Church of the Heart of Jesus and the Convent of the Visitationists in Vilnius

It was not until 1503 when Grand Duke of Lithuania and King of Poland Alexander Jagiellon granted a privilege that the construction of the wall began. The year 1522 is considered to mark the end of the construction, when Grand Duke of Lithuania Sigismund the Old exempted the residents of Vilnius from the duty of keeping guard at the castle and ordered 24 guards to be posted at the city gatesThe length of the defensive wall was 2,5 kilometres having 10 gates. The wall surrounded the territory of today's Old Town, approximatelly 100 hectars. The foundation of the defensive wall was built of stone, and bricks were mainly used at the level of loopholes and higher. The was was adapted for defence with gunpoweder-operated firearms Until the late-18th century, the Vilnius defensive wall was frequently renovated. The wall served for the last time in 1794 during the uprising led by ...

The Old Campus in the Old town - Rectorate building. On April 1st, 1579 the King of Poland and Grand Duke of Lithuania Stephen Bathory issues a royal charter recognizing the Jesuit College into a universityThe Old Campus in the Old town - Rector's Office and former Astronomical Observatory building (right) and the Central Library building (left) with the Central Library Courtyard in front of the buildingsThe History Facutly building (left) and the Central Library building (right) with the arched gates to Mikalojus Dukša Courtyard (left) and Mathias Casimir Sarbievius Courtyard (forward). The Old Campus of the university has 13 courtyardsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The church is an elegant late Baroque monument built-in 1702-1730. It is made even more attractive by an asymmetrical monastery ensemble in 1713-1730The towers date from the mid-18th century. They end in rococo domes with lanterns Both the church and the monastery belonged to the Jesuit Order. The monastery was intended for the Jesuit monks with 10 years of service experience seeking to become professed Jesiuts, i.e., to make the last ceremonial vowes All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic

The interior sculptural décor was created by Pietro Perti (Italian master) in 1700-1705. Twin towers were built on in the 18th century. It was built by the efforts of Casimir Sapieha the Younger (1637-1720) in 1694-1717 On the façade frieze two Christian soldiers taken into captivity by the Muslims are represented. The main goal of the Trinitarian Order was returning such captives to their homelands The church has an impressive cupola (dome), the interior is adorned with stucco relief works and sculptures - a large part of them is survived. The church is a "sister" to the Church of St. Peter and St Paul in Vilnius (Antakalnis)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The church was built on the north side of the Lukiškių Square in 1624. However, the present building dates from the late 17th-18th cent.It is a single-nave Baroque church with cylindrical vaults. An image of the miraculous painting of the 18th century high altar occupies the niche above the porticoThe niches hold wooden 18th cent. statues of St. Hyacinth and St. Dominic. During the Soviet times there were designs to demolish the church but it did not ever happenAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The chapel was built in 1624-1636 to hold the remains of St. Casimir who was canonized in 1604. The chapel is part of the Cathedral Basilica in Vilnius The construction of the Early Roman Baroque-style chapel was funded by rulers Sigismund and Vladislaus Vasa. It was a place where the Grand Dukes of Lithuania prayed and could be reached by a corridor joined to the Lower CastleThe chapel is the work of Italian masters and one of the most beautiful Baroque mausoleums in Lithuania All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The architect Michail Prozorov designed the rectangular building with three-walled apse according to the requirements of Karaim liturgyThe oriental-style exterior has a protruding central part and the onion-shaped dome over it. The distinctive exterior of the building emphasises its unique purposeIn 1949, the Kenessa, along with many other sacral buildings, was nationalized and closed down. In 1988, it was returned to the Karaim community. In 1993, it was re-consecrated and has remained open sinceAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

Polish King Jan Sobieski, Russian Emperor Alexander I and French Emperor Napoleon I visited the mansion on various occasions. The building was reconstructed in 1839-1841. The present façade is ClassicalA Florentine artist Michelangelo Palloni, was invited from Italy in 1674 to work at Pažaislis monastery and church near Kaunas, and Mykolas Kazimieras Pacas then commissioned him to paint frescoes for of this estate.Unfortunately, none of the original interior, which also included rich stucco work, remainsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2022

The church was financed by Grand Chancellor of the Grand Duchy of Lithuania, Grand Hetman, and Vilnius Voivode - Lew Sapieha, who had converted to Roman Catholicism from Calvinism. He was one of the most influential nobles in the Grand Duchy of LithuaniaLew Sapieha gave the church and surrounding buildings for the Bernardine nuns to have a convent and built a Sapieha family mausoleum in the churchThe convent was also a place where the daughters of rich aristocrats were taught. Today, the Church Heritage Museum operates in the churchAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The silver cofin of St. Casimir is under a plaster canopy accompanied by relics. Under the cofin is a miraculous painting in a silver frame, with a silver statue with the saint's attributes placed on the cofin. The relief features a very rare depiction of a smiling Blessed Virgin Mary with Baby JesusIn the chapel there are eight silver-plated wooden Baroque statues of the Kings and Grand Dukes of Poland and Lithuania from the Gediminid and Jagiellon dynasties from the 17th centuryThree-Handed Image of St. Casimir c. 1520. This painting is considered to be miraculous. In 1743 the painting was put into a silver, gold-plated framing. St. Casimir is holding lilies and a rosary, which are his symbolsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

Upper Caste's Gediminas Tower (14th century) with the Royal Palace of Lithuania (the Palace of Grand Dukes of Lithuania, 16th century). Today, it houses a museum and an observation deck from which it can be seen a beautiful panorama of the city from the 75 m. high perchThe museum exposition features plans of castlereconstruction as well as armamentsGediminas Tower with the Lithuanian tricolor flag became a symbol of Lithuania. Gediminas Tower is a Western tower of the Higher Castle of Vilnius with an octagonal plan, stone foundations, and mainly brick walls built in the Gothic mannerAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The church is Gothic, with some Baroque forms that it acquired in the late 18th centuryIn 1812 the church was partly destroyed by the French army that used it as a granary. Since 1864 the church was closed and converted into an archive The church adjoins a monastery, the oldest in Lithuania, whose construction began in Gediminas' times (in 1334)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

St. Lazarus' almshouse operated in this church, plague and famine victims were buried there. In 1715, the church and the monastery were given to the brethren of St. Rochus who tended to sick people, and in 1752 - to the sisters of MaryIn a cemetery at the church many outstanding people were buried, among others architect Laurynas Stuoka-Gucevičius. A memorial plaque to him is set up on the south façade of the church. However, later the cemetery was turned into a storage site of construction materialsThe church was severely damaged during a fire in 1794. The church was reconstructed and slightly transformed in 1801-1806. In 1864, the convent was closed down, and the buildings converted into a prisonAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

Grand Duke Gediminas is considered as the founder of the city of Vilnius. The monument is located in front of the Royal Palace and Cathedral Basilica in the very downtown of VilniusGediminas was a diplomatic politician, creating ties with the Roman Pope and other European rulers. He created favourable conditions for merchants and guildsmen to come to the city. Gediminas was a Grand Duke of the Grand Duchy of Lithuania from 1316 to 1341During the time of Gediminas, people of different ethnicities and confessions began to live in Vilnius. He is the founder of the Gediminian-Jagelonian ruling dynasty of Lithuania and later of Poland as well (till 1572)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The present church was built in the late 17th century, after its predecessor was burnt down in the 1655 during the war with Russia. The church was completed only in the middle of the 18th century The nave is 24 metres high, making it the tallest in Vilnius; and its length is the same, with accounts for its concentrated appearance when viewed from the sideIn the north tower is a particularly ornate chapel, dedicated to the Dominican St. Hyacinth, with frescoes depicting scenes from his life. The fresco above the entrance depicts the Virgin Mary and Angels. The church was returned to the Dominicans in 1993All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

In 1695 the Trinitarians set up a community on the right bank of the River Neris just to the north of Vilnius. Therefore, the place is known as Trinapolis (a city of the Trinitarians)In 1750-1760 Trinapolis was reconstructed in the late Baroque style. It was a summer residence of Vilnius bishopsIn Soviet times the church was closed down. Today, the monastery is used as a retreat house by an order of nuns, and the church is not regularly openAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2022 

A building of Jewish Center of Culture and Information in the area of the Large Jewish Ghetto in 1941-1943. In this house a famous Vilnius resident Dr. Tzemach Shabad livedTzemach Shabad (1864-1935) was not only a good doctor, but a societal and community figure, and humanist as well. A monument (in 2007 erected) to him on the territory of WWII Large Jewish GhettoA plaque of a plan of the Jewish Ghetto in 1941-1943. There were Small and Large Jewish Ghettos existing from September 6th, 1941 to September 23rd, 1943. Today, September 23rd is the National Memorial Day for the Holocaust/Genocide of the Lithuanian Jews All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The interior od the church is in the Rococo style with the exception of the Pac Chapel, which is late Baroque in the exterior, and rather Classical in the interior Impressive, gently-curved church pulpit in the Rococo style is created from wood and gold-plated tin in the second half of the 18th centuryThe church's mural painting is the only one of its size remaining in Lithuania. One arch depicts 19 scenes from St. Theresa's lifeAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

It is one of the most attractive Russian Orthodox churches in Vilnius: the exterior is a profusion of shining onion-shape domes; but the interior is remarkably serene. The interior's simplicity is interupted only by an elaborate iconostasis The internal space is created by two huge pairs of parallel semi-circular arches, intersecting at the top under the central dome which is also the main source of lightA panel on the right of the iconostatis depicts the two saints, both from noble families in the Middle Ages, to whom the church is dedicatedAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020