Church of St. Theresa and the Monastery of the Barefoot Carmelites

Polish King Jan Sobieski, Russian Emperor Alexander I and French Emperor Napoleon I visited the mansion on various occasions. The building was reconstructed in 1839-1841. The present façade is ClassicalA Florentine artist Michelangelo Palloni, was invited from Italy in 1674 to work at Pažaislis monastery and church near Kaunas, and Mykolas Kazimieras Pacas then commissioned him to paint frescoes for of this estate.Unfortunately, none of the original interior, which also included rich stucco work, remainsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2022

At the Church of the Holy Spirit, a Dominican monastery was established on St. Ignatius Street in 1501. In the 19th century, the buildings of the monastery were converted into a prison The entrance from St. Ignatius Street to the former old Jesuit Novitiate: arranged around three courtyards. It is the same age as the nearby Church of St. IgnatiusThe Church of St. Ignatius was erected from 1622 to 1647 being devastated by fires in 1748-1750. It suffered during the war against Russia from 1655 to 1661. The porch was added in the 19th century.All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

Christmas Tree decoration at the Cathedral Basilica Square in Vilnius. The belfry is seen in the backgroundChristmas decoration in front of the principal building of the castle complex in Vilnius Old Town - Cathedral BasilicaCathedral Basilica of Vilnius is erected on the place of the pagan altar with a ceasred fire to the pagan god Perkūnas (god of Thunder)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

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The silver cofin of St. Casimir is under a plaster canopy accompanied by relics. Under the cofin is a miraculous painting in a silver frame, with a silver statue with the saint's attributes placed on the cofin. The relief features a very rare depiction of a smiling Blessed Virgin Mary with Baby JesusIn the chapel there are eight silver-plated wooden Baroque statues of the Kings and Grand Dukes of Poland and Lithuania from the Gediminid and Jagiellon dynasties from the 17th centuryThree-Handed Image of St. Casimir c. 1520. This painting is considered to be miraculous. In 1743 the painting was put into a silver, gold-plated framing. St. Casimir is holding lilies and a rosary, which are his symbolsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

A museum operates today in the House of Signatories, along with a memorial hall where the act of Lithuania's independence was signed on February 16th, 1918 when Lithuania was under the German occupation and administration during WWI (1915-1918)The first floor of the house with statues symbolizing agriculture and fishing is very decorative. Niches on the second floor hold two male bustsHaving acquired this house in the late 19th century, Karol Sztral reconstructed it according to architect Aleksei Polozov's project in the style of HistoricismAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

One of the meeting rooms in the library for public lectures, book presentations and discussionsOne of the exibition hallsOne of the Reading RoomsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

Three crosses are believed to have first been erected on this hill above the Old Town of Vilnius in the 17th century to commemorate a group of 14 Franciscan monks from a nearby monastery who were martyred in the 14th century The monument has changed several times. The present one was built in 1989 to replace one that had been removed by the Soviet authorities in the 1950sOne of the best panoramic views of the Old Town of Vilnius is offered from the Hill of Three CrossesAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The Town Hall hosted a court, archive, weapons depository, as well as a prison for artisans that had broken the law. Burgomasters also held meetings in the Town Hall, as did the Council of Merchants Since 1991, Vilnius Old Town Hall once again is functioning as a place for holding important events like art exhibitions, concerts, conferences, meetings, etcIn the Middle Ages, the Town Hall Square was a place where physical punishment was carried out. There were gallows and a scaffold nearby, where executions were carried outAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The Górecki estate in Dominikonų St. 15 is a two-storey Gothic house. It was built on this site in the late 15th or early 16th century. In 1649 it was bought by Vilnius UniversityZawisha estate is known since late 16th or early 17th century. It was renovated in the late 18th century. The façade is strictly symmetrical, done in the style of early Classicism. Renaissance vaults have survivedDominikonų Street is dominated by the Roman Catholic Church of the Holy Spirit and the Dominican Monastery (1501)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

There were formerly two separate Gothic houses. Both were built before 1514 and belonged to clergy, goldsmiths, a surgeon and pharmacists. During the 1655-1661 war with Russia they were damaged and handed over to the capitulary of the Cathedral, which had them rebuilt in the Baroque styleThe building were severely damaged during the Second World War and renovated in 1957-1960Decorative Gothic façades and cylindrical vaults in the basement and on the ground floor have been reconstructed All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

A semi-circular corridor of the Bastion of Vilnius, where cannons were lined up at embrasures, was called a casemate. A special platform with a parapet for heavy artillery was built on the terrace of the bastionA 48-m long, 2,8-m wide and 3,5 m high impressive tunnel leads from the tower to the underground casemate. Cannons brought to the tower would be rolled down this tunnelThe main part of the Bastion of Vilnius is the casemate. It is an underground horseshoe-shaped room for cannons. The casemate forms a semicircle around a 3-4 metre-high hill heightened with sand. From the outside the façade is 8 m high, and sloping, and is built from bricksAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The Bastion is comprised of a tower, cannon room and 48 m. the long corridor connecting it with the towerThe walls and moats of the Bastion were excavated in 1965-1970, and the canon room was renovated in 1985-1986 The entire Bastion is converted into a museum, and since 1987 it houses an exhibition of defensive fortifications and weaponryAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

Beside the main house (close to the Antakalnio St.) stands a residential house, in which the first exhibition of Lithuanian art took place in 1907A monument to the brothers Vileišis in Vilnius near the River NerisThe main Vileišis building was one of the first in Vilnius, for whose construction a rare material in Lithuania - concrete - was used. The main house was built in 1904-1906 by the Lithuanian businessman and public figure Petras Vileišis according to a design by engineer August Klein   All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The Galera Gallery in the Užupis Art Incubator also operates there, where exhibitions of various kinds of art are organizedGalera of Užupis is an Alternative art gallery. That is a place similar to the former Christiana district in Copenhagen in DenmarkThe Užupis district and its Art Incubator are separated from the Old Town in Vilnius on three sides by the River Vilnia, and by a high hill on the fourth sideAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The Užupis Art Incubator is open to all beginning and experienced artistsA view from the Užupis Art Incubator to the Russian Orthodox Church of the Blessed Mother of GodThe River of Vilnia seen from the Užupis Art IncubatorAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

Town Hall Square has been a market place since very early times, and it today dominated by the Town Hall which was formerly a court, with the basement being used as prison cellsThe Town Hall back-side. The present building was constructed between 1785 and 1799 by the Classical architect Lithuanian Laurynas Stuoka-Gucevičius The square in front of the Town Hall is the venue for an annual three-day crafts market on the weekend closest to March 4th, St. Casimir's DayAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The Grand Duke of Lithuania Sigismund (1432-1440), who ruled briefly after the death of his brother Vytautas the Great (died in 1430), granted equal rights to the Russian Orthodox believers living in the capital-city of Vilnius - before long they came to constitute one half of the members of the city board and guild elders  In the Middle Ages Vilnius (today Old Town) was increasingly multy-national as it was the case with the Grand Duchy of Lithuania as well. The city was, in fact, divided into four quarters according to the ethnic and religious belonging of its citizens: the German Quarter, the Russian Quarter, the Jewish Quarter, and the Tartar Quarter. Each of these city quarters had the main street named according to the ethnic belonging of their inhabitantsThe Russian Street in Old Town of Vilnius ends with the Russian Orthodox Cathedral (Sobor) of the Dormition of the Holy Mother ...

In 1780, Vilnius Bishop Ignacy Massalski settled in Verkiai. He commissioned Lithuanian architect Laurynas Gucevičius to reconstruct an earlier palace. The general plan and maintenance buildings were designed by Lithuanian architect Martin KnackfussThe ensemble encompasses the park of 36 ha. Situated on two terraces, the park consisted of two parts - the upper and the great park. A view of Vilnius and the Neris River  is exposed from a steep slopeSince 1960 the ensemble belongs to the Lithuanian Academy of Science and is gradually renovatedAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2021

The architect Michail Prozorov designed the rectangular building with three-walled apse according to the requirements of Karaim liturgyThe oriental-style exterior has a protruding central part and the onion-shaped dome over it. The distinctive exterior of the building emphasises its unique purposeIn 1949, the Kenessa, along with many other sacral buildings, was nationalized and closed down. In 1988, it was returned to the Karaim community. In 1993, it was re-consecrated and has remained open sinceAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020