National Martynas Mažvydas Library

The organ, made by famous German master Adam G. Casparini in 1776, is one of the most valuable cultural monuments of Lithuania. The organ itself is the only surviving original 18th-century instrument in LithuaniaThe church has many Baroque frescoes. In the cupola, there is a multi-figural composition "Apotheosis of the Holy Spirit" (neo-Baroque, 19th century)The altars and the pulpit are lavishly decorated with round and relief sculptures and ornamentation All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The building was noted for its stately late Baroque appearance. Michelangelo Palloni and Pietro Perti are thought to be the authors of the decorationsNoteworthy is an interesting Baroque pediment with a stucco bas-reliefA courtyard of the estate. Today, the buildings belongs to the Lithuanian Academy of Music and TheatreAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The Bastion is comprised of a tower, cannon room and 48 m. the long corridor connecting it with the towerThe walls and moats of the Bastion were excavated in 1965-1970, and the canon room was renovated in 1985-1986 The entire Bastion is converted into a museum, and since 1987 it houses an exhibition of defensive fortifications and weaponryAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The family of the noblemen Chodkiewicz bought a house that stood on this site, and transformed it into a Renaissance residenceGrand Hall of the Vilnius Picture Gallery in former Chodkiewicz PalaceThe Classicist interior of the palace is a notable feature of the building of former Chodkiewicz Palace, today the Vilnius Picture GalleryAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The courtyard of the palace. In 1834 the building was reconstructed and acquired its present appearance. In 1919 it was given to the university and was home to several well-known professors The façade is harmonious, moderately decorated. The façades of the servants' house facing the courtyard and Bokšto Str. (No. 5) Today the palace houses the Vilnius Picture Gallery and the Lithuanian Art MuseumAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The Church of the Assumption is one of the Vilnius' most beautiful Baroque churches and most mature building of the Vilnius' Baroque schoolConstruction on the church began in 1695 and the final work was carried out by Vilnius' Baroque architect Johann Christoph Glaubitz (1700-1767) in 1750-1756The front façade is adorned by a domical rotunda vestibule, and two elegant towers with clocks All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The present church was built in the late 17th century, after its predecessor was burnt down in the 1655 during the war with Russia. The church was completed only in the middle of the 18th century The nave is 24 metres high, making it the tallest in Vilnius; and its length is the same, with accounts for its concentrated appearance when viewed from the sideIn the north tower is a particularly ornate chapel, dedicated to the Dominican St. Hyacinth, with frescoes depicting scenes from his life. The fresco above the entrance depicts the Virgin Mary and Angels. The church was returned to the Dominicans in 1993All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic

One of the focal touristic attractions in the Žvėrynas district of Vilnius is the traditional type of the wooden houses coloured in different coloursŽvėrynas means "menagerie" or "beastland". In the 19th century a forest grew in this areaSince 1893, the process of urbanization of the district of Žvėrynas started with the building of wooden and brick villas and summerhouses. Today, this district of Vilnius is a prestigiuos residential part of the capitalAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

Polish King Jan Sobieski, Russian Emperor Alexander I and French Emperor Napoleon I visited the mansion on various occasions. The building was reconstructed in 1839-1841. The present façade is ClassicalA Florentine artist Michelangelo Palloni, was invited from Italy in 1674 to work at Pažaislis monastery and church near Kaunas, and Mykolas Kazimieras Pacas then commissioned him to paint frescoes for of this estate.Unfortunately, none of the original interior, which also included rich stucco work, remainsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2022

Trakų St. finishes where it meets Pylimo St, which runs along the course of the old city wall. There used to be a gate here, which was pulled down together with the wall at the very beginning of the 19th century. In the niche of the Umiastowski estate (Trakų St. 2) there is a Statue of "The City Guard" (1973) In Trakų Street, there is the Church of Our Lady of the Assumption that was founded here by the noble Goštautas family in 1387, the same year as Lithuania became converted to Christianity. However, it is believed that the church with the monastery existed even earlierOne of courtyards of the buildings in Trakų StreetAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

A geographical centre of Europe - 25 km far from Vilnius. From 2015 Summer You will get a special Certificate that you have visited the Geographical center of Europe. Don't miss the chance to get it for freeThe Baltic States of Europe - Estonia, Latvia & LithuaniaVytis (The Knight) - The Coat of Arm of both historical Grand Duchy of Lithuania and present-day the Republic of LithuaniaOrigins of images: Facebook, Twitter, Wikimedia, Wikipedia, Flickr, Google, Imageinjection & Pinterest.Read our Disclaimer/Legal Statement!Donate to Support UsWe would like to ask you to consider a small donation to help our team keep working.

The Užupis Art Incubator is open to all beginning and experienced artistsA view from the Užupis Art Incubator to the Russian Orthodox Church of the Blessed Mother of GodThe River of Vilnia seen from the Užupis Art IncubatorAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The Russian Orthodox Church of St. Parasceve (or Piatnickaya Church) is located in the centre of Vilnius' Old Town where a Russian Orthodox Church stood since the times of the Lithuanian Grand Duke Algirdas in the mid-14th centurySt. Parasceve Russian Orthodox Church is the oldest surviving Russian Orthodox Church in Lithuania located in the former Russian quarter of the Old TownThe church was reconstructed in the mid-19th century by the famous Russian architect N. ChaginAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2021

The church was built on the north side of the Lukiškių Square in 1624. However, the present building dates from the late 17th-18th cent.It is a single-nave Baroque church with cylindrical vaults. An image of the miraculous painting of the 18th century high altar occupies the niche above the porticoThe niches hold wooden 18th cent. statues of St. Hyacinth and St. Dominic. During the Soviet times there were designs to demolish the church but it did not ever happenAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The church was financed by Grand Chancellor of the Grand Duchy of Lithuania, Grand Hetman, and Vilnius Voivode - Lew Sapieha, who had converted to Roman Catholicism from Calvinism. He was one of the most influential nobles in the Grand Duchy of LithuaniaLew Sapieha gave the church and surrounding buildings for the Bernardine nuns to have a convent and built a Sapieha family mausoleum in the churchThe convent was also a place where the daughters of rich aristocrats were taught. Today, the Church Heritage Museum operates in the churchAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The entrance to the Knight Street in Vilnius Old TownA courtyard after the end of the Knight StreetThe end of the Knight Street (followed by the courtyard)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2021

Beside the main house (close to the Antakalnio St.) stands a residential house, in which the first exhibition of Lithuanian art took place in 1907A monument to the brothers Vileišis in Vilnius near the River NerisThe main Vileišis building was one of the first in Vilnius, for whose construction a rare material in Lithuania - concrete - was used. The main house was built in 1904-1906 by the Lithuanian businessman and public figure Petras Vileišis according to a design by engineer August Klein   All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

In 1986 the east winf of the Old Arsenal was restored. It houses the Museum of Applied Art and Design. The Old Arsenal enables the visitors to feel the ambience of the Renaissance Vilnius The building of the Old Arsenal was remodelled by Sigismund Augustus (second half of the 16th century) in the Renaissance style, mainly by adding a third floor (the attic), decorated in double arch niches. In was an enormous building, reputed to be the largest in the Polish-Lithuanian Commonwealth  The Old Arsenal was badly damaged during the war with Russia in 1655-1661, and remained a virtual ruin until the late 18th century when in 1780 was rebuilt and burned down at the end of WWIIAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

It was not until 1503 when Grand Duke of Lithuania and King of Poland Alexander Jagiellon granted a privilege that the construction of the wall began. The year 1522 is considered to mark the end of the construction, when Grand Duke of Lithuania Sigismund the Old exempted the residents of Vilnius from the duty of keeping guard at the castle and ordered 24 guards to be posted at the city gatesThe length of the defensive wall was 2,5 kilometres having 10 gates. The wall surrounded the territory of today's Old Town, approximatelly 100 hectars. The foundation of the defensive wall was built of stone, and bricks were mainly used at the level of loopholes and higher. The was was adapted for defence with gunpoweder-operated firearms Until the late-18th century, the Vilnius defensive wall was frequently renovated. The wall served for the last time in 1794 during the uprising led by ...