The Hill of Three Crosses

Užupio street is the main street in the city's district of Užupis. The district was in the Soviet time one of the most dilapidated districts in Vilnius. Many of the buildings did not have electricity and sanitary facilities, and the streets were unlitThe River Užupis which separates Užupis district from the Old Town. On one side of the river is a unique ensemble of sacred buildings and a park, while on the other side is "Republic of Užupis", where a number of artists live and work"Angel of Užupis" sculpture. An angel is playing a trumpet that provides ideas about Užupis to others and protects the district. The 24th Article of the Constitution of Užupis, for instance, says that "Everyone has the right to understand nothing". The district is separated from the Old Town by the River Vilnia on three sides, and by a high hill on the fourth sideAll photos ...

It is one of the most attractive Russian Orthodox churches in Vilnius: the exterior is a profusion of shining onion-shape domes; but the interior is remarkably serene. The interior's simplicity is interupted only by an elaborate iconostasis The internal space is created by two huge pairs of parallel semi-circular arches, intersecting at the top under the central dome which is also the main source of lightA panel on the right of the iconostatis depicts the two saints, both from noble families in the Middle Ages, to whom the church is dedicatedAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The Old Campus in the Old town - Rectorate building. On April 1st, 1579 the King of Poland and Grand Duke of Lithuania Stephen Bathory issues a royal charter recognizing the Jesuit College into a universityThe Old Campus in the Old town - Rector's Office and former Astronomical Observatory building (right) and the Central Library building (left) with the Central Library Courtyard in front of the buildingsThe History Facutly building (left) and the Central Library building (right) with the arched gates to Mikalojus Dukša Courtyard (left) and Mathias Casimir Sarbievius Courtyard (forward). The Old Campus of the university has 13 courtyardsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The architect Michail Prozorov designed the rectangular building with three-walled apse according to the requirements of Karaim liturgyThe oriental-style exterior has a protruding central part and the onion-shaped dome over it. The distinctive exterior of the building emphasises its unique purposeIn 1949, the Kenessa, along with many other sacral buildings, was nationalized and closed down. In 1988, it was returned to the Karaim community. In 1993, it was re-consecrated and has remained open sinceAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The museum is located in the north wing of the Old Arsenal and looks at Neolithic, Bronze and Iron Age Lithuania followed by the various tribes that inhabited the area until they combined to form a state in the 13th centuryThe museum displays object found in burial sites, such as pins, amulets, rings, brooches, knives or necklaces. You can as well as see regional dressses of Lithuanian tribes before the formation of the state in the mid-13th century The museum shows a hoard of some 16.000 17th-century coins found in 1999 in Vilnius. It is believed that the hoard may have been hidden during the 1700-1721 Great Northen War. Nevertheless, it is the largest collection of old coins to be found in Lithuania All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The family of the noblemen Chodkiewicz bought a house that stood on this site, and transformed it into a Renaissance residenceGrand Hall of the Vilnius Picture Gallery in former Chodkiewicz PalaceThe Classicist interior of the palace is a notable feature of the building of former Chodkiewicz Palace, today the Vilnius Picture GalleryAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

In 1986 the east winf of the Old Arsenal was restored. It houses the Museum of Applied Art and Design. The Old Arsenal enables the visitors to feel the ambience of the Renaissance Vilnius The building of the Old Arsenal was remodelled by Sigismund Augustus (second half of the 16th century) in the Renaissance style, mainly by adding a third floor (the attic), decorated in double arch niches. In was an enormous building, reputed to be the largest in the Polish-Lithuanian Commonwealth  The Old Arsenal was badly damaged during the war with Russia in 1655-1661, and remained a virtual ruin until the late 18th century when in 1780 was rebuilt and burned down at the end of WWIIAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

A former Gothic façade that was uncovered at Karmelitų Str. around Rūdninkų Square in the Old Town of VilniusThe back-side façade from the inner courtyardThe back-side façade from the inner courtyard. The house is located on the territory of WWII Large Jewish GhettoAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

One of the focal touristic attractions in the Žvėrynas district of Vilnius is the traditional type of the wooden houses coloured in different coloursŽvėrynas means "menagerie" or "beastland". In the 19th century a forest grew in this areaSince 1893, the process of urbanization of the district of Žvėrynas started with the building of wooden and brick villas and summerhouses. Today, this district of Vilnius is a prestigiuos residential part of the capitalAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The Užupis Art Incubator is open to all beginning and experienced artistsA view from the Užupis Art Incubator to the Russian Orthodox Church of the Blessed Mother of GodThe River of Vilnia seen from the Užupis Art IncubatorAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The Galera Gallery in the Užupis Art Incubator also operates there, where exhibitions of various kinds of art are organizedGalera of Užupis is an Alternative art gallery. That is a place similar to the former Christiana district in Copenhagen in DenmarkThe Užupis district and its Art Incubator are separated from the Old Town in Vilnius on three sides by the River Vilnia, and by a high hill on the fourth sideAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

There were formerly two separate Gothic houses. Both were built before 1514 and belonged to clergy, goldsmiths, a surgeon and pharmacists. During the 1655-1661 war with Russia they were damaged and handed over to the capitulary of the Cathedral, which had them rebuilt in the Baroque styleThe building were severely damaged during the Second World War and renovated in 1957-1960Decorative Gothic façades and cylindrical vaults in the basement and on the ground floor have been reconstructed All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The courtyard of the palace. In 1834 the building was reconstructed and acquired its present appearance. In 1919 it was given to the university and was home to several well-known professors The façade is harmonious, moderately decorated. The façades of the servants' house facing the courtyard and Bokšto Str. (No. 5) Today the palace houses the Vilnius Picture Gallery and the Lithuanian Art MuseumAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

Cathedral Basilica of St. Stanislaus and St. Vladislaus in Vilnius. Today the Cathedral Basilica is in the Classicist style as it was redisigned in 1783-1801 by Lithuanian architect Laurynas Gucevičius  Baroque-style Cathedral's St. Casimir's Chapel built in 1610-1632 for holding the remains of St. Casimir (declared in 1604 by Pope Clemens VIII as the saint Cathedral Basilica Bell Tower. It is rebuilt tower that was part of the defensive wall that encircled the Lower CastleSaveAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

Grand Duke Gediminas is considered as the founder of the city of Vilnius. The monument is located in front of the Royal Palace and Cathedral Basilica in the very downtown of VilniusGediminas was a diplomatic politician, creating ties with the Roman Pope and other European rulers. He created favourable conditions for merchants and guildsmen to come to the city. Gediminas was a Grand Duke of the Grand Duchy of Lithuania from 1316 to 1341During the time of Gediminas, people of different ethnicities and confessions began to live in Vilnius. He is the founder of the Gediminian-Jagelonian ruling dynasty of Lithuania and later of Poland as well (till 1572)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The founder of the church was a Grand Hetman and Vilnius Voivode of the Grand Duchy of Lithuania. The 17th-century church's façade is modest, however the interior is richly ornate with a number of stucco mouldings The church was built to mark the liberation of Vilnius from Moscow (The 1655-1661 War) and the founder's own escape from the hands of rebellious soldiers. The interior was created by the Italians G. P. Perti and G. M. Galli, who decorated it with more than 2,000 stucco mouldings The chandelier was created in 1905 in Riga and represents the Biblical Noah's arkAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

Originally, the Vilnius Lower Castle's jurisdictional court and administration was housed in this building during the 17th and 18th centuries. In the 18th century it was reconstructed into a weapons store-house and militarry baracks. Today, the museum holds the most important archaeological, historical, and ethnic cultural collections of Lithuania that cover Lithuania's history from the Stone Age to the present-day. In front of the building is a monument to King Mindaugas In 2003, a monument to King Mindaugas was erected in the square in front of the building of New Arsenal (today Lithuanian National Museum)In the 19th century, an entrance in the Classical style was biultAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The interior sculptural décor was created by Pietro Perti (Italian master) in 1700-1705. Twin towers were built on in the 18th century. It was built by the efforts of Casimir Sapieha the Younger (1637-1720) in 1694-1717 On the façade frieze two Christian soldiers taken into captivity by the Muslims are represented. The main goal of the Trinitarian Order was returning such captives to their homelands The church has an impressive cupola (dome), the interior is adorned with stucco relief works and sculptures - a large part of them is survived. The church is a "sister" to the Church of St. Peter and St Paul in Vilnius (Antakalnis)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

It was built from 1633 to 1654 under the patronage of the Vice-Chancellor of the Grand Duchy of Lithuania, Stephen Pac. Most probably the exterior was designed by Italian Constantino Tencalla. The exterior of the Church of St. Theresa is designed according to the models of Roman architecture: it is noble and harmonious, built along with the vertical principle with volutes and side obelisksThe St. Theresa Church (left) is located at Dawn St. nearby the Gate of Dawn (at the top) that is famous for its miraculous image of the Mother of Mercy (or Mary of Vilnius)The chapel is built by the Barefoot Carmelite monks for the miraculous picture of Mary of Vilnius in 1671. The St. Theresa Church was built with a large Barefoot Carmelite Monastery, established near Vilnius' defensive wall All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

Polish King Jan Sobieski, Russian Emperor Alexander I and French Emperor Napoleon I visited the mansion on various occasions. The building was reconstructed in 1839-1841. The present façade is ClassicalA Florentine artist Michelangelo Palloni, was invited from Italy in 1674 to work at Pažaislis monastery and church near Kaunas, and Mykolas Kazimieras Pacas then commissioned him to paint frescoes for of this estate.Unfortunately, none of the original interior, which also included rich stucco work, remainsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2022