Of the two wings, only the east one is open to the public. It is used as a venue for art-exhibitions, usually for work by contemporary artistsThe east wing was given a tower in the mid-19th century. As viewing a show, visitors can admire its lavishly decorated rooms, with their elaborate woodwork and intricately painted walls and ceilingsThe most magnificent building is the eastern maintenance building, in which the interiors of the second half of the 18th century have been restoredAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2021
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The church is Gothic, with some Baroque forms that it acquired in the late 18th centuryIn 1812 the church was partly destroyed by the French army that used it as a granary. Since 1864 the church was closed and converted into an archive The church adjoins a monastery, the oldest in Lithuania, whose construction began in Gediminas' times (in 1334)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018
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The life and work of Dr. Jurgis and Marija Šlapelis reflects the life of the region of Vilnius from the second half of the 19th century to 1940. Both of them have been cultural figures in Lithuania. Marija was actress. They published Lithuanian books that were banned at that timeDr. Jurgis and Marija Šlapelis owned the only Lithuanian language bookstore in Vilnius during 1906-1949. The Šlapelis family bought the house in 1926. Before, it was a goldsmith's workshops, and later housed a small holet called the Hotel de Philadelphie, and a wine shop The building is an example of the 17-th century architecture. Dr. Jurgis died in 1941, and Marija in 1977 at the age of 97. After WWII, the house was nationalised, and, therefore, Marija Šlapelis was forced to live in two small rooms upstairs, with the only access to them through another person's quarters. Marija stipulated in her ...
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An idea to designate this small street a memorial site to writers began to be implemented in 2008Literatų Street No. 5: The Piasecki house built in the late 18th century. In 1823, having arrived from Kaunas, Adam Mickiewicz resided here at the invitation of the parents of his friend Kazimierz Piasecki. On the pediment of the entry arch a memorial plaque with a Polish inscription is set up; plaques with Lithuanian and Russian inscriptions are set below on both sides of the arch In the 19th century there were many bookshops on this street, hence its nameAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019
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Polish King Jan Sobieski, Russian Emperor Alexander I and French Emperor Napoleon I visited the mansion on various occasions. The building was reconstructed in 1839-1841. The present façade is ClassicalA Florentine artist Michelangelo Palloni, was invited from Italy in 1674 to work at Pažaislis monastery and church near Kaunas, and Mykolas Kazimieras Pacas then commissioned him to paint frescoes for of this estate.Unfortunately, none of the original interior, which also included rich stucco work, remainsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2022
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The entrance to the courtyard in which the Judenrat (Jewish Council) was located during WWII in the Large Jewish Ghetto in VilniusThe building of the Judenrat which functioned from September 1941 to September 1943 within the Large Jewish Ghetto that was formed around Rūdninkų SquareHebrew inscription above the windows on a former Jewish shopAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019
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Wonderful panoramic view can be seen from the roof (platform) of Gediminas Tower (Upper Castle Tower)Despite wars and destructions, the architectural ensemble of Vilnius Old Town remains unique. Baroque domes and towers of Vilnius Old Town coexist with an irregular medieval city plan Vilnius Old Town is lacking German or Scandinavian features, rather reminiscent of Prague or Rome, Vilnius differs greatly from the other Baltic capitalsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019
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The main altar with Late Baroque forms, made from dark woodInterior of Church of St. Francis and St. BernardineWhile restoring the church, one of the largest mural paintings from the Late Gothic and Renaissance periods was discovered. They depict scenes from the Bible, Franciscan legends and symbolic imagesAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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A building of Jewish Center of Culture and Information in the area of the Large Jewish Ghetto in 1941-1943. In this house a famous Vilnius resident Dr. Tzemach Shabad livedTzemach Shabad (1864-1935) was not only a good doctor, but a societal and community figure, and humanist as well. A monument (in 2007 erected) to him on the territory of WWII Large Jewish GhettoA plaque of a plan of the Jewish Ghetto in 1941-1943. There were Small and Large Jewish Ghettos existing from September 6th, 1941 to September 23rd, 1943. Today, September 23rd is the National Memorial Day for the Holocaust/Genocide of the Lithuanian Jews All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019
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In 1986 the east winf of the Old Arsenal was restored. It houses the Museum of Applied Art and Design. The Old Arsenal enables the visitors to feel the ambience of the Renaissance Vilnius The building of the Old Arsenal was remodelled by Sigismund Augustus (second half of the 16th century) in the Renaissance style, mainly by adding a third floor (the attic), decorated in double arch niches. In was an enormous building, reputed to be the largest in the Polish-Lithuanian Commonwealth The Old Arsenal was badly damaged during the war with Russia in 1655-1661, and remained a virtual ruin until the late 18th century when in 1780 was rebuilt and burned down at the end of WWIIAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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The Church of the Assumption is one of the Vilnius' most beautiful Baroque churches and most mature building of the Vilnius' Baroque schoolConstruction on the church began in 1695 and the final work was carried out by Vilnius' Baroque architect Johann Christoph Glaubitz (1700-1767) in 1750-1756The front façade is adorned by a domical rotunda vestibule, and two elegant towers with clocks All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019
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The church received its current form in 1738-1749 after fires in the cityThe church was rebuilted by Vilnius Baroque architect J. K. Glaubitz in the ornate Late Baroque style, and installed 24 altars insite The church bell tower received its current shape in 1737. The bell tower is 68 m tall. It is the tallest building in Vilnius Old TownAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018
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A geographical centre of Europe - 25 km far from Vilnius. From 2015 Summer You will get a special Certificate that you have visited the Geographical center of Europe. Don't miss the chance to get it for freeThe Baltic States of Europe - Estonia, Latvia & LithuaniaVytis (The Knight) - The Coat of Arm of both historical Grand Duchy of Lithuania and present-day the Republic of LithuaniaOrigins of images: Facebook, Twitter, Wikimedia, Wikipedia, Flickr, Google, Imageinjection & Pinterest.Read our Disclaimer/Legal Statement!Donate to Support UsWe would like to ask you to consider a small donation to help our team keep working.
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The architect Michail Prozorov designed the rectangular building with three-walled apse according to the requirements of Karaim liturgyThe oriental-style exterior has a protruding central part and the onion-shaped dome over it. The distinctive exterior of the building emphasises its unique purposeIn 1949, the Kenessa, along with many other sacral buildings, was nationalized and closed down. In 1988, it was returned to the Karaim community. In 1993, it was re-consecrated and has remained open sinceAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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Originally, the Vilnius Lower Castle's jurisdictional court and administration was housed in this building during the 17th and 18th centuries. In the 18th century it was reconstructed into a weapons store-house and militarry baracks. Today, the museum holds the most important archaeological, historical, and ethnic cultural collections of Lithuania that cover Lithuania's history from the Stone Age to the present-day. In front of the building is a monument to King Mindaugas In 2003, a monument to King Mindaugas was erected in the square in front of the building of New Arsenal (today Lithuanian National Museum)In the 19th century, an entrance in the Classical style was biultAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018
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According to legend, the monastery and wooden church were built circa 1332 in the burial spot of the Franciscan monks that had been martyred by Lithuanian pagansThe building complex is formed in the mid-18th century. Today, the church possess six Late Baroque-style altars, with the main altar having a picture of the Holy Virgin Mary that is considered to be miraculous. A copy of the picture is painted on the façade in 1742 The monument to famous Lithuanian neo-Classicist architect Laurinas Gucevičius, the founder of Vilnius neo-Classicism, is erected in 1994 in the square in front of the church. All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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The interior od the church is in the Rococo style with the exception of the Pac Chapel, which is late Baroque in the exterior, and rather Classical in the interior Impressive, gently-curved church pulpit in the Rococo style is created from wood and gold-plated tin in the second half of the 18th centuryThe church's mural painting is the only one of its size remaining in Lithuania. One arch depicts 19 scenes from St. Theresa's lifeAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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A semi-circular corridor of the Bastion of Vilnius, where cannons were lined up at embrasures, was called a casemate. A special platform with a parapet for heavy artillery was built on the terrace of the bastionA 48-m long, 2,8-m wide and 3,5 m high impressive tunnel leads from the tower to the underground casemate. Cannons brought to the tower would be rolled down this tunnelThe main part of the Bastion of Vilnius is the casemate. It is an underground horseshoe-shaped room for cannons. The casemate forms a semicircle around a 3-4 metre-high hill heightened with sand. From the outside the façade is 8 m high, and sloping, and is built from bricksAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020
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The Royal Palace at the foot of the Castle Hill was a residence of the Grand Duke of LithuaniaThe Lower Castle is related with the times of Sigismund the Old and Sigismund August, Qween Nona and Barbora Radvilaitė (16th century)In the 16th century the Royal Palace with its Inner Courtyard was an Italian-style palace with four wings and attics. The building around encircled the Inner Courtyard of 2,500 square metres and were connected to the eastern wall of the Cathedral Basilica by a roofed galleryAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018
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The courtyard of the palace. In 1834 the building was reconstructed and acquired its present appearance. In 1919 it was given to the university and was home to several well-known professors The façade is harmonious, moderately decorated. The façades of the servants' house facing the courtyard and Bokšto Str. (No. 5) Today the palace houses the Vilnius Picture Gallery and the Lithuanian Art MuseumAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019
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