"Republic of Užupis"

Užupio street is the main street in the city’s district of Užupis. The district was in the Soviet time one of the most dilapidated districts in Vilnius. Many of the buildings did not have electricity and sanitary facilities, and the streets were unlit

The River Užupis which separates Užupis district from the Old Town. On one side of the river is a unique ensemble of sacred buildings and a park, while on the other side is “Republic of Užupis”, where a number of artists live and work

“Angel of Užupis” sculpture. An angel is playing a trumpet that provides ideas about Užupis to others and protects the district. The 24th Article of the Constitution of Užupis, for instance, says that “Everyone has the right to understand nothing”. The district is separated from the Old Town by the River Vilnia on three sides, and by a high hill on the fourth side

All photos are copyrighted by Vladislav B. Sotirovic

Gediminas Tower

Upper Caste's Gediminas Tower (14th century) with the Royal Palace of Lithuania (the Palace of Grand Dukes of Lithuania, 16th century). Today, it houses a museum and an observation deck from which it can be seen a beautiful panorama of the city from the 75 m. high perchThe museum exposition features plans of castlereconstruction as well as armamentsGediminas Tower with the Lithuanian tricolor flag became a symbol of Lithuania. Gediminas Tower is a Western tower of the Higher Castle of Vilnius with an octagonal plan, stone foundations, and mainly brick walls built in the Gothic mannerAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

Lithuanian National Museum (New Arsenal) and a Monument to King Mindaugas

Originally, the Vilnius Lower Castle's jurisdictional court and administration was housed in this building during the 17th and 18th centuries. In the 18th century it was reconstructed into a weapons store-house and militarry baracks. Today, the museum holds the most important archaeological, historical, and ethnic cultural collections of Lithuania that cover Lithuania's history from the Stone Age to the present-day. In front of the building is a monument to King Mindaugas In 2003, a monument to King Mindaugas was erected in the square in front of the building of New Arsenal (today Lithuanian National Museum)In the 19th century, an entrance in the Classical style was biultAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The Building in Vilnius Street No. 25

The building in Vilnius Street in Vilnius No. 25 in which Jonas Basanavičius died in hospital on February 16th, 1927. The day of his death coincided with the anniversary of the Independence Act in 1918A memorial plaque on the building informs that in this building in 1909 the Editorial Board of the oldest Lithuanian newspaper "Lithuanian News" started to work Another memorial plague on the building as this building housed a music school, where the famous violinist Jascha Heifetz studied in 1905-1909 All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2022

The House of Signatories (Karol Sztral’s House)

A museum operates today in the House of Signatories, along with a memorial hall where the act of Lithuania's independence was signed on February 16th, 1918 when Lithuania was under the German occupation and administration during WWI (1915-1918)The first floor of the house with statues symbolizing agriculture and fishing is very decorative. Niches on the second floor hold two male bustsHaving acquired this house in the late 19th century, Karol Sztral reconstructed it according to architect Aleksei Polozov's project in the style of HistoricismAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

Vileišis Estate

Beside the main house (close to the Antakalnio St.) stands a residential house, in which the first exhibition of Lithuanian art took place in 1907A monument to the brothers Vileišis in Vilnius near the River NerisThe main Vileišis building was one of the first in Vilnius, for whose construction a rare material in Lithuania - concrete - was used. The main house was built in 1904-1906 by the Lithuanian businessman and public figure Petras Vileišis according to a design by engineer August Klein All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The Ensemble of the Verkiai Estate

In 1780, Vilnius Bishop Ignacy Massalski settled in Verkiai. He commissioned Lithuanian architect Laurynas Gucevičius to reconstruct an earlier palace. The general plan and maintenance buildings were designed by Lithuanian architect Martin KnackfussThe ensemble encompasses the park of 36 ha. Situated on two terraces, the park consisted of two parts - the upper and the great park. A view of Vilnius and the Neris River is exposed from a steep slopeSince 1960 the ensemble belongs to the Lithuanian Academy of Science and is gradually renovatedAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2021

Church of St. Theresa and the Monastery of the Barefoot Carmelites

It was built from 1633 to 1654 under the patronage of the Vice-Chancellor of the Grand Duchy of Lithuania, Stephen Pac. Most probably the exterior was designed by Italian Constantino Tencalla. The exterior of the Church of St. Theresa is designed according to the models of Roman architecture: it is noble and harmonious, built along with the vertical principle with volutes and side obelisksThe St. Theresa Church (left) is located at Dawn St. nearby the Gate of Dawn (at the top) that is famous for its miraculous image of the Mother of Mercy (or Mary of Vilnius)The chapel is built by the Barefoot Carmelite monks for the miraculous picture of Mary of Vilnius in 1671. The St. Theresa Church was built with a large Barefoot Carmelite Monastery, established near Vilnius' defensive wall All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

Stiklų St. in the Old Town in Vilnius

End of Stiklų St. on the intersection with Dominikonų St. and Šv. Ignoto St. in the Old Town in VilniusIn Stiklų St. No. 4 stands a typical building with a so-called Courtyard of the Printing House. Its history goes back to the 15th century. In the 16th century it held the Mamonichi printing house. A Gothic building in the courtyard with the exterior and fragments of the interior was reconstructed in 1974. In front of it a sculpture of "The Chronicler" is erected in 1973Wall (right) of the former Russian Orthodox church in Stiklų St. No. 17All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The Defensive Wall of Vilnius

It was not until 1503 when Grand Duke of Lithuania and King of Poland Alexander Jagiellon granted a privilege that the construction of the wall began. The year 1522 is considered to mark the end of the construction, when Grand Duke of Lithuania Sigismund the Old exempted the residents of Vilnius from the duty of keeping guard at the castle and ordered 24 guards to be posted at the city gatesThe length of the defensive wall was 2,5 kilometres having 10 gates. The wall surrounded the territory of today's Old Town, approximatelly 100 hectars. The foundation of the defensive wall was built of stone, and bricks were mainly used at the level of loopholes and higher. The was was adapted for defence with gunpoweder-operated firearms Until the late-18th century, the Vilnius defensive wall was frequently renovated. The wall served for the last time in 1794 during the uprising led by ...

Church of St. Anne

Church of St. Anne (left) and Bernardine Church (right). The church of St. Anne is a unique monument of red firebrick Gothic architecture in LithuaniaSt. Anne Church, designed in 1495-1500 by Benedikt Rejt, built up at the turn of the 15th century, and renovated in 1902-1909. 35 different kinds of brick were used help in creating the church. The façade was reinforced in 1960-1970St. Anne Church - a church which French Emperor Napoleon Bonaparte wanted to put on his palm and carry it over to Paris. The Church of St. Anne is symmetrical, marked by graceful, pointed forms that continue upwardAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

Church of St. Michael the Archangel

The church was financed by Grand Chancellor of the Grand Duchy of Lithuania, Grand Hetman, and Vilnius Voivode - Lew Sapieha, who had converted to Roman Catholicism from Calvinism. He was one of the most influential nobles in the Grand Duchy of LithuaniaLew Sapieha gave the church and surrounding buildings for the Bernardine nuns to have a convent and built a Sapieha family mausoleum in the churchThe convent was also a place where the daughters of rich aristocrats were taught. Today, the Church Heritage Museum operates in the churchAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

Jonas Basanavičius Monument in Vilnius

A monument to dr. Jonas Basanavičius in Vilnius in front of the building of the Lithuanian National PhilharmonicDr. Jonas Basanavičius chaired the session of Lithuanian Council that adopted the Act of Independence of Lithuania on 1918-02-16. He was the first to sign the Act of the Proclamation of the Lithuanian IndependenceBalancing between Lithuanian and Polish interests, he refused to participate in the opening of the Polish Stefan Batory University (today Vilnius University)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

Church of the Holy Spirit & Former Dominican Monastery (Exterior)

The church is inconspicuous from the street, as its façade does not face the streetThe 51 meter-tall dome can be seen from seven Old Town streetsThe Dominican Church of the Holy Spirit is one of the most magnificent churches in Vilnius. It is an excellent monument of high and late Baroque All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

Church of the Assumption

The Church of the Assumption is one of the Vilnius' most beautiful Baroque churches and most mature building of the Vilnius' Baroque schoolConstruction on the church began in 1695 and the final work was carried out by Vilnius' Baroque architect Johann Christoph Glaubitz (1700-1767) in 1750-1756The front façade is adorned by a domical rotunda vestibule, and two elegant towers with clocks All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

Traditional Wooden Houses in Žvėrynas

One of the focal touristic attractions in the Žvėrynas district of Vilnius is the traditional type of the wooden houses coloured in different coloursŽvėrynas means "menagerie" or "beastland". In the 19th century a forest grew in this areaSince 1893, the process of urbanization of the district of Žvėrynas started with the building of wooden and brick villas and summerhouses. Today, this district of Vilnius is a prestigiuos residential part of the capitalAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

Church of St. Jacob and Philip (1)

The church was built on the north side of the Lukiškių Square in 1624. However, the present building dates from the late 17th-18th cent.It is a single-nave Baroque church with cylindrical vaults. An image of the miraculous painting of the 18th century high altar occupies the niche above the porticoThe niches hold wooden 18th cent. statues of St. Hyacinth and St. Dominic. During the Soviet times there were designs to demolish the church but it did not ever happenAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The Russian Orthodox Church of St. Michael and St. Constantine

It is one of the most attractive Russian Orthodox churches in Vilnius: the exterior is a profusion of shining onion-shape domes; but the interior is remarkably serene. The interior's simplicity is interupted only by an elaborate iconostasis The internal space is created by two huge pairs of parallel semi-circular arches, intersecting at the top under the central dome which is also the main source of lightA panel on the right of the iconostatis depicts the two saints, both from noble families in the Middle Ages, to whom the church is dedicatedAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

St. Ignatius Street

At the Church of the Holy Spirit, a Dominican monastery was established on St. Ignatius Street in 1501. In the 19th century, the buildings of the monastery were converted into a prison The entrance from St. Ignatius Street to the former old Jesuit Novitiate: arranged around three courtyards. It is the same age as the nearby Church of St. IgnatiusThe Church of St. Ignatius was erected from 1622 to 1647 being devastated by fires in 1748-1750. It suffered during the war against Russia from 1655 to 1661. The porch was added in the 19th century.All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

Jewish Quarter (II)

Monument to the Gaon of Vilnius Elijah ben Solomon Zalman (1720-1797) called "Jewish Saga". The monument is located on the place where he lived. The house was destroyed during WWII and it was not restored. Nearby the monument there is a memorial plaque in Lithuanian and Hebrew on a building at Žydų (Jewish) Street Antokolski Street in Vilnius Old Town's Jewish Quarter. In this street the famous 19th century sculptor Mark Antokolski lived in 1843-1862. It was here he created his first sculptors depicting the inhabitants of his native quarter, which later gained recognitionMėsinių Street in Vilnius Old Town. That was one of the longest and most important street in the Jewish QuarterAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The Kenessa of Vilnius – Karaite sanctuary

The architect Michail Prozorov designed the rectangular building with three-walled apse according to the requirements of Karaim liturgyThe oriental-style exterior has a protruding central part and the onion-shaped dome over it. The distinctive exterior of the building emphasises its unique purposeIn 1949, the Kenessa, along with many other sacral buildings, was nationalized and closed down. In 1988, it was returned to the Karaim community. In 1993, it was re-consecrated and has remained open sinceAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020