Church of the Assumption

The organ, made by famous German master Adam G. Casparini in 1776, is one of the most valuable cultural monuments of Lithuania. The organ itself is the only surviving original 18th-century instrument in LithuaniaThe church has many Baroque frescoes. In the cupola, there is a multi-figural composition "Apotheosis of the Holy Spirit" (neo-Baroque, 19th century)The altars and the pulpit are lavishly decorated with round and relief sculptures and ornamentation All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The founder of the church was a Grand Hetman and Vilnius Voivode of the Grand Duchy of Lithuania. The 17th-century church's façade is modest, however the interior is richly ornate with a number of stucco mouldings The church was built to mark the liberation of Vilnius from Moscow (The 1655-1661 War) and the founder's own escape from the hands of rebellious soldiers. The interior was created by the Italians G. P. Perti and G. M. Galli, who decorated it with more than 2,000 stucco mouldings The chandelier was created in 1905 in Riga and represents the Biblical Noah's arkAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The building was noted for its stately late Baroque appearance. Michelangelo Palloni and Pietro Perti are thought to be the authors of the decorationsNoteworthy is an interesting Baroque pediment with a stucco bas-reliefA courtyard of the estate. Today, the buildings belongs to the Lithuanian Academy of Music and TheatreAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The church and Vilnius Calvary are an expression of gratitude to God for the liberation in 1661 of Lithuania from the Russian EmpireIt is the second oldest and once the most famous Calvary in Lithuania, revered by pilgrims and processions of believersThe late Baroque church was rebuilt in the 18th century. The central nave is decorated with 18th century mural paintings, the sacristy - with 18th century stucco relief worksAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2021

The Town Hall hosted a court, archive, weapons depository, as well as a prison for artisans that had broken the law. Burgomasters also held meetings in the Town Hall, as did the Council of Merchants Since 1991, Vilnius Old Town Hall once again is functioning as a place for holding important events like art exhibitions, concerts, conferences, meetings, etcIn the Middle Ages, the Town Hall Square was a place where physical punishment was carried out. There were gallows and a scaffold nearby, where executions were carried outAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The church is an elegant late Baroque monument built-in 1702-1730. It is made even more attractive by an asymmetrical monastery ensemble in 1713-1730The towers date from the mid-18th century. They end in rococo domes with lanterns Both the church and the monastery belonged to the Jesuit Order. The monastery was intended for the Jesuit monks with 10 years of service experience seeking to become professed Jesiuts, i.e., to make the last ceremonial vowes All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic

Town Hall Square has been a market place since very early times, and it today dominated by the Town Hall which was formerly a court, with the basement being used as prison cellsThe Town Hall back-side. The present building was constructed between 1785 and 1799 by the Classical architect Lithuanian Laurynas Stuoka-Gucevičius The square in front of the Town Hall is the venue for an annual three-day crafts market on the weekend closest to March 4th, St. Casimir's DayAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The church was built on the north side of the Lukiškių Square in 1624. However, the present building dates from the late 17th-18th cent.It is a single-nave Baroque church with cylindrical vaults. An image of the miraculous painting of the 18th century high altar occupies the niche above the porticoThe niches hold wooden 18th cent. statues of St. Hyacinth and St. Dominic. During the Soviet times there were designs to demolish the church but it did not ever happenAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The church received its current form in 1738-1749 after fires in the cityThe church was rebuilted by Vilnius Baroque architect J. K. Glaubitz in the ornate Late Baroque style, and installed 24 altars insite The church bell tower received its current shape in 1737. The bell tower is 68 m tall. It is the tallest building in Vilnius Old TownAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The building in Vilnius Street in Vilnius No. 25 in which Jonas Basanavičius died in hospital on February 16th, 1927. The day of his death coincided with the anniversary of the Independence Act in 1918A memorial plaque on the building informs that in this building in 1909 the Editorial Board of the oldest Lithuanian newspaper "Lithuanian News" started to work Another memorial plague on the building as this building housed a music school, where the famous violinist Jascha Heifetz studied in 1905-1909 All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2022

The palace has always been representional: rulers, kings, emperors and kings-to-be like Napoleon, Stanislaus August Poniatowski, Alexander I, Louis XVIII and others used to stay there on their visits to VilniusThe Soviets turned the palace into an officer's club later to be converted into Artist HouseIn 1939, when Vilnius had been part of Lithuania, plans to settle the Presidency in the palace were advanced. However, it was not until 1997 that these plans were carried outAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The fortifications at the top of Tower St. have been restored and today form the Bastion Museum of the original early 17th century BarbecanA view from Tower St. on St. Casimir church (early 17th century Baroque style)Tower St. with the building of the former Augustine monastery (left)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

Of the two wings, only the east one is open to the public. It is used as a venue for art-exhibitions, usually for work by contemporary artistsThe east wing was given a tower in the mid-19th century. As viewing a show, visitors can admire its lavishly decorated rooms, with their elaborate woodwork and intricately painted walls and ceilingsThe most magnificent building is the eastern maintenance building, in which the interiors of the second half of the 18th century have been restoredAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2021

According to legend, the monastery and wooden church were built circa 1332 in the burial spot of the Franciscan monks that had been martyred by Lithuanian pagansThe building complex is formed in the mid-18th century. Today, the church possess six Late Baroque-style altars, with the main altar having a picture of the Holy Virgin Mary that is considered to be miraculous. A copy of the picture is painted on the façade in 1742 The monument to famous Lithuanian neo-Classicist architect Laurinas Gucevičius, the founder of Vilnius neo-Classicism, is erected in 1994 in the square in front of the church.   All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The architect Michail Prozorov designed the rectangular building with three-walled apse according to the requirements of Karaim liturgyThe oriental-style exterior has a protruding central part and the onion-shaped dome over it. The distinctive exterior of the building emphasises its unique purposeIn 1949, the Kenessa, along with many other sacral buildings, was nationalized and closed down. In 1988, it was returned to the Karaim community. In 1993, it was re-consecrated and has remained open sinceAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The church was named after St. Nicholas, who was the Bishop of Myra and the patron of travelers and merchants. The character of Santa Claus is thought to be based on this saintThe Church of St. Nicholas in Vilnius is the oldest surviving Late Gothic church in Lithuania. The small church was used by the Franciscan monks, who lived nearbyThe interior of the church is decorated with ornate rib and groin vaults. A 16th-century picture of St. Nicholas with a silver frame is located on the left altarAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

It is one of the most attractive Russian Orthodox churches in Vilnius: the exterior is a profusion of shining onion-shape domes; but the interior is remarkably serene. The interior's simplicity is interupted only by an elaborate iconostasis The internal space is created by two huge pairs of parallel semi-circular arches, intersecting at the top under the central dome which is also the main source of lightA panel on the right of the iconostatis depicts the two saints, both from noble families in the Middle Ages, to whom the church is dedicatedAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The Russian Orthodox Church of St. Parasceve (or Piatnickaya Church) is located in the centre of Vilnius' Old Town where a Russian Orthodox Church stood since the times of the Lithuanian Grand Duke Algirdas in the mid-14th centurySt. Parasceve Russian Orthodox Church is the oldest surviving Russian Orthodox Church in Lithuania located in the former Russian quarter of the Old TownThe church was reconstructed in the mid-19th century by the famous Russian architect N. ChaginAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2021

An idea to designate this small street a memorial site to writers began to be implemented in 2008Literatų Street No. 5: The Piasecki house built in the late 18th century. In 1823, having arrived from Kaunas, Adam Mickiewicz resided here at the invitation of the parents of his friend Kazimierz Piasecki. On the pediment of the entry arch a memorial plaque with a Polish inscription is set up; plaques with Lithuanian and Russian inscriptions are set below on both sides of the arch In the 19th century there were many bookshops on this street, hence its nameAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019