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In 1986 the east winf of the Old Arsenal was restored. It houses the Museum of Applied Art and Design. The Old Arsenal enables the visitors to feel the ambience of the Renaissance Vilnius The building of the Old Arsenal was remodelled by Sigismund Augustus (second half of the 16th century) in the Renaissance style, mainly by adding a third floor (the attic), decorated in double arch niches. In was an enormous building, reputed to be the largest in the Polish-Lithuanian Commonwealth  The Old Arsenal was badly damaged during the war with Russia in 1655-1661, and remained a virtual ruin until the late 18th century when in 1780 was rebuilt and burned down at the end of WWIIAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020[wpedon id="1558" align="left"]

The church received its current form in 1738-1749 after fires in the cityThe church was rebuilted by Vilnius Baroque architect J. K. Glaubitz in the ornate Late Baroque style, and installed 24 altars insite The church bell tower received its current shape in 1737. The bell tower is 68 m tall. It is the tallest building in Vilnius Old TownAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The life and work of Dr. Jurgis and Marija Šlapelis reflects the life of the region of Vilnius from the second half of the 19th century to 1940. Both of them have been cultural figures in Lithuania. Marija was actress. They published Lithuanian books that were banned at that timeDr. Jurgis and Marija Šlapelis owned the only Lithuanian language bookstore in Vilnius during 1906-1949. The Šlapelis family bought the house in 1926. Before, it was a goldsmith's workshops, and later housed a small holet called the Hotel de Philadelphie, and a wine shop The building is an example of the 17-th century architecture. Dr. Jurgis died in 1941, and Marija in 1977 at the age of 97. After WWII, the house was nationalised, and, therefore, Marija Šlapelis was forced to live in two small rooms upstairs, with the only access to them through another person's quarters. Marija stipulated in her ...

Užupio street is the main street in the city's district of Užupis. The district was in the Soviet time one of the most dilapidated districts in Vilnius. Many of the buildings did not have electricity and sanitary facilities, and the streets were unlitThe River Užupis which separates Užupis district from the Old Town. On one side of the river is a unique ensemble of sacred buildings and a park, while on the other side is "Republic of Užupis", where a number of artists live and work"Angel of Užupis" sculpture. An angel is playing a trumpet that provides ideas about Užupis to others and protects the district. The 24th Article of the Constitution of Užupis, for instance, says that "Everyone has the right to understand nothing". The district is separated from the Old Town by the River Vilnia on three sides, and by a high hill on the fourth sideAll photos ...

The main altar with Late Baroque forms, made from dark woodInterior of Church of St. Francis and St. BernardineWhile restoring the church, one of the largest mural paintings from the Late Gothic and Renaissance periods was discovered. They depict scenes from the Bible, Franciscan legends and symbolic imagesAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020[wpedon id="1558" align="left"]

The Old Campus in the Old town - Rectorate building. On April 1st, 1579 the King of Poland and Grand Duke of Lithuania Stephen Bathory issues a royal charter recognizing the Jesuit College into a universityThe Old Campus in the Old town - Rector's Office and former Astronomical Observatory building (right) and the Central Library building (left) with the Central Library Courtyard in front of the buildingsThe History Facutly building (left) and the Central Library building (right) with the arched gates to Mikalojus Dukša Courtyard (left) and Mathias Casimir Sarbievius Courtyard (forward). The Old Campus of the university has 13 courtyardsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

According to legend, the monastery and wooden church were built circa 1332 in the burial spot of the Franciscan monks that had been martyred by Lithuanian pagansThe building complex is formed in the mid-18th century. Today, the church possess six Late Baroque-style altars, with the main altar having a picture of the Holy Virgin Mary that is considered to be miraculous. A copy of the picture is painted on the façade in 1742 The monument to famous Lithuanian neo-Classicist architect Laurinas Gucevičius, the founder of Vilnius neo-Classicism, is erected in 1994 in the square in front of the church.   All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

It is thought that a settlement existed on this site before the times of Gediminas and even Mindaugas (killed in 1263), in the 12th centuryThere are several interesting buildings on Bokšto StreetView of Vilnius' Bastion from Bokšto StreetAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

Church of St. Anne (left) and Bernardine Church (right). The church of St. Anne is a unique monument of red firebrick Gothic architecture in LithuaniaSt. Anne Church, designed in 1495-1500 by Benedikt Rejt, built up at the turn of the 15th century, and renovated in 1902-1909. 35 different kinds of brick were used help in creating the church. The façade was reinforced in 1960-1970St. Anne Church - a church which French Emperor Napoleon Bonaparte wanted to put on his palm and carry it over to Paris. The Church of St. Anne is symmetrical, marked by graceful, pointed forms that continue upwardAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The main façade of the Presidential Palace (Prezidentura) in Vilnius at Simonas Daukantas SquareThe presidential coat-of-arms is adorning the entrance to the President's Chancellery on University StreetThe Inner Courtyard of the Presidential Palace - the palace of the President of the Republic of Lithuania since 1997All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

A former Gothic façade that was uncovered at Karmelitų Str. around Rūdninkų Square in the Old Town of VilniusThe back-side façade from the inner courtyardThe back-side façade from the inner courtyard. The house is located on the territory of WWII Large Jewish Ghetto All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020[wpedon id="1558" align="left"]

The north wing of the Library Courtyard with the building of the Faculty of History of the Vilnius UniversityThe entrance to the Central Library of the Vilnius University is decorated by the memorial door in 2001 for the 450 year anniversary of the first book printed in the Lithuanian language (1547)The main building with the main entrance to the Vilnius University with the Rector Office seen from the Library CourtyardAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020[wpedon id="1558" align="left"]

The interior sculptural décor was created by Pietro Perti (Italian master) in 1700-1705. Twin towers were built on in the 18th century. It was built by the efforts of Casimir Sapieha the Younger (1637-1720) in 1694-1717 On the façade frieze two Christian soldiers taken into captivity by the Muslims are represented. The main goal of the Trinitarian Order was returning such captives to their homelands The church has an impressive cupola (dome), the interior is adorned with stucco relief works and sculptures - a large part of them is survived. The church is a "sister" to the Church of St. Peter and St Paul in Vilnius (Antakalnis)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The silver cofin of St. Casimir is under a plaster canopy accompanied by relics. Under the cofin is a miraculous painting in a silver frame, with a silver statue with the saint's attributes placed on the cofin. The relief features a very rare depiction of a smiling Blessed Virgin Mary with Baby JesusIn the chapel there are eight silver-plated wooden Baroque statues of the Kings and Grand Dukes of Poland and Lithuania from the Gediminid and Jagiellon dynasties from the 17th centuryThree-Handed Image of St. Casimir c. 1520. This painting is considered to be miraculous. In 1743 the painting was put into a silver, gold-plated framing. St. Casimir is holding lilies and a rosary, which are his symbolsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The entrance to the courtyard in which the Judenrat (Jewish Council) was located during WWII in the Large Jewish Ghetto in VilniusThe building of the Judenrat which functioned from September 1941 to September 1943 within the Large Jewish Ghetto that was formed around Rūdninkų SquareHebrew inscription above the windows on a former Jewish shopAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The courtyard of the palace. In 1834 the building was reconstructed and acquired its present appearance. In 1919 it was given to the university and was home to several well-known professors The façade is harmonious, moderately decorated. The façades of the servants' house facing the courtyard and Bokšto Str. (No. 5) Today the palace houses the Vilnius Picture Gallery and the Lithuanian Art MuseumAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

After being baptized in 1251 into the Roman Catholicism in 1251, Grand Duke Mindaugas built the first cathedral in Vilnius on the site of the present-day Cathedral Basilica (Cathedral of St. Stanislaus and St. Vladislaus). Before that, in pagan times an altar, a sacred fire or even a Perkūnas sanctuary was located on the site of today's Cathedral Basilica The creation of the Lithuanian state started as late as the 13th century. Its first outstanding ruler Mindaugas was baptized in 1251 and crowned King of Lithuania on July 6th, 1253. Today, July 6th is a national holiday of Lithuanian statehood It is assumed that it was Mindaugas who built the first Cathedral in Vilnius. Traces of the original Cathedral incorporating Romanesque style features have been discovered in the vaults of the present Cathedral. After Mindaugas's death, the Christian (Roman Catholic) Cathedral was turned into a place of pagan worship. The author ...

Town Hall Square has been a market place since very early times, and it today dominated by the Town Hall which was formerly a court, with the basement being used as prison cellsThe Town Hall back-side. The present building was constructed between 1785 and 1799 by the Classical architect Lithuanian Laurynas Stuoka-Gucevičius The square in front of the Town Hall is the venue for an annual three-day crafts market on the weekend closest to March 4th, St. Casimir's DayAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020[wpedon id="1558" align="left"]

The Bastion is comprised of a tower, cannon room and 48 m. the long corridor connecting it with the towerThe walls and moats of the Bastion were excavated in 1965-1970, and the canon room was renovated in 1985-1986 The entire Bastion is converted into a museum, and since 1987 it houses an exhibition of defensive fortifications and weaponryAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

It was built from 1633 to 1654 under the patronage of the Vice-Chancellor of the Grand Duchy of Lithuania, Stephen Pac. Most probably the exterior was designed by Italian Constantino Tencalla. The exterior of the Church of St. Theresa is designed according to the models of Roman architecture: it is noble and harmonious, built along with the vertical principle with volutes and side obelisksThe St. Theresa Church (left) is located at Dawn St. nearby the Gate of Dawn (at the top) that is famous for its miraculous image of the Mother of Mercy (or Mary of Vilnius)The chapel is built by the Barefoot Carmelite monks for the miraculous picture of Mary of Vilnius in 1671. The St. Theresa Church was built with a large Barefoot Carmelite Monastery, established near Vilnius' defensive wall All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018