The Church of the Assumption is one of the Vilnius' most beautiful Baroque churches and most mature building of the Vilnius' Baroque schoolConstruction on the church began in 1695 and the final work was carried out by Vilnius' Baroque architect Johann Christoph Glaubitz (1700-1767) in 1750-1756The front façade is adorned by a domical rotunda vestibule, and two elegant towers with clocks All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019
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Cathedral Basilica of St. Stanislaus and St. Vladislaus in Vilnius. Today the Cathedral Basilica is in the Classicist style as it was redisigned in 1783-1801 by Lithuanian architect Laurynas Gucevičius Baroque-style Cathedral's St. Casimir's Chapel built in 1610-1632 for holding the remains of St. Casimir (declared in 1604 by Pope Clemens VIII as the saint Cathedral Basilica Bell Tower. It is rebuilt tower that was part of the defensive wall that encircled the Lower CastleSaveAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018
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Polish King Jan Sobieski, Russian Emperor Alexander I and French Emperor Napoleon I visited the mansion on various occasions. The building was reconstructed in 1839-1841. The present façade is ClassicalA Florentine artist Michelangelo Palloni, was invited from Italy in 1674 to work at Pažaislis monastery and church near Kaunas, and Mykolas Kazimieras Pacas then commissioned him to paint frescoes for of this estate.Unfortunately, none of the original interior, which also included rich stucco work, remainsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2022
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A plaque above the entrance to the courtyard of the house in which Mark Antokolski lived in the Old Town of VilniusThe inner courtyard of the house in which Mark Antokolski livedMark Antokolski returned to Vilnius every summer while studyng at the Imperial Art Academy in St. Petersburg in the years 1862-1868All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019
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An idea to designate this small street a memorial site to writers began to be implemented in 2008Literatų Street No. 5: The Piasecki house built in the late 18th century. In 1823, having arrived from Kaunas, Adam Mickiewicz resided here at the invitation of the parents of his friend Kazimierz Piasecki. On the pediment of the entry arch a memorial plaque with a Polish inscription is set up; plaques with Lithuanian and Russian inscriptions are set below on both sides of the arch In the 19th century there were many bookshops on this street, hence its nameAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019
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A monument to dr. Jonas Basanavičius in Vilnius in front of the building of the Lithuanian National PhilharmonicDr. Jonas Basanavičius chaired the session of Lithuanian Council that adopted the Act of Independence of Lithuania on 1918-02-16. He was the first to sign the Act of the Proclamation of the Lithuanian IndependenceBalancing between Lithuanian and Polish interests, he refused to participate in the opening of the Polish Stefan Batory University (today Vilnius University)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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One of the Latin inscriptions: "This house is that of Urania: be gone profane worries! Here the humble Earth is scorned: from here one rises to the stars"Here it was a Jesuit pharmacy. Medical herbs were grown in the courtyardThe buildings of the Observatory Courtyard are the oldest in the university ensembleAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018
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The Library of the Lithuanian Academy of Sciences was established in 1941 together with the Academy of Sciences, in the building of the former State Wróblewski LibraryBetween two world wars, State Wróblewski Library was one of the largest libraries in Vilnius. It was founded by lower Tadeusz Wróblewski. In 1941, the new Library inherited from it some 163.000 volumes, more than 35.000 manuscripts, large collections of numismatics, cartography, and artworksAfter WWII, the Library was supplemented by extensive collections from other libraries. Today, its stocks count more than 3.77 mln itemsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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The founder of the church was a Grand Hetman and Vilnius Voivode of the Grand Duchy of Lithuania. The 17th-century church's façade is modest, however the interior is richly ornate with a number of stucco mouldings The church was built to mark the liberation of Vilnius from Moscow (The 1655-1661 War) and the founder's own escape from the hands of rebellious soldiers. The interior was created by the Italians G. P. Perti and G. M. Galli, who decorated it with more than 2,000 stucco mouldings The chandelier was created in 1905 in Riga and represents the Biblical Noah's arkAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018
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Althought it appears quite large from the outside, the thikness of the tower's walls make it a relatively small exibition space. Its floors hold various items of weaponry and engravings, and models which give an idea of how the site looked and was used in earlier timesThere are models of the three castles from the 14th and early 17th century. They provide an interesting comparison, to show how the site developedThe focal attraction of the museum is the view from the roof, and a narrow staircase leads visitors up to a parapet that overlooks the entire center of the city. This is the best place from which to appreciate the variety of colours of the Old TownAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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Choral Synagogue is the place of the only working synagogue and school "Tarahat Hakodesh" in Vilnius This synagogue is built in the Oriental Moorish style and is only survived one out of some 105 before WWII synagogues and other Judaic prayer housesThe exterior contains an inscription in Hebrew "A prayer house is sacred for all nations", and above the pediment the tablets with the Ten Divine Commandments are representedAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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There were formerly two separate Gothic houses. Both were built before 1514 and belonged to clergy, goldsmiths, a surgeon and pharmacists. During the 1655-1661 war with Russia they were damaged and handed over to the capitulary of the Cathedral, which had them rebuilt in the Baroque styleThe building were severely damaged during the Second World War and renovated in 1957-1960Decorative Gothic façades and cylindrical vaults in the basement and on the ground floor have been reconstructed All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019
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The Vilnius Upper Castle was first mentioned on October 2nd, 1323 in Gediminas's treaty with the city and Bishop of Riga and the German Order. At that time, the Higher Castle was built of timber and later a brick castle was builtA defensive wall with 3 defensive towers encircled the stone castle in the 14th century. The two-story castle was Gothic, with walls that were 4-5 m. thick. Fires and wars devastated the castle, and it was not rebuiltOnly the western tower of the Upper Castle survived, now called Gediminas Tower. Today, it houses a museum and observation deck. One can see a beautiful panorama of Vilnius from the 75 m. high perchAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019
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In 1986 the east winf of the Old Arsenal was restored. It houses the Museum of Applied Art and Design. The Old Arsenal enables the visitors to feel the ambience of the Renaissance Vilnius The building of the Old Arsenal was remodelled by Sigismund Augustus (second half of the 16th century) in the Renaissance style, mainly by adding a third floor (the attic), decorated in double arch niches. In was an enormous building, reputed to be the largest in the Polish-Lithuanian Commonwealth The Old Arsenal was badly damaged during the war with Russia in 1655-1661, and remained a virtual ruin until the late 18th century when in 1780 was rebuilt and burned down at the end of WWIIAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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The Old Campus in the Old town - Rectorate building. On April 1st, 1579 the King of Poland and Grand Duke of Lithuania Stephen Bathory issues a royal charter recognizing the Jesuit College into a universityThe Old Campus in the Old town - Rector's Office and former Astronomical Observatory building (right) and the Central Library building (left) with the Central Library Courtyard in front of the buildingsThe History Facutly building (left) and the Central Library building (right) with the arched gates to Mikalojus Dukša Courtyard (left) and Mathias Casimir Sarbievius Courtyard (forward). The Old Campus of the university has 13 courtyardsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018
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It was built from 1633 to 1654 under the patronage of the Vice-Chancellor of the Grand Duchy of Lithuania, Stephen Pac. Most probably the exterior was designed by Italian Constantino Tencalla. The exterior of the Church of St. Theresa is designed according to the models of Roman architecture: it is noble and harmonious, built along with the vertical principle with volutes and side obelisksThe St. Theresa Church (left) is located at Dawn St. nearby the Gate of Dawn (at the top) that is famous for its miraculous image of the Mother of Mercy (or Mary of Vilnius)The chapel is built by the Barefoot Carmelite monks for the miraculous picture of Mary of Vilnius in 1671. The St. Theresa Church was built with a large Barefoot Carmelite Monastery, established near Vilnius' defensive wall All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018
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The main altar with Late Baroque forms, made from dark woodInterior of Church of St. Francis and St. BernardineWhile restoring the church, one of the largest mural paintings from the Late Gothic and Renaissance periods was discovered. They depict scenes from the Bible, Franciscan legends and symbolic imagesAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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The architect Michail Prozorov designed the rectangular building with three-walled apse according to the requirements of Karaim liturgyThe oriental-style exterior has a protruding central part and the onion-shaped dome over it. The distinctive exterior of the building emphasises its unique purposeIn 1949, the Kenessa, along with many other sacral buildings, was nationalized and closed down. In 1988, it was returned to the Karaim community. In 1993, it was re-consecrated and has remained open sinceAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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The life and work of Dr. Jurgis and Marija Šlapelis reflects the life of the region of Vilnius from the second half of the 19th century to 1940. Both of them have been cultural figures in Lithuania. Marija was actress. They published Lithuanian books that were banned at that timeDr. Jurgis and Marija Šlapelis owned the only Lithuanian language bookstore in Vilnius during 1906-1949. The Šlapelis family bought the house in 1926. Before, it was a goldsmith's workshops, and later housed a small holet called the Hotel de Philadelphie, and a wine shop The building is an example of the 17-th century architecture. Dr. Jurgis died in 1941, and Marija in 1977 at the age of 97. After WWII, the house was nationalised, and, therefore, Marija Šlapelis was forced to live in two small rooms upstairs, with the only access to them through another person's quarters. Marija stipulated in her ...
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End of Stiklų St. on the intersection with Dominikonų St. and Šv. Ignoto St. in the Old Town in VilniusIn Stiklų St. No. 4 stands a typical building with a so-called Courtyard of the Printing House. Its history goes back to the 15th century. In the 16th century it held the Mamonichi printing house. A Gothic building in the courtyard with the exterior and fragments of the interior was reconstructed in 1974. In front of it a sculpture of "The Chronicler" is erected in 1973Wall (right) of the former Russian Orthodox church in Stiklų St. No. 17All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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