Słuszki Estate in Vilnius

The Grand Duke of Lithuania Sigismund (1432-1440), who ruled briefly after the death of his brother Vytautas the Great (died in 1430), granted equal rights to the Russian Orthodox believers living in the capital-city of Vilnius - before long they came to constitute one half of the members of the city board and guild elders  In the Middle Ages Vilnius (today Old Town) was increasingly multy-national as it was the case with the Grand Duchy of Lithuania as well. The city was, in fact, divided into four quarters according to the ethnic and religious belonging of its citizens: the German Quarter, the Russian Quarter, the Jewish Quarter, and the Tartar Quarter. Each of these city quarters had the main street named according to the ethnic belonging of their inhabitantsThe Russian Street in Old Town of Vilnius ends with the Russian Orthodox Cathedral (Sobor) of the Dormition of the Holy Mother ...

Cathedral Basilica of St. Stanislaus and St. Vladislaus in Vilnius. Today the Cathedral Basilica is in the Classicist style as it was redisigned in 1783-1801 by Lithuanian architect Laurynas Gucevičius  Baroque-style Cathedral's St. Casimir's Chapel built in 1610-1632 for holding the remains of St. Casimir (declared in 1604 by Pope Clemens VIII as the saint Cathedral Basilica Bell Tower. It is rebuilt tower that was part of the defensive wall that encircled the Lower CastleSaveAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The museum is located in the north wing of the Old Arsenal and looks at Neolithic, Bronze and Iron Age Lithuania followed by the various tribes that inhabited the area until they combined to form a state in the 13th centuryThe museum displays object found in burial sites, such as pins, amulets, rings, brooches, knives or necklaces. You can as well as see regional dressses of Lithuanian tribes before the formation of the state in the mid-13th century The museum shows a hoard of some 16.000 17th-century coins found in 1999 in Vilnius. It is believed that the hoard may have been hidden during the 1700-1721 Great Northen War. Nevertheless, it is the largest collection of old coins to be found in Lithuania All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The church received its current form in 1738-1749 after fires in the cityThe church was rebuilted by Vilnius Baroque architect J. K. Glaubitz in the ornate Late Baroque style, and installed 24 altars insite The church bell tower received its current shape in 1737. The bell tower is 68 m tall. It is the tallest building in Vilnius Old TownAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

St. Lazarus' almshouse operated in this church, plague and famine victims were buried there. In 1715, the church and the monastery were given to the brethren of St. Rochus who tended to sick people, and in 1752 - to the sisters of MaryIn a cemetery at the church many outstanding people were buried, among others architect Laurynas Stuoka-Gucevičius. A memorial plaque to him is set up on the south façade of the church. However, later the cemetery was turned into a storage site of construction materialsThe church was severely damaged during a fire in 1794. The church was reconstructed and slightly transformed in 1801-1806. In 1864, the convent was closed down, and the buildings converted into a prisonAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

A plaque above the entrance to the courtyard of the house in which Mark Antokolski lived in the Old Town of VilniusThe inner courtyard of the house in which Mark Antokolski livedMark Antokolski returned to Vilnius every summer while studying at the Imperial Art Academy in St. Petersburg in the years 1862-1868All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

In this street, it was used to be a market place where it meets Pilies street. The first Town Hall is also believed to have stood on this spot Pharmacy house in St. John St. No. 5. Georg Schulz's pharmacy operated in this house since 1639. During the war in 1655, the house was burned down. In 1781, pharmacist Koszyk acquired the ruined building and reconstructed it The Pac estate. Since 1628, the building belonged to the Pac magnate family of the Grand Duchy of Lithuania. In 1783, the dilapidated building was bought, renovated and decorated by the Chancellor of the Grand Duchy of Lithuania - Alexander Michael Sapieha. Currently, the building belongs to the Polish Embassy All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

Church of St. Anne (left) and Bernardine Church (right). The church of St. Anne is a unique monument of red firebrick Gothic architecture in LithuaniaSt. Anne Church, designed in 1495-1500 by Benedikt Rejt, built up at the turn of the 15th century, and renovated in 1902-1909. 35 different kinds of brick were used help in creating the church. The façade was reinforced in 1960-1970St. Anne Church - a church which French Emperor Napoleon Bonaparte wanted to put on his palm and carry it over to Paris. The Church of St. Anne is symmetrical, marked by graceful, pointed forms that continue upwardAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

One of Baroque gates of the Sapieha ParkAmong the surviving details of the palace are Baroque façades with stucco relief works by Pietro Perti and three Baroque gates. The park is the only one in Vilnius Vilnius with features of a regular Baroque park The palace and the gates were decorated with sculptures and frescoes created by masters who had worked in the Church of St. Peter and St. Paul and St. Casimir's Chapel of the Cathedral Basilica in VilniusAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The church is an elegant late Baroque monument built-in 1702-1730. It is made even more attractive by an asymmetrical monastery ensemble in 1713-1730The towers date from the mid-18th century. They end in rococo domes with lanterns Both the church and the monastery belonged to the Jesuit Order. The monastery was intended for the Jesuit monks with 10 years of service experience seeking to become professed Jesiuts, i.e., to make the last ceremonial vowes All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

Trakų St. finishes where it meets Pylimo St, which runs along the course of the old city wall. There used to be a gate here, which was pulled down together with the wall at the very beginning of the 19th century. In the niche of the Umiastowski estate (Trakų St. 2) there is a Statue of "The City Guard" (1973) In Trakų Street, there is the Church of Our Lady of the Assumption that was founded here by the noble Goštautas family in 1387, the same year as Lithuania became converted to Christianity. However, it is believed that the church with the monastery existed even earlierOne of courtyards of the buildings in Trakų StreetAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The palace has always been representional: rulers, kings, emperors and kings-to-be like Napoleon, Stanislaus August Poniatowski, Alexander I, Louis XVIII and others used to stay there on their visits to VilniusThe Soviets turned the palace into an officer's club later to be converted into Artist HouseIn 1939, when Vilnius had been part of Lithuania, plans to settle the Presidency in the palace were advanced. However, it was not until 1997 that these plans were carried outAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

A museum operates today in the House of Signatories, along with a memorial hall where the act of Lithuania's independence was signed on February 16th, 1918 when Lithuania was under the German occupation and administration during WWI (1915-1918)The first floor of the house with statues symbolizing agriculture and fishing is very decorative. Niches on the second floor hold two male bustsHaving acquired this house in the late 19th century, Karol Sztral reconstructed it according to architect Aleksei Polozov's project in the style of HistoricismAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

Wonderful panoramic view can be seen from the roof (platform) of Gediminas Tower (Upper Castle Tower)Despite wars and destructions, the architectural ensemble of Vilnius Old Town remains unique. Baroque domes and towers of Vilnius Old Town coexist with an irregular medieval city plan Vilnius Old Town is lacking German or Scandinavian features, rather reminiscent of Prague or Rome, Vilnius differs greatly from the other Baltic capitalsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

It was built by the Benedictine Sisters near their convent. It acquired its present-day appearance after a great fire in Vilnius in 1737. The church has a rich interior decorated with stucco mouldings and artificial marble. Today the church is restored and adapted for concerts. It also hosts the International Christopher Summer Music FestivalFlanking the church on Vilniaus Street, a particularly elegant Chapel of Providence was erected in 1641 and rebuilt in 1746The single-nave church has 9 magnificent Late Baroque altars and a pulpitAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The interior sculptural décor was created by Pietro Perti (Italian master) in 1700-1705. Twin towers were built on in the 18th century. It was built by the efforts of Casimir Sapieha the Younger (1637-1720) in 1694-1717 On the façade frieze two Christian soldiers taken into captivity by the Muslims are represented. The main goal of the Trinitarian Order was returning such captives to their homelands The church has an impressive cupola (dome), the interior is adorned with stucco relief works and sculptures - a large part of them is survived. The church is a "sister" to the Church of St. Peter and St Paul in Vilnius (Antakalnis)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The founder of the church was a Grand Hetman and Vilnius Voivode of the Grand Duchy of Lithuania. The 17th-century church's façade is modest, however the interior is richly ornate with a number of stucco mouldings The church was built to mark the liberation of Vilnius from Moscow (The 1655-1661 War) and the founder's own escape from the hands of rebellious soldiers. The interior was created by the Italians G. P. Perti and G. M. Galli, who decorated it with more than 2,000 stucco mouldings The chandelier was created in 1905 in Riga and represents the Biblical Noah's arkAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The Church of the Assumption is one of the Vilnius' most beautiful Baroque churches and most mature building of the Vilnius' Baroque schoolConstruction on the church began in 1695 and the final work was carried out by Vilnius' Baroque architect Johann Christoph Glaubitz (1700-1767) in 1750-1756The front façade is adorned by a domical rotunda vestibule, and two elegant towers with clocks All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

Monument to the Gaon of Vilnius Elijah ben Solomon Zalman (1720-1797) called "Jewish Saga". The monument is located on the place where he lived. The house was destroyed during WWII and it was not restored. Nearby the monument there is a memorial plaque in Lithuanian and Hebrew on a building at Žydų (Jewish) Street Antokolski Street in Vilnius Old Town's Jewish Quarter. In this street the famous 19th century sculptor Mark Antokolski lived in 1843-1862. It was here he created his first sculptors depicting the inhabitants of his native quarter, which later gained recognitionMėsinių Street in Vilnius Old Town. That was one of the longest and most important street in the Jewish QuarterAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

A former Gothic façade that was uncovered at Karmelitų Str. around Rūdninkų Square in the Old Town of VilniusThe back-side façade from the inner courtyardThe back-side façade from the inner courtyard. The house is located on the territory of WWII Large Jewish GhettoAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020