Church of Our Lord Jesus and the Trinitarian Monastery

The Górecki estate in Dominikonų St. 15 is a two-storey Gothic house. It was built on this site in the late 15th or early 16th century. In 1649 it was bought by Vilnius UniversityZawisha estate is known since late 16th or early 17th century. It was renovated in the late 18th century. The façade is strictly symmetrical, done in the style of early Classicism. Renaissance vaults have survivedDominikonų Street is dominated by the Roman Catholic Church of the Holy Spirit and the Dominican Monastery (1501)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The historical building in Tyzenhauzų Str. in VilniusTyzenhauzų Str. building in VilniusTyzenhauzų Str. building in VilniusAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2021

An idea to designate this small street a memorial site to writers began to be implemented in 2008Literatų Street No. 5: The Piasecki house built in the late 18th century. In 1823, having arrived from Kaunas, Adam Mickiewicz resided here at the invitation of the parents of his friend Kazimierz Piasecki. On the pediment of the entry arch a memorial plaque with a Polish inscription is set up; plaques with Lithuanian and Russian inscriptions are set below on both sides of the arch In the 19th century there were many bookshops on this street, hence its nameAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The building in Vilnius Street in Vilnius No. 25 in which Jonas Basanavičius died in hospital on February 16th, 1927. The day of his death coincided with the anniversary of the Independence Act in 1918A memorial plaque on the building informs that in this building in 1909 the Editorial Board of the oldest Lithuanian newspaper "Lithuanian News" started to work Another memorial plague on the building as this building housed a music school, where the famous violinist Jascha Heifetz studied in 1905-1909 All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2022

The church was financed by Grand Chancellor of the Grand Duchy of Lithuania, Grand Hetman, and Vilnius Voivode - Lew Sapieha, who had converted to Roman Catholicism from Calvinism. He was one of the most influential nobles in the Grand Duchy of LithuaniaLew Sapieha gave the church and surrounding buildings for the Bernardine nuns to have a convent and built a Sapieha family mausoleum in the churchThe convent was also a place where the daughters of rich aristocrats were taught. Today, the Church Heritage Museum operates in the churchAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The Grand Duke of Lithuania Sigismund (1432-1440), who ruled briefly after the death of his brother Vytautas the Great (died in 1430), granted equal rights to the Russian Orthodox believers living in the capital-city of Vilnius - before long they came to constitute one half of the members of the city board and guild elders  In the Middle Ages Vilnius (today Old Town) was increasingly multy-national as it was the case with the Grand Duchy of Lithuania as well. The city was, in fact, divided into four quarters according to the ethnic and religious belonging of its citizens: the German Quarter, the Russian Quarter, the Jewish Quarter, and the Tartar Quarter. Each of these city quarters had the main street named according to the ethnic belonging of their inhabitantsThe Russian Street in Old Town of Vilnius ends with the Russian Orthodox Cathedral (Sobor) of the Dormition of the Holy Mother ...

The Augustines established themselves on this site in Vilnius Old Town after 1661. The monastery date from the late 18th centuryIn 1833-1842 the monastery housed the Vilnius Spiritual Academy. In 1859 it was converted into a Russian Orthodox Church of St. AndrewIn 1918 the church was returned to the Roman Catholics and renovated. After WWII the interior was destroyed during the installation of a ferroconcrete ceiling; the church was used as a warehouse in the Soviet timeAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The Church of the Assumption is one of the Vilnius' most beautiful Baroque churches and most mature building of the Vilnius' Baroque schoolConstruction on the church began in 1695 and the final work was carried out by Vilnius' Baroque architect Johann Christoph Glaubitz (1700-1767) in 1750-1756The front façade is adorned by a domical rotunda vestibule, and two elegant towers with clocks All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The architect Michail Prozorov designed the rectangular building with three-walled apse according to the requirements of Karaim liturgyThe oriental-style exterior has a protruding central part and the onion-shaped dome over it. The distinctive exterior of the building emphasises its unique purposeIn 1949, the Kenessa, along with many other sacral buildings, was nationalized and closed down. In 1988, it was returned to the Karaim community. In 1993, it was re-consecrated and has remained open sinceAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

End of Stiklų St. on the intersection with Dominikonų St. and Šv. Ignoto St. in the Old Town in VilniusIn Stiklų St. No. 4 stands a typical building with a so-called Courtyard of the Printing House. Its history goes back to the 15th century. In the 16th century it held the Mamonichi printing house. A Gothic building in the courtyard with the exterior and fragments of the interior was reconstructed in 1974. In front of it a sculpture of "The Chronicler" is erected in 1973Wall (right) of the former Russian Orthodox church in Stiklų St. No. 17All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

Beside the main house (close to the Antakalnio St.) stands a residential house, in which the first exhibition of Lithuanian art took place in 1907A monument to the brothers Vileišis in Vilnius near the River NerisThe main Vileišis building was one of the first in Vilnius, for whose construction a rare material in Lithuania - concrete - was used. The main house was built in 1904-1906 by the Lithuanian businessman and public figure Petras Vileišis according to a design by engineer August Klein   All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

Trakų St. finishes where it meets Pylimo St, which runs along the course of the old city wall. There used to be a gate here, which was pulled down together with the wall at the very beginning of the 19th century. In the niche of the Umiastowski estate (Trakų St. 2) there is a Statue of "The City Guard" (1973) In Trakų Street, there is the Church of Our Lady of the Assumption that was founded here by the noble Goštautas family in 1387, the same year as Lithuania became converted to Christianity. However, it is believed that the church with the monastery existed even earlierOne of courtyards of the buildings in Trakų StreetAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

Originally, the Vilnius Lower Castle's jurisdictional court and administration was housed in this building during the 17th and 18th centuries. In the 18th century it was reconstructed into a weapons store-house and militarry baracks. Today, the museum holds the most important archaeological, historical, and ethnic cultural collections of Lithuania that cover Lithuania's history from the Stone Age to the present-day. In front of the building is a monument to King Mindaugas In 2003, a monument to King Mindaugas was erected in the square in front of the building of New Arsenal (today Lithuanian National Museum)In the 19th century, an entrance in the Classical style was biultAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The palace has always been representional: rulers, kings, emperors and kings-to-be like Napoleon, Stanislaus August Poniatowski, Alexander I, Louis XVIII and others used to stay there on their visits to VilniusThe Soviets turned the palace into an officer's club later to be converted into Artist HouseIn 1939, when Vilnius had been part of Lithuania, plans to settle the Presidency in the palace were advanced. However, it was not until 1997 that these plans were carried outAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

St. Lazarus' almshouse operated in this church, plague and famine victims were buried there. In 1715, the church and the monastery were given to the brethren of St. Rochus who tended to sick people, and in 1752 - to the sisters of MaryIn a cemetery at the church many outstanding people were buried, among others architect Laurynas Stuoka-Gucevičius. A memorial plaque to him is set up on the south façade of the church. However, later the cemetery was turned into a storage site of construction materialsThe church was severely damaged during a fire in 1794. The church was reconstructed and slightly transformed in 1801-1806. In 1864, the convent was closed down, and the buildings converted into a prisonAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

A semi-circular corridor of the Bastion of Vilnius, where cannons were lined up at embrasures, was called a casemate. A special platform with a parapet for heavy artillery was built on the terrace of the bastionA 48-m long, 2,8-m wide and 3,5 m high impressive tunnel leads from the tower to the underground casemate. Cannons brought to the tower would be rolled down this tunnelThe main part of the Bastion of Vilnius is the casemate. It is an underground horseshoe-shaped room for cannons. The casemate forms a semicircle around a 3-4 metre-high hill heightened with sand. From the outside the façade is 8 m high, and sloping, and is built from bricksAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

Three crosses are believed to have first been erected on this hill above the Old Town of Vilnius in the 17th century to commemorate a group of 14 Franciscan monks from a nearby monastery who were martyred in the 14th century The monument has changed several times. The present one was built in 1989 to replace one that had been removed by the Soviet authorities in the 1950sOne of the best panoramic views of the Old Town of Vilnius is offered from the Hill of Three CrossesAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

In 1986 the east winf of the Old Arsenal was restored. It houses the Museum of Applied Art and Design. The Old Arsenal enables the visitors to feel the ambience of the Renaissance Vilnius The building of the Old Arsenal was remodelled by Sigismund Augustus (second half of the 16th century) in the Renaissance style, mainly by adding a third floor (the attic), decorated in double arch niches. In was an enormous building, reputed to be the largest in the Polish-Lithuanian Commonwealth  The Old Arsenal was badly damaged during the war with Russia in 1655-1661, and remained a virtual ruin until the late 18th century when in 1780 was rebuilt and burned down at the end of WWIIAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The Royal Palace at the foot of the Castle Hill was a residence of the Grand Duke of LithuaniaThe Lower Castle is related with the times of Sigismund the Old and Sigismund August, Qween Nona and Barbora Radvilaitė (16th century)In the 16th century the Royal Palace with its Inner Courtyard was an Italian-style palace with four wings and attics. The building around encircled the Inner Courtyard of 2,500 square metres and were connected to the eastern wall of the Cathedral Basilica by a roofed galleryAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The Bastion is comprised of a tower, cannon room and 48 m. the long corridor connecting it with the towerThe walls and moats of the Bastion were excavated in 1965-1970, and the canon room was renovated in 1985-1986 The entire Bastion is converted into a museum, and since 1987 it houses an exhibition of defensive fortifications and weaponryAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019