Church of the Holy Spirit & Former Dominican Monastery (Exterior)

The interior sculptural décor was created by Pietro Perti (Italian master) in 1700-1705. Twin towers were built on in the 18th century. It was built by the efforts of Casimir Sapieha the Younger (1637-1720) in 1694-1717 On the façade frieze two Christian soldiers taken into captivity by the Muslims are represented. The main goal of the Trinitarian Order was returning such captives to their homelands The church has an impressive cupola (dome), the interior is adorned with stucco relief works and sculptures - a large part of them is survived. The church is a "sister" to the Church of St. Peter and St Paul in Vilnius (Antakalnis)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The architect Michail Prozorov designed the rectangular building with three-walled apse according to the requirements of Karaim liturgyThe oriental-style exterior has a protruding central part and the onion-shaped dome over it. The distinctive exterior of the building emphasises its unique purposeIn 1949, the Kenessa, along with many other sacral buildings, was nationalized and closed down. In 1988, it was returned to the Karaim community. In 1993, it was re-consecrated and has remained open sinceAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

St. Lazarus' almshouse operated in this church, plague and famine victims were buried there. In 1715, the church and the monastery were given to the brethren of St. Rochus who tended to sick people, and in 1752 - to the sisters of MaryIn a cemetery at the church many outstanding people were buried, among others architect Laurynas Stuoka-Gucevičius. A memorial plaque to him is set up on the south façade of the church. However, later the cemetery was turned into a storage site of construction materialsThe church was severely damaged during a fire in 1794. The church was reconstructed and slightly transformed in 1801-1806. In 1864, the convent was closed down, and the buildings converted into a prisonAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

A monument to dr. Jonas Basanavičius in Vilnius in front of the building of the Lithuanian National PhilharmonicDr. Jonas Basanavičius chaired the session of Lithuanian Council that adopted the Act of Independence of Lithuania on 1918-02-16. He was the first to sign the Act of the Proclamation of the Lithuanian IndependenceBalancing between Lithuanian and Polish interests, he refused to participate in the opening of the Polish Stefan Batory University (today Vilnius University)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The Town Hall hosted a court, archive, weapons depository, as well as a prison for artisans that had broken the law. Burgomasters also held meetings in the Town Hall, as did the Council of Merchants Since 1991, Vilnius Old Town Hall once again is functioning as a place for holding important events like art exhibitions, concerts, conferences, meetings, etcIn the Middle Ages, the Town Hall Square was a place where physical punishment was carried out. There were gallows and a scaffold nearby, where executions were carried outAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

A museum operates today in the House of Signatories, along with a memorial hall where the act of Lithuania's independence was signed on February 16th, 1918 when Lithuania was under the German occupation and administration during WWI (1915-1918)The first floor of the house with statues symbolizing agriculture and fishing is very decorative. Niches on the second floor hold two male bustsHaving acquired this house in the late 19th century, Karol Sztral reconstructed it according to architect Aleksei Polozov's project in the style of HistoricismAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

In 1986 the east winf of the Old Arsenal was restored. It houses the Museum of Applied Art and Design. The Old Arsenal enables the visitors to feel the ambience of the Renaissance Vilnius The building of the Old Arsenal was remodelled by Sigismund Augustus (second half of the 16th century) in the Renaissance style, mainly by adding a third floor (the attic), decorated in double arch niches. In was an enormous building, reputed to be the largest in the Polish-Lithuanian Commonwealth  The Old Arsenal was badly damaged during the war with Russia in 1655-1661, and remained a virtual ruin until the late 18th century when in 1780 was rebuilt and burned down at the end of WWIIAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The main altar with Late Baroque forms, made from dark woodInterior of Church of St. Francis and St. BernardineWhile restoring the church, one of the largest mural paintings from the Late Gothic and Renaissance periods was discovered. They depict scenes from the Bible, Franciscan legends and symbolic imagesAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The founder of the church was a Grand Hetman and Vilnius Voivode of the Grand Duchy of Lithuania. The 17th-century church's façade is modest, however the interior is richly ornate with a number of stucco mouldings The church was built to mark the liberation of Vilnius from Moscow (The 1655-1661 War) and the founder's own escape from the hands of rebellious soldiers. The interior was created by the Italians G. P. Perti and G. M. Galli, who decorated it with more than 2,000 stucco mouldings The chandelier was created in 1905 in Riga and represents the Biblical Noah's arkAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

At the Church of the Holy Spirit, a Dominican monastery was established on St. Ignatius Street in 1501. In the 19th century, the buildings of the monastery were converted into a prison The entrance from St. Ignatius Street to the former old Jesuit Novitiate: arranged around three courtyards. It is the same age as the nearby Church of St. IgnatiusThe Church of St. Ignatius was erected from 1622 to 1647 being devastated by fires in 1748-1750. It suffered during the war against Russia from 1655 to 1661. The porch was added in the 19th century.All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

One of Baroque gates of the Sapieha ParkAmong the surviving details of the palace are Baroque façades with stucco relief works by Pietro Perti and three Baroque gates. The park is the only one in Vilnius Vilnius with features of a regular Baroque park The palace and the gates were decorated with sculptures and frescoes created by masters who had worked in the Church of St. Peter and St. Paul and St. Casimir's Chapel of the Cathedral Basilica in VilniusAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

Mindaugas Bridge is constructed in 2003. It has the name of the only Lithuanian King crowned on July 6th, 1253On the foothill on the left riverside of Neris, there is a Renaissance building of Old Arsenal followed by the buildings of House of the Castle Keeper and New Arsenal On the right riverside of Neris, a new business center of Vilnius is growing during the last two decadesAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The family of the noblemen Chodkiewicz bought a house that stood on this site, and transformed it into a Renaissance residenceGrand Hall of the Vilnius Picture Gallery in former Chodkiewicz PalaceThe Classicist interior of the palace is a notable feature of the building of former Chodkiewicz Palace, today the Vilnius Picture GalleryAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The north wing of the Library Courtyard with the building of the Faculty of History of the Vilnius UniversityThe entrance to the Central Library of the Vilnius University is decorated by the memorial door in 2001 for the 450 year anniversary of the first book printed in the Lithuanian language (1547)The main building with the main entrance to the Vilnius University with the Rector Office seen from the Library CourtyardAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

Church of St. Anne (left) and Bernardine Church (right). The church of St. Anne is a unique monument of red firebrick Gothic architecture in LithuaniaSt. Anne Church, designed in 1495-1500 by Benedikt Rejt, built up at the turn of the 15th century, and renovated in 1902-1909. 35 different kinds of brick were used help in creating the church. The façade was reinforced in 1960-1970St. Anne Church - a church which French Emperor Napoleon Bonaparte wanted to put on his palm and carry it over to Paris. The Church of St. Anne is symmetrical, marked by graceful, pointed forms that continue upwardAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

It was built by the Benedictine Sisters near their convent. It acquired its present-day appearance after a great fire in Vilnius in 1737. The church has a rich interior decorated with stucco mouldings and artificial marble. Today the church is restored and adapted for concerts. It also hosts the International Christopher Summer Music FestivalFlanking the church on Vilniaus Street, a particularly elegant Chapel of Providence was erected in 1641 and rebuilt in 1746The single-nave church has 9 magnificent Late Baroque altars and a pulpitAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

After being baptized in 1251 into the Roman Catholicism in 1251, Grand Duke Mindaugas built the first cathedral in Vilnius on the site of the present-day Cathedral Basilica (Cathedral of St. Stanislaus and St. Vladislaus). Before that, in pagan times an altar, a sacred fire or even a Perkūnas sanctuary was located on the site of today's Cathedral Basilica The creation of the Lithuanian state started as late as the 13th century. Its first outstanding ruler Mindaugas was baptized in 1251 and crowned King of Lithuania on July 6th, 1253. Today, July 6th is a national holiday of Lithuanian statehood It is assumed that it was Mindaugas who built the first Cathedral in Vilnius. Traces of the original Cathedral incorporating Romanesque style features have been discovered in the vaults of the present Cathedral. After Mindaugas's death, the Christian (Roman Catholic) Cathedral was turned into a place of pagan worship. The author ...

The church was named after St. Nicholas, who was the Bishop of Myra and the patron of travelers and merchants. The character of Santa Claus is thought to be based on this saintThe Church of St. Nicholas in Vilnius is the oldest surviving Late Gothic church in Lithuania. The small church was used by the Franciscan monks, who lived nearbyThe interior of the church is decorated with ornate rib and groin vaults. A 16th-century picture of St. Nicholas with a silver frame is located on the left altarAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The church was financed by Grand Chancellor of the Grand Duchy of Lithuania, Grand Hetman, and Vilnius Voivode - Lew Sapieha, who had converted to Roman Catholicism from Calvinism. He was one of the most influential nobles in the Grand Duchy of LithuaniaLew Sapieha gave the church and surrounding buildings for the Bernardine nuns to have a convent and built a Sapieha family mausoleum in the churchThe convent was also a place where the daughters of rich aristocrats were taught. Today, the Church Heritage Museum operates in the churchAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The palace has always been representional: rulers, kings, emperors and kings-to-be like Napoleon, Stanislaus August Poniatowski, Alexander I, Louis XVIII and others used to stay there on their visits to VilniusThe Soviets turned the palace into an officer's club later to be converted into Artist HouseIn 1939, when Vilnius had been part of Lithuania, plans to settle the Presidency in the palace were advanced. However, it was not until 1997 that these plans were carried outAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020