A Dominican Monastery at the Church of the Holy Spirit

The silver cofin of St. Casimir is under a plaster canopy accompanied by relics. Under the cofin is a miraculous painting in a silver frame, with a silver statue with the saint's attributes placed on the cofin. The relief features a very rare depiction of a smiling Blessed Virgin Mary with Baby JesusIn the chapel there are eight silver-plated wooden Baroque statues of the Kings and Grand Dukes of Poland and Lithuania from the Gediminid and Jagiellon dynasties from the 17th centuryThree-Handed Image of St. Casimir c. 1520. This painting is considered to be miraculous. In 1743 the painting was put into a silver, gold-plated framing. St. Casimir is holding lilies and a rosary, which are his symbolsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The church is an elegant late Baroque monument built-in 1702-1730. It is made even more attractive by an asymmetrical monastery ensemble in 1713-1730The towers date from the mid-18th century. They end in rococo domes with lanterns Both the church and the monastery belonged to the Jesuit Order. The monastery was intended for the Jesuit monks with 10 years of service experience seeking to become professed Jesiuts, i.e., to make the last ceremonial vowes All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The fortifications at the top of Tower St. have been restored and today form the Bastion Museum of the original early 17th century BarbecanA view from Tower St. on St. Casimir church (early 17th century Baroque style)Tower St. with the building of the former Augustine monastery (left)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

Wonderful panoramic view can be seen from the roof (platform) of Gediminas Tower (Upper Castle Tower)Despite wars and destructions, the architectural ensemble of Vilnius Old Town remains unique. Baroque domes and towers of Vilnius Old Town coexist with an irregular medieval city plan Vilnius Old Town is lacking German or Scandinavian features, rather reminiscent of Prague or Rome, Vilnius differs greatly from the other Baltic capitalsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

It was built from 1633 to 1654 under the patronage of the Vice-Chancellor of the Grand Duchy of Lithuania, Stephen Pac. Most probably the exterior was designed by Italian Constantino Tencalla. The exterior of the Church of St. Theresa is designed according to the models of Roman architecture: it is noble and harmonious, built along with the vertical principle with volutes and side obelisksThe St. Theresa Church (left) is located at Dawn St. nearby the Gate of Dawn (at the top) that is famous for its miraculous image of the Mother of Mercy (or Mary of Vilnius)The chapel is built by the Barefoot Carmelite monks for the miraculous picture of Mary of Vilnius in 1671. The St. Theresa Church was built with a large Barefoot Carmelite Monastery, established near Vilnius' defensive wall All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

S. Skapo Street marks the northern limit (right) of the Vilnius University Old CampusA nice perspective view of de Reuss Palace seen from S. Skapo Street (west side) The Lopaciński or Sulistrowski estate in S. Skapo Street. The building got its Classical style according to Martin Knackfuss project. In 1930, the west wing was refurbished as the bishop's house. From 1940, the building housed a music schoolAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

This short (250 m), narrow and crooked street with Baroque and Classical houses is surrounded by curving, walls, ancient façades and typical 17th and 18th-century courtyardsIn Bernardinų St. in the house No. 11 a famous Polish-Lithuanian poet Adam Mickiewicz lived in April-June 1822. His apartment is located on the left side of the ground floor which is today transformed into the museumBernardinų St. connects the ensemble of the Churches of St. Anne and Bernardines with Pilies St. In 16th century, it was a section of a road connecting the complex of royal castles with the Bernardinų Gate of the cuty defensive wall All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The Church of the Heart of Jesus is a significant monument of Baroque (finished in 1756). It is the only Roman Catholic church in Lithuania to be built along a Greek Orthodox cross designThe church has a large octagonal cupola (dome) and a very reach the elegant exterior. The interior is no less magnificent, although it was severely damaged during the Soviet timeAfter 1945, a prison was established in the church and convent buildings. The church interior and the plan of the convent buildings were transformed. After 1990, the sacral buildings are returned to their former ownersAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The building of Vilnius Gymnasium of Vytautas the Great - the first gymnasium in Lithuanian language est. in Vilnius at the beginning of the 20th centuryThe backside of the Church of Our Lady, Comfort of the Afflicted seen from Augustijonų Street in Vilnius Old Town. In Soviet times the church was used as a warehouse, and in 1967 the interior was divided into several shops by the construction of concrete floors. The building is today in urgent need of restorationThe entrance to the Jesuit Gymnasium in Augustijonų Street in Vilnius Old Town. Behind the gymnasium is St. Casimir ChurchAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

In this street, it was used to be a market place where it meets Pilies street. The first Town Hall is also believed to have stood on this spot Pharmacy house in St. John St. No. 5. Georg Schulz's pharmacy operated in this house since 1639. During the war in 1655, the house was burned down. In 1781, pharmacist Koszyk acquired the ruined building and reconstructed it The Pac estate. Since 1628, the building belonged to the Pac magnate family of the Grand Duchy of Lithuania. In 1783, the dilapidated building was bought, renovated and decorated by the Chancellor of the Grand Duchy of Lithuania - Alexander Michael Sapieha. Currently, the building belongs to the Polish Embassy All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

It was built by the Benedictine Sisters near their convent. It acquired its present-day appearance after a great fire in Vilnius in 1737. The church has a rich interior decorated with stucco mouldings and artificial marble. Today the church is restored and adapted for concerts. It also hosts the International Christopher Summer Music FestivalFlanking the church on Vilniaus Street, a particularly elegant Chapel of Providence was erected in 1641 and rebuilt in 1746The single-nave church has 9 magnificent Late Baroque altars and a pulpitAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

Hostel Courtyard of the Old Campus of the Vilnius UniversityIn the late 19th century all houses of the courtyard were reconstructed and in the early 21st century water supply and sewerage systems were installed. Apartments were rented in those housesInterior of the present-day Faculty of Philosophy. After the reconstruction was completed in the spring of 2005, the Faculty of Philosophy was relocated hereAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2023

In the mid-19th century, Russian architect Nikolaj Chagin added a portal with statues of the Atlantes. In this palace Eustachy Tyszkiewicz held part of his archaeological collections that constituted the basis of the Museum of Antiquities (the first public museum in Vilnius) In 1863, it was a secret gattering place of the Lithuanian-Polish rebels against the Russian administration There is the Tyszkiewicz family coat of arms on the pediment - an aristocratic family who owned extensive estates in Lithuania. At the present time, the building is occupied by the Vilnius Gediminas Technical University (VGTU)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The church was originally Gothic but in 1750-1755 it was restored according to design by Franz Ignatius Hoffer and acquired some late Baroque and Rococo featuresNearby the church building stand the 17th-18th-century buildings of the Carmelite Monastery which had a rich archive and library. A study centre opereted there. In 1797-1944 it housed the Ecclesiastical Seminary  Today the buildings are used by the Centre for Book Research and Libraries, and the church is closed to the publicAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The interior sculptural décor was created by Pietro Perti (Italian master) in 1700-1705. Twin towers were built on in the 18th century. It was built by the efforts of Casimir Sapieha the Younger (1637-1720) in 1694-1717 On the façade frieze two Christian soldiers taken into captivity by the Muslims are represented. The main goal of the Trinitarian Order was returning such captives to their homelands The church has an impressive cupola (dome), the interior is adorned with stucco relief works and sculptures - a large part of them is survived. The church is a "sister" to the Church of St. Peter and St Paul in Vilnius (Antakalnis)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The Jewish Str. in Vilnius was known as hosted the Great Synagogue of Vilnius, the Jewish (Strashun) Library of Vilnius, the Schulhoyf yard, the Gaon House and the Gaon Synagogue among other buildings Gaon Str. with the Stikliai (Glass) Hotel on the corner of the Glass Square where the glass products have been sold since the mid-16th centuryAt the entrance to Gaon Str. in 1941 it was the gate to the Small Jewish Ghetto which existed from September 6th to October 29, 1941. The Small Jewish Ghetto had around 11.000 inhabitantsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The church is inconspicuous from the street, as its façade does not face the streetThe 51 meter-tall dome can be seen from seven Old Town streetsThe Dominican Church of the Holy Spirit is one of the most magnificent churches in Vilnius. It is an excellent monument of high and late Baroque  All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The church was built on the north side of the Lukiškių Square in 1624. However, the present building dates from the late 17th-18th cent.It is a single-nave Baroque church with cylindrical vaults. An image of the miraculous painting of the 18th century high altar occupies the niche above the porticoThe niches hold wooden 18th cent. statues of St. Hyacinth and St. Dominic. During the Soviet times there were designs to demolish the church but it did not ever happenAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The present church was built in the late 17th century, after its predecessor was burnt down in the 1655 during the war with Russia. The church was completed only in the middle of the 18th century The nave is 24 metres high, making it the tallest in Vilnius; and its length is the same, with accounts for its concentrated appearance when viewed from the sideIn the north tower is a particularly ornate chapel, dedicated to the Dominican St. Hyacinth, with frescoes depicting scenes from his life. The fresco above the entrance depicts the Virgin Mary and Angels. The church was returned to the Dominicans in 1993All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The chapel was built in 1624-1636 to hold the remains of St. Casimir who was canonized in 1604. The chapel is part of the Cathedral Basilica in Vilnius The construction of the Early Roman Baroque-style chapel was funded by rulers Sigismund and Vladislaus Vasa. It was a place where the Grand Dukes of Lithuania prayed and could be reached by a corridor joined to the Lower CastleThe chapel is the work of Italian masters and one of the most beautiful Baroque mausoleums in Lithuania All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019