperor Napoleon I visited the mansion on various occasions. The building was reconstructed in 1839-1841. The present façade is ClassicalA Florentine artist Michelangelo Palloni, was invited from Italy in 1674 to work at Pažaislis monastery and church near Kaunas, and Mykolas Kazimieras Pacas then commissioned him to paint frescoes for of this estate.Unfortunately, none of the original interior, which also included rich stucco work, remainsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2022

An idea to designate this small street a memorial site to writers began to be implemented in 2008Literatų Street No. 5: The Piasecki house built in the late 18th century. In 1823, having arrived from Kaunas, Adam Mickiewicz resided here at the invitation of the parents of his friend Kazimierz Piasecki. On the pediment of the entry arch a memorial plaque with a Polish inscription is set up; plaques with Lithuanian and Russian inscriptions are set below on both sides of the arch In the 19th century there were many bookshops on this street, hence its nameAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

One of the Latin inscriptions: "This house is that of Urania: be gone profane worries! Here the humble Earth is scorned: from here one rises to the stars"Here it was a Jesuit pharmacy. Medical herbs were grown in the courtyardThe buildings of the Observatory Courtyard are the oldest in the university ensembleAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The Russian Orthodox Church of St. Parasceve (or Piatnickaya Church) is located in the centre of Vilnius' Old Town where a Russian Orthodox Church stood since the times of the Lithuanian Grand Duke Algirdas in the mid-14th centurySt. Parasceve Russian Orthodox Church is the oldest surviving Russian Orthodox Church in Lithuania located in the former Russian quarter of the Old TownThe church was reconstructed in the mid-19th century by the famous Russian architect N. ChaginAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2021

After being baptized in 1251 into the Roman Catholicism in 1251, Grand Duke Mindaugas built the first cathedral in Vilnius on the site of the present-day Cathedral Basilica (Cathedral of St. Stanislaus and St. Vladislaus). Before that, in pagan times an altar, a sacred fire or even a Perkūnas sanctuary was located on the site of today's Cathedral Basilica The creation of the Lithuanian state started as late as the 13th century. Its first outstanding ruler Mindaugas was baptized in 1251 and crowned King of Lithuania on July 6th, 1253. Today, July 6th is a national holiday of Lithuanian statehood It is assumed that it was Mindaugas who built the first Cathedral in Vilnius. Traces of the original Cathedral incorporating Romanesque style features have been discovered in the vaults of the present Cathedral. After Mindaugas's death, the Christian (Roman Catholic) Cathedral was turned into a place of pagan worship. The author ...

The main altar with Late Baroque forms, made from dark woodInterior of Church of St. Francis and St. BernardineWhile restoring the church, one of the largest mural paintings from the Late Gothic and Renaissance periods was discovered. They depict scenes from the Bible, Franciscan legends and symbolic imagesAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The church is an elegant late Baroque monument built-in 1702-1730. It is made even more attractive by an asymmetrical monastery ensemble in 1713-1730The towers date from the mid-18th century. They end in rococo domes with lanterns Both the church and the monastery belonged to the Jesuit Order. The monastery was intended for the Jesuit monks with 10 years of service experience seeking to become professed Jesiuts, i.e., to make the last ceremonial vowes All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The present church was built in the late 17th century, after its predecessor was burnt down in the 1655 during the war with Russia. The church was completed only in the middle of the 18th century The nave is 24 metres high, making it the tallest in Vilnius; and its length is the same, with accounts for its concentrated appearance when viewed from the sideIn the north tower is a particularly ornate chapel, dedicated to the Dominican St. Hyacinth, with frescoes depicting scenes from his life. The fresco above the entrance depicts the Virgin Mary and Angels. The church was returned to the Dominicans in 1993All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The architect Michail Prozorov designed the rectangular building with three-walled apse according to the requirements of Karaim liturgyThe oriental-style exterior has a protruding central part and the onion-shaped dome over it. The distinctive exterior of the building emphasises its unique purposeIn 1949, the Kenessa, along with many other sacral buildings, was nationalized and closed down. In 1988, it was returned to the Karaim community. In 1993, it was re-consecrated and has remained open sinceAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

Originally, the Vilnius Lower Castle's jurisdictional court and administration was housed in this building during the 17th and 18th centuries. In the 18th century it was reconstructed into a weapons store-house and militarry baracks. Today, the museum holds the most important archaeological, historical, and ethnic cultural collections of Lithuania that cover Lithuania's history from the Stone Age to the present-day. In front of the building is a monument to King Mindaugas In 2003, a monument to King Mindaugas was erected in the square in front of the building of New Arsenal (today Lithuanian National Museum)In the 19th century, an entrance in the Classical style was biultAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018