Vilnius Old Town Hall

This is the first Evangelical Lutheran Church (Kirche) built-in Vilnius in 1555 on the initiative of the Chancellor of the Grand Duchy of Lithuania Nicholas Radziwiłł the Black. In front of the church, there is a monument erected to Martin Luther The church was rebuilt in 1662 and substantially reconstructed in 1738-1744. In 1944 it was closed down. In 1993 it was returned to the parishioners and renovatedThe church has a single nave and an original pentagonal shape. Its magnificent high altar was designed by German Protestant architect Jan (Johan) Krzysztof GlaubitzAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

A building of Jewish Center of Culture and Information in the area of the Large Jewish Ghetto in 1941-1943. In this house a famous Vilnius resident Dr. Tzemach Shabad livedTzemach Shabad (1864-1935) was not only a good doctor, but a societal and community figure, and humanist as well. A monument (in 2007 erected) to him on the territory of WWII Large Jewish GhettoA plaque of a plan of the Jewish Ghetto in 1941-1943. There were Small and Large Jewish Ghettos existing from September 6th, 1941 to September 23rd, 1943. Today, September 23rd is the National Memorial Day for the Holocaust/Genocide of the Lithuanian Jews All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The entrance to the courtyard in which the Judenrat (Jewish Council) was located during WWII in the Large Jewish Ghetto in VilniusThe building of the Judenrat which functioned from September 1941 to September 1943 within the Large Jewish Ghetto that was formed around Rūdninkų SquareHebrew inscription above the windows on a former Jewish shopAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The architect Michail Prozorov designed the rectangular building with three-walled apse according to the requirements of Karaim liturgyThe oriental-style exterior has a protruding central part and the onion-shaped dome over it. The distinctive exterior of the building emphasises its unique purposeIn 1949, the Kenessa, along with many other sacral buildings, was nationalized and closed down. In 1988, it was returned to the Karaim community. In 1993, it was re-consecrated and has remained open sinceAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

A former Gothic façade that was uncovered at Karmelitų Str. around Rūdninkų Square in the Old Town of VilniusThe back-side façade from the inner courtyardThe back-side façade from the inner courtyard. The house is located on the territory of WWII Large Jewish GhettoAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

End of Stiklų St. on the intersection with Dominikonų St. and Šv. Ignoto St. in the Old Town in VilniusIn Stiklų St. No. 4 stands a typical building with a so-called Courtyard of the Printing House. Its history goes back to the 15th century. In the 16th century it held the Mamonichi printing house. A Gothic building in the courtyard with the exterior and fragments of the interior was reconstructed in 1974. In front of it a sculpture of "The Chronicler" is erected in 1973Wall (right) of the former Russian Orthodox church in Stiklų St. No. 17All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The main altar with Late Baroque forms, made from dark woodInterior of Church of St. Francis and St. BernardineWhile restoring the church, one of the largest mural paintings from the Late Gothic and Renaissance periods was discovered. They depict scenes from the Bible, Franciscan legends and symbolic imagesAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

A small doorway in a plain building at Pilies (Castle) Street leads through a vaulted passage into a large yard. The yard was the original place of the Botanical Garden of the Vilnius University. It was founded by a French botanist, Jean Gilibert, in 1782The Botanical Garden remained in this yard for 10 years when it was transferred to Sereikiškių Park, and as well as provided accommodation for the university professors. Before becoming the Botanic Garden, the buildings around had been a college for noblemen. After the university was closed in the mid-19th century, the buildings were used by the Medical AcademyThe yard is the best and most probably the single place in Vilnius from where to admire the spectacularly decorated top of the apse of the Church of St. John's (the church in the grand courtyard of the University of Vilnius)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav ...

The Górecki estate in Dominikonų St. 15 is a two-storey Gothic house. It was built on this site in the late 15th or early 16th century. In 1649 it was bought by Vilnius UniversityZawisha estate is known since late 16th or early 17th century. It was renovated in the late 18th century. The façade is strictly symmetrical, done in the style of early Classicism. Renaissance vaults have survivedDominikonų Street is dominated by the Roman Catholic Church of the Holy Spirit and the Dominican Monastery (1501)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

Cathedral Basilica of St. Stanislaus and St. Vladislaus in Vilnius. Today the Cathedral Basilica is in the Classicist style as it was redisigned in 1783-1801 by Lithuanian architect Laurynas Gucevičius  Baroque-style Cathedral's St. Casimir's Chapel built in 1610-1632 for holding the remains of St. Casimir (declared in 1604 by Pope Clemens VIII as the saint Cathedral Basilica Bell Tower. It is rebuilt tower that was part of the defensive wall that encircled the Lower CastleSaveAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

This building in Savičiaus Street in Vilnius Old Town acquired its present appearance in the 18th century with the 19th-century façade. Until the mid-19th century, the building was home to Vilnius governors and burgomasters In 1995, on the artist's 120th anniversary, a memorial culture center and the flat museum was opened in this house. The center and museum, today, hosts lectures on music, art, and philosophy, as well as chamber concertsM. K. Čiurlionis created 350 musical pieces and around 500 artworks. When he lived in this house, he created his most remarkable paintingsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The Bastion is comprised of a tower, cannon room and 48 m. the long corridor connecting it with the towerThe walls and moats of the Bastion were excavated in 1965-1970, and the canon room was renovated in 1985-1986 The entire Bastion is converted into a museum, and since 1987 it houses an exhibition of defensive fortifications and weaponryAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The silver cofin of St. Casimir is under a plaster canopy accompanied by relics. Under the cofin is a miraculous painting in a silver frame, with a silver statue with the saint's attributes placed on the cofin. The relief features a very rare depiction of a smiling Blessed Virgin Mary with Baby JesusIn the chapel there are eight silver-plated wooden Baroque statues of the Kings and Grand Dukes of Poland and Lithuania from the Gediminid and Jagiellon dynasties from the 17th centuryThree-Handed Image of St. Casimir c. 1520. This painting is considered to be miraculous. In 1743 the painting was put into a silver, gold-plated framing. St. Casimir is holding lilies and a rosary, which are his symbolsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

A semi-circular corridor of the Bastion of Vilnius, where cannons were lined up at embrasures, was called a casemate. A special platform with a parapet for heavy artillery was built on the terrace of the bastionA 48-m long, 2,8-m wide and 3,5 m high impressive tunnel leads from the tower to the underground casemate. Cannons brought to the tower would be rolled down this tunnelThe main part of the Bastion of Vilnius is the casemate. It is an underground horseshoe-shaped room for cannons. The casemate forms a semicircle around a 3-4 metre-high hill heightened with sand. From the outside the façade is 8 m high, and sloping, and is built from bricksAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

In 1695 the Trinitarians set up a community on the right bank of the River Neris just to the north of Vilnius. Therefore, the place is known as Trinapolis (a city of the Trinitarians)In 1750-1760 Trinapolis was reconstructed in the late Baroque style. It was a summer residence of Vilnius bishopsIn Soviet times the church was closed down. Today, the monastery is used as a retreat house by an order of nuns, and the church is not regularly openAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2022 

The life and work of Dr. Jurgis and Marija Šlapelis reflects the life of the region of Vilnius from the second half of the 19th century to 1940. Both of them have been cultural figures in Lithuania. Marija was actress. They published Lithuanian books that were banned at that timeDr. Jurgis and Marija Šlapelis owned the only Lithuanian language bookstore in Vilnius during 1906-1949. The Šlapelis family bought the house in 1926. Before, it was a goldsmith's workshops, and later housed a small holet called the Hotel de Philadelphie, and a wine shop The building is an example of the 17-th century architecture. Dr. Jurgis died in 1941, and Marija in 1977 at the age of 97. After WWII, the house was nationalised, and, therefore, Marija Šlapelis was forced to live in two small rooms upstairs, with the only access to them through another person's quarters. Marija stipulated in her ...

The church and Vilnius Calvary are an expression of gratitude to God for the liberation in 1661 of Lithuania from the Russian EmpireIt is the second oldest and once the most famous Calvary in Lithuania, revered by pilgrims and processions of believersThe late Baroque church was rebuilt in the 18th century. The central nave is decorated with 18th century mural paintings, the sacristy - with 18th century stucco relief worksAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2021

The church was originally Gothic but in 1750-1755 it was restored according to design by Franz Ignatius Hoffer and acquired some late Baroque and Rococo featuresNearby the church building stand the 17th-18th-century buildings of the Carmelite Monastery which had a rich archive and library. A study centre opereted there. In 1797-1944 it housed the Ecclesiastical Seminary  Today the buildings are used by the Centre for Book Research and Libraries, and the church is closed to the publicAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

In this street, it was used to be a market place where it meets Pilies street. The first Town Hall is also believed to have stood on this spot Pharmacy house in St. John St. No. 5. Georg Schulz's pharmacy operated in this house since 1639. During the war in 1655, the house was burned down. In 1781, pharmacist Koszyk acquired the ruined building and reconstructed it The Pac estate. Since 1628, the building belonged to the Pac magnate family of the Grand Duchy of Lithuania. In 1783, the dilapidated building was bought, renovated and decorated by the Chancellor of the Grand Duchy of Lithuania - Alexander Michael Sapieha. Currently, the building belongs to the Polish Embassy All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The church was financed by Grand Chancellor of the Grand Duchy of Lithuania, Grand Hetman, and Vilnius Voivode - Lew Sapieha, who had converted to Roman Catholicism from Calvinism. He was one of the most influential nobles in the Grand Duchy of LithuaniaLew Sapieha gave the church and surrounding buildings for the Bernardine nuns to have a convent and built a Sapieha family mausoleum in the churchThe convent was also a place where the daughters of rich aristocrats were taught. Today, the Church Heritage Museum operates in the churchAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019