Vilnius Old Town Panoramic View

One of the Latin inscriptions: "This house is that of Urania: be gone profane worries! Here the humble Earth is scorned: from here one rises to the stars"Here it was a Jesuit pharmacy. Medical herbs were grown in the courtyardThe buildings of the Observatory Courtyard are the oldest in the university ensembleAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The Royal Palace at the foot of the Castle Hill was a residence of the Grand Duke of LithuaniaThe Lower Castle is related with the times of Sigismund the Old and Sigismund August, Qween Nona and Barbora Radvilaitė (16th century)In the 16th century the Royal Palace with its Inner Courtyard was an Italian-style palace with four wings and attics. The building around encircled the Inner Courtyard of 2,500 square metres and were connected to the eastern wall of the Cathedral Basilica by a roofed galleryAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

An idea to designate this small street a memorial site to writers began to be implemented in 2008Literatų Street No. 5: The Piasecki house built in the late 18th century. In 1823, having arrived from Kaunas, Adam Mickiewicz resided here at the invitation of the parents of his friend Kazimierz Piasecki. On the pediment of the entry arch a memorial plaque with a Polish inscription is set up; plaques with Lithuanian and Russian inscriptions are set below on both sides of the arch In the 19th century there were many bookshops on this street, hence its nameAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The church is endowed by Juliana, the wife of Lithuania's Grand Duke Algirdas (1345-1377) and mother of Lithuania's and Poland's ruler Jogaila. Grand Duke of Lithuania Jogaila baptized Lithuania in 1387. She was buried in the churchFragments of Gothic masonry have survived in the bottom part and in some segments up to the top. The present façades and the cupola imitate Georgian medieval architectureIn 1415 the church was transformed into a cathedral. In 1511-1522 it was reconstructed by Prince Constantine Ostrogsky. In 1516 Helen (a Russian Orthodox), wife of Alexander Jagiellon (Polish King and Lithuanian Grand Duke) was buried there. In 1609 the cathedral was given to the Uniates (Greek Catholics). In 1865-1868 it rendered its present appearance, and it began to function as a church again All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

Earlier in this courtyard was an artillery school. The Rector of the Vilnius University S. Malewski as well as lived in the building of this courtyardA poet Adam Mickiewicz spent much time with his son in their house in 1818-1819. As the first-year student, he lived in one of those buildings. Later, it became a gathering place of the PhilomatsThe courtyard is surrounded by two-storey buildings. A Gothic façade of one of them is facing Pilies StreetAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2023

The church was originally Gothic but in 1750-1755 it was restored according to design by Franz Ignatius Hoffer and acquired some late Baroque and Rococo featuresNearby the church building stand the 17th-18th-century buildings of the Carmelite Monastery which had a rich archive and library. A study centre opereted there. In 1797-1944 it housed the Ecclesiastical Seminary  Today the buildings are used by the Centre for Book Research and Libraries, and the church is closed to the publicAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

One of the meeting rooms in the library for public lectures, book presentations and discussionsOne of the exibition hallsOne of the Reading RoomsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

A semi-circular corridor of the Bastion of Vilnius, where cannons were lined up at embrasures, was called a casemate. A special platform with a parapet for heavy artillery was built on the terrace of the bastionA 48-m long, 2,8-m wide and 3,5 m high impressive tunnel leads from the tower to the underground casemate. Cannons brought to the tower would be rolled down this tunnelThe main part of the Bastion of Vilnius is the casemate. It is an underground horseshoe-shaped room for cannons. The casemate forms a semicircle around a 3-4 metre-high hill heightened with sand. From the outside the façade is 8 m high, and sloping, and is built from bricksAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The church was named after St. Nicholas, who was the Bishop of Myra and the patron of travelers and merchants. The character of Santa Claus is thought to be based on this saintThe Church of St. Nicholas in Vilnius is the oldest surviving Late Gothic church in Lithuania. The small church was used by the Franciscan monks, who lived nearbyThe interior of the church is decorated with ornate rib and groin vaults. A 16th-century picture of St. Nicholas with a silver frame is located on the left altarAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The Town Hall hosted a court, archive, weapons depository, as well as a prison for artisans that had broken the law. Burgomasters also held meetings in the Town Hall, as did the Council of Merchants Since 1991, Vilnius Old Town Hall once again is functioning as a place for holding important events like art exhibitions, concerts, conferences, meetings, etcIn the Middle Ages, the Town Hall Square was a place where physical punishment was carried out. There were gallows and a scaffold nearby, where executions were carried outAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

Three crosses are believed to have first been erected on this hill above the Old Town of Vilnius in the 17th century to commemorate a group of 14 Franciscan monks from a nearby monastery who were martyred in the 14th century The monument has changed several times. The present one was built in 1989 to replace one that had been removed by the Soviet authorities in the 1950sOne of the best panoramic views of the Old Town of Vilnius is offered from the Hill of Three CrossesAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The founder of the church was a Grand Hetman and Vilnius Voivode of the Grand Duchy of Lithuania. The 17th-century church's façade is modest, however the interior is richly ornate with a number of stucco mouldings The church was built to mark the liberation of Vilnius from Moscow (The 1655-1661 War) and the founder's own escape from the hands of rebellious soldiers. The interior was created by the Italians G. P. Perti and G. M. Galli, who decorated it with more than 2,000 stucco mouldings The chandelier was created in 1905 in Riga and represents the Biblical Noah's arkAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

Originally, the Vilnius Lower Castle's jurisdictional court and administration was housed in this building during the 17th and 18th centuries. In the 18th century it was reconstructed into a weapons store-house and militarry baracks. Today, the museum holds the most important archaeological, historical, and ethnic cultural collections of Lithuania that cover Lithuania's history from the Stone Age to the present-day. In front of the building is a monument to King Mindaugas In 2003, a monument to King Mindaugas was erected in the square in front of the building of New Arsenal (today Lithuanian National Museum)In the 19th century, an entrance in the Classical style was biultAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The Bastion is comprised of a tower, cannon room and 48 m. the long corridor connecting it with the towerThe walls and moats of the Bastion were excavated in 1965-1970, and the canon room was renovated in 1985-1986 The entire Bastion is converted into a museum, and since 1987 it houses an exhibition of defensive fortifications and weaponryAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The garden reminiscent of a so-called secret garden (giardino segreto) could have been planned in the style of an Italian parkThe Renaissance Garden was located between the Royal Palace and the Upper Castle with the Tower of Gediminas. The stairs and other elements were designed by the Italian architect and sculptor Bernardino Zanobi da Gianottis. An Italian priest, Francesco, took care of the garden plantsEvidence of the history of the garden lies in the relics from various periods that survived in the cultural layers of the Lower Castle with the Renaissance Royal PalaceAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

According to legend, the monastery and wooden church were built circa 1332 in the burial spot of the Franciscan monks that had been martyred by Lithuanian pagansThe building complex is formed in the mid-18th century. Today, the church possess six Late Baroque-style altars, with the main altar having a picture of the Holy Virgin Mary that is considered to be miraculous. A copy of the picture is painted on the façade in 1742 The monument to famous Lithuanian neo-Classicist architect Laurinas Gucevičius, the founder of Vilnius neo-Classicism, is erected in 1994 in the square in front of the church.   All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The church is inconspicuous from the street, as its façade does not face the streetThe 51 meter-tall dome can be seen from seven Old Town streetsThe Dominican Church of the Holy Spirit is one of the most magnificent churches in Vilnius. It is an excellent monument of high and late Baroque  All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The architect of the Vilnius Bastion is unknown. The building that rose in the early 17th century is attributed to the period of late Renaissance and in that period Vilnius did not have a municipal architectThe wars of the mid-17th century and the 18th century weakened the military power of the Grand Duchy of Lithuania. The army led by the Russian Emperor Aleksey Mikhailovich approached Vilnius in August 1655 and seized the cityWhen Vilnius was liberated in 1660, the city's defensive fortifications needed repair. However, there was not enough funds and the citizens were unable to maintain defensive fortifications, supply them with arms and gunpowder and provide securityAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The Grand Duke of Lithuania Sigismund (1432-1440), who ruled briefly after the death of his brother Vytautas the Great (died in 1430), granted equal rights to the Russian Orthodox believers living in the capital-city of Vilnius - before long they came to constitute one half of the members of the city board and guild elders  In the Middle Ages Vilnius (today Old Town) was increasingly multy-national as it was the case with the Grand Duchy of Lithuania as well. The city was, in fact, divided into four quarters according to the ethnic and religious belonging of its citizens: the German Quarter, the Russian Quarter, the Jewish Quarter, and the Tartar Quarter. Each of these city quarters had the main street named according to the ethnic belonging of their inhabitantsThe Russian Street in Old Town of Vilnius ends with the Russian Orthodox Cathedral (Sobor) of the Dormition of the Holy Mother ...

The life and work of Dr. Jurgis and Marija Šlapelis reflects the life of the region of Vilnius from the second half of the 19th century to 1940. Both of them have been cultural figures in Lithuania. Marija was actress. They published Lithuanian books that were banned at that timeDr. Jurgis and Marija Šlapelis owned the only Lithuanian language bookstore in Vilnius during 1906-1949. The Šlapelis family bought the house in 1926. Before, it was a goldsmith's workshops, and later housed a small holet called the Hotel de Philadelphie, and a wine shop The building is an example of the 17-th century architecture. Dr. Jurgis died in 1941, and Marija in 1977 at the age of 97. After WWII, the house was nationalised, and, therefore, Marija Šlapelis was forced to live in two small rooms upstairs, with the only access to them through another person's quarters. Marija stipulated in her ...