Chodkiewicz Palace – Vilnius Picture Gallery & Lithuanian Art Museum

The building in Vilnius Street in Vilnius No. 25 in which Jonas Basanavičius died in hospital on February 16th, 1927. The day of his death coincided with the anniversary of the Independence Act in 1918A memorial plaque on the building informs that in this building in 1909 the Editorial Board of the oldest Lithuanian newspaper "Lithuanian News" started to work Another memorial plague on the building as this building housed a music school, where the famous violinist Jascha Heifetz studied in 1905-1909 All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2022

The church is an elegant late Baroque monument built-in 1702-1730. It is made even more attractive by an asymmetrical monastery ensemble in 1713-1730The towers date from the mid-18th century. They end in rococo domes with lanterns Both the church and the monastery belonged to the Jesuit Order. The monastery was intended for the Jesuit monks with 10 years of service experience seeking to become professed Jesiuts, i.e., to make the last ceremonial vowes All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The Grand Duke of Lithuania Sigismund (1432-1440), who ruled briefly after the death of his brother Vytautas the Great (died in 1430), granted equal rights to the Russian Orthodox believers living in the capital-city of Vilnius - before long they came to constitute one half of the members of the city board and guild elders  In the Middle Ages Vilnius (today Old Town) was increasingly multy-national as it was the case with the Grand Duchy of Lithuania as well. The city was, in fact, divided into four quarters according to the ethnic and religious belonging of its citizens: the German Quarter, the Russian Quarter, the Jewish Quarter, and the Tartar Quarter. Each of these city quarters had the main street named according to the ethnic belonging of their inhabitantsThe Russian Street in Old Town of Vilnius ends with the Russian Orthodox Cathedral (Sobor) of the Dormition of the Holy Mother ...

Wonderful panoramic view can be seen from the roof (platform) of Gediminas Tower (Upper Castle Tower)Despite wars and destructions, the architectural ensemble of Vilnius Old Town remains unique. Baroque domes and towers of Vilnius Old Town coexist with an irregular medieval city plan Vilnius Old Town is lacking German or Scandinavian features, rather reminiscent of Prague or Rome, Vilnius differs greatly from the other Baltic capitalsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The Town Hall hosted a court, archive, weapons depository, as well as a prison for artisans that had broken the law. Burgomasters also held meetings in the Town Hall, as did the Council of Merchants Since 1991, Vilnius Old Town Hall once again is functioning as a place for holding important events like art exhibitions, concerts, conferences, meetings, etcIn the Middle Ages, the Town Hall Square was a place where physical punishment was carried out. There were gallows and a scaffold nearby, where executions were carried outAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The interior sculptural décor was created by Pietro Perti (Italian master) in 1700-1705. Twin towers were built on in the 18th century. It was built by the efforts of Casimir Sapieha the Younger (1637-1720) in 1694-1717 On the façade frieze two Christian soldiers taken into captivity by the Muslims are represented. The main goal of the Trinitarian Order was returning such captives to their homelands The church has an impressive cupola (dome), the interior is adorned with stucco relief works and sculptures - a large part of them is survived. The church is a "sister" to the Church of St. Peter and St Paul in Vilnius (Antakalnis)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The present church was built in the late 17th century, after its predecessor was burnt down in the 1655 during the war with Russia. The church was completed only in the middle of the 18th century The nave is 24 metres high, making it the tallest in Vilnius; and its length is the same, with accounts for its concentrated appearance when viewed from the sideIn the north tower is a particularly ornate chapel, dedicated to the Dominican St. Hyacinth, with frescoes depicting scenes from his life. The fresco above the entrance depicts the Virgin Mary and Angels. The church was returned to the Dominicans in 1993All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The Górecki estate in Dominikonų St. 15 is a two-storey Gothic house. It was built on this site in the late 15th or early 16th century. In 1649 it was bought by Vilnius UniversityZawisha estate is known since late 16th or early 17th century. It was renovated in the late 18th century. The façade is strictly symmetrical, done in the style of early Classicism. Renaissance vaults have survivedDominikonų Street is dominated by the Roman Catholic Church of the Holy Spirit and the Dominican Monastery (1501)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

At the Church of the Holy Spirit, a Dominican monastery was established on St. Ignatius Street in 1501. In the 19th century, the buildings of the monastery were converted into a prison The entrance from St. Ignatius Street to the former old Jesuit Novitiate: arranged around three courtyards. It is the same age as the nearby Church of St. IgnatiusThe Church of St. Ignatius was erected from 1622 to 1647 being devastated by fires in 1748-1750. It suffered during the war against Russia from 1655 to 1661. The porch was added in the 19th century.All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The palace has always been representional: rulers, kings, emperors and kings-to-be like Napoleon, Stanislaus August Poniatowski, Alexander I, Louis XVIII and others used to stay there on their visits to VilniusThe Soviets turned the palace into an officer's club later to be converted into Artist HouseIn 1939, when Vilnius had been part of Lithuania, plans to settle the Presidency in the palace were advanced. However, it was not until 1997 that these plans were carried outAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

Church of St. Anne (left) and Bernardine Church (right). The church of St. Anne is a unique monument of red firebrick Gothic architecture in LithuaniaSt. Anne Church, designed in 1495-1500 by Benedikt Rejt, built up at the turn of the 15th century, and renovated in 1902-1909. 35 different kinds of brick were used help in creating the church. The façade was reinforced in 1960-1970St. Anne Church - a church which French Emperor Napoleon Bonaparte wanted to put on his palm and carry it over to Paris. The Church of St. Anne is symmetrical, marked by graceful, pointed forms that continue upwardAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The organ, made by famous German master Adam G. Casparini in 1776, is one of the most valuable cultural monuments of Lithuania. The organ itself is the only surviving original 18th-century instrument in LithuaniaThe church has many Baroque frescoes. In the cupola, there is a multi-figural composition "Apotheosis of the Holy Spirit" (neo-Baroque, 19th century)The altars and the pulpit are lavishly decorated with round and relief sculptures and ornamentation All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

At the egde of Vingio Park, stands a Classical chapel built by Governor Nikolai Repnin for his wife in 1799-1800Behind the chapel, one can find the restored graves of the German, Russian, Polish, Turkish and Austro-Hungarian soldiers killed in both world wars A monument to the soldiers of the Central Powers killed in WWI in Vingio ParkAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

It was built from 1633 to 1654 under the patronage of the Vice-Chancellor of the Grand Duchy of Lithuania, Stephen Pac. Most probably the exterior was designed by Italian Constantino Tencalla. The exterior of the Church of St. Theresa is designed according to the models of Roman architecture: it is noble and harmonious, built along with the vertical principle with volutes and side obelisksThe St. Theresa Church (left) is located at Dawn St. nearby the Gate of Dawn (at the top) that is famous for its miraculous image of the Mother of Mercy (or Mary of Vilnius)The chapel is built by the Barefoot Carmelite monks for the miraculous picture of Mary of Vilnius in 1671. The St. Theresa Church was built with a large Barefoot Carmelite Monastery, established near Vilnius' defensive wall All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

In 1780, Vilnius Bishop Ignacy Massalski settled in Verkiai. He commissioned Lithuanian architect Laurynas Gucevičius to reconstruct an earlier palace. The general plan and maintenance buildings were designed by Lithuanian architect Martin KnackfussThe ensemble encompasses the park of 36 ha. Situated on two terraces, the park consisted of two parts - the upper and the great park. A view of Vilnius and the Neris River  is exposed from a steep slopeSince 1960 the ensemble belongs to the Lithuanian Academy of Science and is gradually renovatedAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2021

This is the first Evangelical Lutheran Church (Kirche) built-in Vilnius in 1555 on the initiative of the Chancellor of the Grand Duchy of Lithuania Nicholas Radziwiłł the Black. In front of the church, there is a monument erected to Martin Luther The church was rebuilt in 1662 and substantially reconstructed in 1738-1744. In 1944 it was closed down. In 1993 it was returned to the parishioners and renovatedThe church has a single nave and an original pentagonal shape. Its magnificent high altar was designed by German Protestant architect Jan (Johan) Krzysztof GlaubitzAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The Bastion is comprised of a tower, cannon room and 48 m. the long corridor connecting it with the towerThe walls and moats of the Bastion were excavated in 1965-1970, and the canon room was renovated in 1985-1986 The entire Bastion is converted into a museum, and since 1987 it houses an exhibition of defensive fortifications and weaponryAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The church was financed by Grand Chancellor of the Grand Duchy of Lithuania, Grand Hetman, and Vilnius Voivode - Lew Sapieha, who had converted to Roman Catholicism from Calvinism. He was one of the most influential nobles in the Grand Duchy of LithuaniaLew Sapieha gave the church and surrounding buildings for the Bernardine nuns to have a convent and built a Sapieha family mausoleum in the churchThe convent was also a place where the daughters of rich aristocrats were taught. Today, the Church Heritage Museum operates in the churchAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The church and Vilnius Calvary are an expression of gratitude to God for the liberation in 1661 of Lithuania from the Russian EmpireIt is the second oldest and once the most famous Calvary in Lithuania, revered by pilgrims and processions of believersThe late Baroque church was rebuilt in the 18th century. The central nave is decorated with 18th century mural paintings, the sacristy - with 18th century stucco relief worksAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2021

The Augustines established themselves on this site in Vilnius Old Town after 1661. The monastery date from the late 18th centuryIn 1833-1842 the monastery housed the Vilnius Spiritual Academy. In 1859 it was converted into a Russian Orthodox Church of St. AndrewIn 1918 the church was returned to the Roman Catholics and renovated. After WWII the interior was destroyed during the installation of a ferroconcrete ceiling; the church was used as a warehouse in the Soviet timeAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019