Historical Vilnius & Trakai

The church was originally Gothic but in 1750-1755 it was restored according to design by Franz Ignatius Hoffer and acquired some late Baroque and Rococo featuresNearby the church building stand the 17th-18th-century buildings of the Carmelite Monastery which had a rich archive and library. A study centre opereted there. In 1797-1944 it housed the Ecclesiastical Seminary  Today the buildings are used by the Centre for Book Research and Libraries, and the church is closed to the publicAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

There were formerly two separate Gothic houses. Both were built before 1514 and belonged to clergy, goldsmiths, a surgeon and pharmacists. During the 1655-1661 war with Russia they were damaged and handed over to the capitulary of the Cathedral, which had them rebuilt in the Baroque styleThe building were severely damaged during the Second World War and renovated in 1957-1960Decorative Gothic façades and cylindrical vaults in the basement and on the ground floor have been reconstructed All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The courtyard of the palace. In 1834 the building was reconstructed and acquired its present appearance. In 1919 it was given to the university and was home to several well-known professors The façade is harmonious, moderately decorated. The façades of the servants' house facing the courtyard and Bokšto Str. (No. 5) Today the palace houses the Vilnius Picture Gallery and the Lithuanian Art MuseumAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

Šiltadaržio St. is ending at Bernardinų St.Art Printing House Culture Center with the Theater in the streetIn the streeet, there is a Toy Museum and other cultural atractionsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The building was noted for its stately late Baroque appearance. Michelangelo Palloni and Pietro Perti are thought to be the authors of the decorationsNoteworthy is an interesting Baroque pediment with a stucco bas-reliefA courtyard of the estate. Today, the buildings belongs to the Lithuanian Academy of Music and TheatreAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

Bronze door of the Central Library of Vilnius University. It portrays the university's history (est. 1579) along with that of Konigsberg's University (est. 1544)The Observatory Tower, on the spire of which the Jesuit university founders placed an IHS monogram of JesusThe building's façade is decorated in Rococo-style window framing with sun and Zodiac signes, with mathematical and astronomical instruments in between the windows All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The north wing of the Library Courtyard with the building of the Faculty of History of the Vilnius UniversityThe entrance to the Central Library of the Vilnius University is decorated by the memorial door in 2001 for the 450 year anniversary of the first book printed in the Lithuanian language (1547)The main building with the main entrance to the Vilnius University with the Rector Office seen from the Library CourtyardAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

It was built by the Benedictine Sisters near their convent. It acquired its present-day appearance after a great fire in Vilnius in 1737. The church has a rich interior decorated with stucco mouldings and artificial marble. Today the church is restored and adapted for concerts. It also hosts the International Christopher Summer Music FestivalFlanking the church on Vilniaus Street, a particularly elegant Chapel of Providence was erected in 1641 and rebuilt in 1746The single-nave church has 9 magnificent Late Baroque altars and a pulpitAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The main altar with Late Baroque forms, made from dark woodInterior of Church of St. Francis and St. BernardineWhile restoring the church, one of the largest mural paintings from the Late Gothic and Renaissance periods was discovered. They depict scenes from the Bible, Franciscan legends and symbolic imagesAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The palace has always been representional: rulers, kings, emperors and kings-to-be like Napoleon, Stanislaus August Poniatowski, Alexander I, Louis XVIII and others used to stay there on their visits to VilniusThe Soviets turned the palace into an officer's club later to be converted into Artist HouseIn 1939, when Vilnius had been part of Lithuania, plans to settle the Presidency in the palace were advanced. However, it was not until 1997 that these plans were carried outAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

One of Baroque gates of the Sapieha ParkAmong the surviving details of the palace are Baroque façades with stucco relief works by Pietro Perti and three Baroque gates. The park is the only one in Vilnius Vilnius with features of a regular Baroque park The palace and the gates were decorated with sculptures and frescoes created by masters who had worked in the Church of St. Peter and St. Paul and St. Casimir's Chapel of the Cathedral Basilica in VilniusAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The family of the noblemen Chodkiewicz bought a house that stood on this site, and transformed it into a Renaissance residenceGrand Hall of the Vilnius Picture Gallery in former Chodkiewicz PalaceThe Classicist interior of the palace is a notable feature of the building of former Chodkiewicz Palace, today the Vilnius Picture GalleryAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The Augustines established themselves on this site in Vilnius Old Town after 1661. The monastery date from the late 18th centuryIn 1833-1842 the monastery housed the Vilnius Spiritual Academy. In 1859 it was converted into a Russian Orthodox Church of St. AndrewIn 1918 the church was returned to the Roman Catholics and renovated. After WWII the interior was destroyed during the installation of a ferroconcrete ceiling; the church was used as a warehouse in the Soviet timeAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The church is endowed by Juliana, the wife of Lithuania's Grand Duke Algirdas (1345-1377) and mother of Lithuania's and Poland's ruler Jogaila. Grand Duke of Lithuania Jogaila baptized Lithuania in 1387. She was buried in the churchFragments of Gothic masonry have survived in the bottom part and in some segments up to the top. The present façades and the cupola imitate Georgian medieval architectureIn 1415 the church was transformed into a cathedral. In 1511-1522 it was reconstructed by Prince Constantine Ostrogsky. In 1516 Helen (a Russian Orthodox), wife of Alexander Jagiellon (Polish King and Lithuanian Grand Duke) was buried there. In 1609 the cathedral was given to the Uniates (Greek Catholics). In 1865-1868 it rendered its present appearance, and it began to function as a church again All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

It is thought that a settlement existed on this site before the times of Gediminas and even Mindaugas (killed in 1263), in the 12th centuryThere are several interesting buildings on Bokšto StreetView of Vilnius' Bastion from Bokšto StreetAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

A museum operates today in the House of Signatories, along with a memorial hall where the act of Lithuania's independence was signed on February 16th, 1918 when Lithuania was under the German occupation and administration during WWI (1915-1918)The first floor of the house with statues symbolizing agriculture and fishing is very decorative. Niches on the second floor hold two male bustsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

A monument to dr. Jonas Basanavičius in Vilnius in front of the building of the Lithuanian National PhilharmonicDr. Jonas Basanavičius chaired the session of Lithuanian Council that adopted the Act of Independence of Lithuania on 1918-02-16. He was the first to sign the Act of the Proclamation of the Lithuanian IndependenceBalancing between Lithuanian and Polish interests, he refused to participate in the opening of the Polish Stefan Batory University (today Vilnius University)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

Christmas Tree decoration at the Cathedral Basilica Square in Vilnius. The belfry is seen in the backgroundChristmas decoration in front of the principal building of the castle complex in Vilnius Old Town - Cathedral BasilicaCathedral Basilica of Vilnius is erected on the place of the pagan altar with a ceasred fire to the pagan god Perkūnas (god of Thunder)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

Church of St. Anne (left) and Bernardine Church (right). The church of St. Anne is a unique monument of red firebrick Gothic architecture in LithuaniaSt. Anne Church, designed in 1495-1500 by Benedikt Rejt, built up at the turn of the 15th century, and renovated in 1902-1909. 35 different kinds of brick were used help in creating the church. The façade was reinforced in 1960-1970St. Anne Church - a church which French Emperor Napoleon Bonaparte wanted to put on his palm and carry it over to Paris. The Church of St. Anne is symmetrical, marked by graceful, pointed forms that continue upwardAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The Church of the Assumption is one of the Vilnius' most beautiful Baroque churches and most mature building of the Vilnius' Baroque schoolConstruction on the church began in 1695 and the final work was carried out by Vilnius' Baroque architect Johann Christoph Glaubitz (1700-1767) in 1750-1756The front façade is adorned by a domical rotunda vestibule, and two elegant towers with clocks All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019