SEE-VILNIUS.EU

This building in Savičiaus Street in Vilnius Old Town acquired its present appearance in the 18th century with the 19th-century façade. Until the mid-19th century, the building was home to Vilnius governors and burgomasters In 1995, on the artist's 120th anniversary, a memorial culture center and the flat museum was opened in this house. The center and museum, today, hosts lectures on music, art, and philosophy, as well as chamber concertsM. K. Čiurlionis created 350 musical pieces and around 500 artworks. When he lived in this house, he created his most remarkable paintingsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The church was financed by Grand Chancellor of the Grand Duchy of Lithuania, Grand Hetman, and Vilnius Voivode - Lew Sapieha, who had converted to Roman Catholicism from Calvinism. He was one of the most influential nobles in the Grand Duchy of LithuaniaLew Sapieha gave the church and surrounding buildings for the Bernardine nuns to have a convent and built a Sapieha family mausoleum in the churchThe convent was also a place where the daughters of rich aristocrats were taught. Today, the Church Heritage Museum operates in the churchAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

Šiltadaržio St. is ending at Bernardinų St.Art Printing House Culture Center with the Theater in the streetIn the streeet, there is a Toy Museum and other cultural atractionsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The church is Gothic, with some Baroque forms that it acquired in the late 18th centuryIn 1812 the church was partly destroyed by the French army that used it as a granary. Since 1864 the church was closed and converted into an archive The church adjoins a monastery, the oldest in Lithuania, whose construction began in Gediminas' times (in 1334)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

Monument to the Gaon of Vilnius Elijah ben Solomon Zalman (1720-1797) called "Jewish Saga". The monument is located on the place where he lived. The house was destroyed during WWII and it was not restored. Nearby the monument there is a memorial plaque in Lithuanian and Hebrew on a building at Žydų (Jewish) Street Antokolski Street in Vilnius Old Town's Jewish Quarter. In this street the famous 19th century sculptor Mark Antokolski lived in 1843-1862. It was here he created his first sculptors depicting the inhabitants of his native quarter, which later gained recognitionMėsinių Street in Vilnius Old Town. That was one of the longest and most important street in the Jewish QuarterAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

Trakų St. finishes where it meets Pylimo St, which runs along the course of the old city wall. There used to be a gate here, which was pulled down together with the wall at the very beginning of the 19th century. In the niche of the Umiastowski estate (Trakų St. 2) there is a Statue of "The City Guard" (1973) In Trakų Street, there is the Church of Our Lady of the Assumption that was founded here by the noble Goštautas family in 1387, the same year as Lithuania became converted to Christianity. However, it is believed that the church with the monastery existed even earlierOne of courtyards of the buildings in Trakų StreetAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

A plaque above the entrance to the courtyard of the house in which Mark Antokolski lived in the Old Town of VilniusThe inner courtyard of the house in which Mark Antokolski livedMark Antokolski returned to Vilnius every summer while studyng at the Imperial Art Academy in St. Petersburg in the years 1862-1868All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The Town Hall hosted a court, archive, weapons depository, as well as a prison for artisans that had broken the law. Burgomasters also held meetings in the Town Hall, as did the Council of Merchants Since 1991, Vilnius Old Town Hall once again is functioning as a place for holding important events like art exhibitions, concerts, conferences, meetings, etcIn the Middle Ages, the Town Hall Square was a place where physical punishment was carried out. There were gallows and a scaffold nearby, where executions were carried outAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The church is inconspicuous from the street, as its façade does not face the streetThe 51 meter-tall dome can be seen from seven Old Town streetsThe Dominican Church of the Holy Spirit is one of the most magnificent churches in Vilnius. It is an excellent monument of high and late Baroque  All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

In this street, it was used to be a market place where it meets Pilies street. The first Town Hall is also believed to have stood on this spot Pharmacy house in St. John St. No. 5. Georg Schulz's pharmacy operated in this house since 1639. During the war in 1655, the house was burned down. In 1781, pharmacist Koszyk acquired the ruined building and reconstructed it The Pac estate. Since 1628, the building belonged to the Pac magnate family of the Grand Duchy of Lithuania. In 1783, the dilapidated building was bought, renovated and decorated by the Chancellor of the Grand Duchy of Lithuania - Alexander Michael Sapieha. Currently, the building belongs to the Polish Embassy All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

This is the first Evangelical Lutheran Church (Kirche) built-in Vilnius in 1555 on the initiative of the Chancellor of the Grand Duchy of Lithuania Nicholas Radziwiłł the Black. In front of the church, there is a monument erected to Martin Luther The church was rebuilt in 1662 and substantially reconstructed in 1738-1744. In 1944 it was closed down. In 1993 it was returned to the parishioners and renovatedThe church has a single nave and an original pentagonal shape. Its magnificent high altar was designed by German Protestant architect Jan (Johan) Krzysztof GlaubitzAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

It was not until 1503 when Grand Duke of Lithuania and King of Poland Alexander Jagiellon granted a privilege that the construction of the wall began. The year 1522 is considered to mark the end of the construction, when Grand Duke of Lithuania Sigismund the Old exempted the residents of Vilnius from the duty of keeping guard at the castle and ordered 24 guards to be posted at the city gatesThe length of the defensive wall was 2,5 kilometres having 10 gates. The wall surrounded the territory of today's Old Town, approximatelly 100 hectars. The foundation of the defensive wall was built of stone, and bricks were mainly used at the level of loopholes and higher. The was was adapted for defence with gunpoweder-operated firearms Until the late-18th century, the Vilnius defensive wall was frequently renovated. The wall served for the last time in 1794 during the uprising led by ...

The Bastion is comprised of a tower, cannon room and 48 m. the long corridor connecting it with the towerThe walls and moats of the Bastion were excavated in 1965-1970, and the canon room was renovated in 1985-1986 The entire Bastion is converted into a museum, and since 1987 it houses an exhibition of defensive fortifications and weaponryAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The silver cofin of St. Casimir is under a plaster canopy accompanied by relics. Under the cofin is a miraculous painting in a silver frame, with a silver statue with the saint's attributes placed on the cofin. The relief features a very rare depiction of a smiling Blessed Virgin Mary with Baby JesusIn the chapel there are eight silver-plated wooden Baroque statues of the Kings and Grand Dukes of Poland and Lithuania from the Gediminid and Jagiellon dynasties from the 17th centuryThree-Handed Image of St. Casimir c. 1520. This painting is considered to be miraculous. In 1743 the painting was put into a silver, gold-plated framing. St. Casimir is holding lilies and a rosary, which are his symbolsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

Monument in Remembrance of Vilnius Ghetto Martyrs and Fighters in 1941-1943. The Large Vilnius Jewish Ghetto was liquidated on September 23, 1943, and the Jews who couold work were moved to concentration and labor campsFormer Vilnius Ghetto Theatre. Jewish institutions, which included the theatre, did not stop operating in the ghetto during WWII. A theatre was in operation in the Large Ghetto in 1942-1943 The Ghetto Library's building, now under the reconstruction. At the time of ghetto, the name of the street was Strashun Street in which the library was locatedAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

A semi-circular corridor of the Bastion of Vilnius, where cannons were lined up at embrasures, was called a casemate. A special platform with a parapet for heavy artillery was built on the terrace of the bastionA 48-m long, 2,8-m wide and 3,5 m high impressive tunnel leads from the tower to the underground casemate. Cannons brought to the tower would be rolled down this tunnelThe main part of the Bastion of Vilnius is the casemate. It is an underground horseshoe-shaped room for cannons. The casemate forms a semicircle around a 3-4 metre-high hill heightened with sand. From the outside the façade is 8 m high, and sloping, and is built from bricks All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The palace has always been representional: rulers, kings, emperors and kings-to-be like Napoleon, Stanislaus August Poniatowski, Alexander I, Louis XVIII and others used to stay there on their visits to VilniusThe Soviets turned the palace into an officer's club later to be converted into Artist HouseIn 1939, when Vilnius had been part of Lithuania, plans to settle the Presidency in the palace were advanced. However, it was not until 1997 that these plans were carried outAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The Jewish Str. in Vilnius was known as hosted the Great Synagogue of Vilnius, the Jewish (Strashun) Library of Vilnius, the Schulhoyf yard, the Gaon House and the Gaon Synagogue among other buildings Gaon Str. with the Stikliai (Glass) Hotel on the corner of the Glass Square where the glass products have been sold since the mid-16th centuryAt the entrance to Gaon Str. in 1941 it was the gate to the Small Jewish Ghetto which existed from September 6th to October 29, 1941. The Small Jewish Ghetto had around 11.000 inhabitantsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The architect of the Vilnius Bastion is unknown. The building that rose in the early 17th century is attributed to the period of late Renaissance and in that period Vilnius did not have a municipal architectThe wars of the mid-17th century and the 18th century weakened the military power of the Grand Duchy of Lithuania. The army led by the Russian Emperor Aleksey Mikhailovich approached Vilnius in August 1655 and seized the cityWhen Vilnius was liberated in 1660, the city's defensive fortifications needed repair. However, there was not enough funds and the citizens were unable to maintain defensive fortifications, supply them with arms and gunpowder and provide securityAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The life and work of Dr. Jurgis and Marija Šlapelis reflects the life of the region of Vilnius from the second half of the 19th century to 1940. Both of them have been cultural figures in Lithuania. Marija was actress. They published Lithuanian books that were banned at that timeDr. Jurgis and Marija Šlapelis owned the only Lithuanian language bookstore in Vilnius during 1906-1949. The Šlapelis family bought the house in 1926. Before, it was a goldsmith's workshops, and later housed a small holet called the Hotel de Philadelphie, and a wine shop The building is an example of the 17-th century architecture. Dr. Jurgis died in 1941, and Marija in 1977 at the age of 97. After WWII, the house was nationalised, and, therefore, Marija Šlapelis was forced to live in two small rooms upstairs, with the only access to them through another person's quarters. Marija stipulated in her ...