National Martynas Mažvydas Library

A semi-circular corridor of the Bastion of Vilnius, where cannons were lined up at embrasures, was called a casemate. A special platform with a parapet for heavy artillery was built on the terrace of the bastionA 48-m long, 2,8-m wide and 3,5 m high impressive tunnel leads from the tower to the underground casemate. Cannons brought to the tower would be rolled down this tunnelThe main part of the Bastion of Vilnius is the casemate. It is an underground horseshoe-shaped room for cannons. The casemate forms a semicircle around a 3-4 metre-high hill heightened with sand. From the outside the façade is 8 m high, and sloping, and is built from bricksAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The church received its current form in 1738-1749 after fires in the cityThe church was rebuilted by Vilnius Baroque architect J. K. Glaubitz in the ornate Late Baroque style, and installed 24 altars insite The church bell tower received its current shape in 1737. The bell tower is 68 m tall. It is the tallest building in Vilnius Old TownAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The Royal Palace at the foot of the Castle Hill was a residence of the Grand Duke of LithuaniaThe Lower Castle is related with the times of Sigismund the Old and Sigismund August, Qween Nona and Barbora Radvilaitė (16th century)In the 16th century the Royal Palace with its Inner Courtyard was an Italian-style palace with four wings and attics. The building around encircled the Inner Courtyard of 2,500 square metres and were connected to the eastern wall of the Cathedral Basilica by a roofed galleryAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The church is inconspicuous from the street, as its façade does not face the streetThe 51 meter-tall dome can be seen from seven Old Town streetsThe Dominican Church of the Holy Spirit is one of the most magnificent churches in Vilnius. It is an excellent monument of high and late Baroque  All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

In 1695 the Trinitarians set up a community on the right bank of the River Neris just to the north of Vilnius. Therefore, the place is known as Trinapolis (a city of the Trinitarians)In 1750-1760 Trinapolis was reconstructed in the late Baroque style. It was a summer residence of Vilnius bishopsIn Soviet times the church was closed down. Today, the monastery is used as a retreat house by an order of nuns, and the church is not regularly openAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2022 

The Bastion is comprised of a tower, cannon room and 48 m. the long corridor connecting it with the towerThe walls and moats of the Bastion were excavated in 1965-1970, and the canon room was renovated in 1985-1986 The entire Bastion is converted into a museum, and since 1987 it houses an exhibition of defensive fortifications and weaponryAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The life and work of Dr. Jurgis and Marija Šlapelis reflects the life of the region of Vilnius from the second half of the 19th century to 1940. Both of them have been cultural figures in Lithuania. Marija was actress. They published Lithuanian books that were banned at that timeDr. Jurgis and Marija Šlapelis owned the only Lithuanian language bookstore in Vilnius during 1906-1949. The Šlapelis family bought the house in 1926. Before, it was a goldsmith's workshops, and later housed a small holet called the Hotel de Philadelphie, and a wine shop The building is an example of the 17-th century architecture. Dr. Jurgis died in 1941, and Marija in 1977 at the age of 97. After WWII, the house was nationalised, and, therefore, Marija Šlapelis was forced to live in two small rooms upstairs, with the only access to them through another person's quarters. Marija stipulated in her ...

The Old Campus in the Old town - Rectorate building. On April 1st, 1579 the King of Poland and Grand Duke of Lithuania Stephen Bathory issues a royal charter recognizing the Jesuit College into a universityThe Old Campus in the Old town - Rector's Office and former Astronomical Observatory building (right) and the Central Library building (left) with the Central Library Courtyard in front of the buildingsThe History Facutly building (left) and the Central Library building (right) with the arched gates to Mikalojus Dukša Courtyard (left) and Mathias Casimir Sarbievius Courtyard (forward). The Old Campus of the university has 13 courtyardsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The church is Gothic, with some Baroque forms that it acquired in the late 18th centuryIn 1812 the church was partly destroyed by the French army that used it as a granary. Since 1864 the church was closed and converted into an archive The church adjoins a monastery, the oldest in Lithuania, whose construction began in Gediminas' times (in 1334)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

Wonderful panoramic view can be seen from the roof (platform) of Gediminas Tower (Upper Castle Tower)Despite wars and destructions, the architectural ensemble of Vilnius Old Town remains unique. Baroque domes and towers of Vilnius Old Town coexist with an irregular medieval city plan Vilnius Old Town is lacking German or Scandinavian features, rather reminiscent of Prague or Rome, Vilnius differs greatly from the other Baltic capitalsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The courtyard of the palace. In 1834 the building was reconstructed and acquired its present appearance. In 1919 it was given to the university and was home to several well-known professors The façade is harmonious, moderately decorated. The façades of the servants' house facing the courtyard and Bokšto Str. (No. 5) Today the palace houses the Vilnius Picture Gallery and the Lithuanian Art MuseumAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

One of Baroque gates of the Sapieha ParkAmong the surviving details of the palace are Baroque façades with stucco relief works by Pietro Perti and three Baroque gates. The park is the only one in Vilnius Vilnius with features of a regular Baroque park The palace and the gates were decorated with sculptures and frescoes created by masters who had worked in the Church of St. Peter and St. Paul and St. Casimir's Chapel of the Cathedral Basilica in VilniusAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

A monument to dr. Jonas Basanavičius in Vilnius in front of the building of the Lithuanian National PhilharmonicDr. Jonas Basanavičius chaired the session of Lithuanian Council that adopted the Act of Independence of Lithuania on 1918-02-16. He was the first to sign the Act of the Proclamation of the Lithuanian IndependenceBalancing between Lithuanian and Polish interests, he refused to participate in the opening of the Polish Stefan Batory University (today Vilnius University)All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

A plaque above the entrance to the courtyard of the house in which Mark Antokolski lived in the Old Town of VilniusThe inner courtyard of the house in which Mark Antokolski livedMark Antokolski returned to Vilnius every summer while studying at the Imperial Art Academy in St. Petersburg in the years 1862-1868All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The Russian Orthodox Church of St. Parasceve (or Piatnickaya Church) is located in the centre of Vilnius' Old Town where a Russian Orthodox Church stood since the times of the Lithuanian Grand Duke Algirdas in the mid-14th centurySt. Parasceve Russian Orthodox Church is the oldest surviving Russian Orthodox Church in Lithuania located in the former Russian quarter of the Old TownThe church was reconstructed in the mid-19th century by the famous Russian architect N. ChaginAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2021

The Užupis Art Incubator is open to all beginning and experienced artistsA view from the Užupis Art Incubator to the Russian Orthodox Church of the Blessed Mother of GodThe River of Vilnia seen from the Užupis Art IncubatorAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The architect Michail Prozorov designed the rectangular building with three-walled apse according to the requirements of Karaim liturgyThe oriental-style exterior has a protruding central part and the onion-shaped dome over it. The distinctive exterior of the building emphasises its unique purposeIn 1949, the Kenessa, along with many other sacral buildings, was nationalized and closed down. In 1988, it was returned to the Karaim community. In 1993, it was re-consecrated and has remained open sinceAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

One of the meeting rooms in the library for public lectures, book presentations and discussionsOne of the exibition hallsOne of the Reading RoomsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

In 1780, Vilnius Bishop Ignacy Massalski settled in Verkiai. He commissioned Lithuanian architect Laurynas Gucevičius to reconstruct an earlier palace. The general plan and maintenance buildings were designed by Lithuanian architect Martin KnackfussThe ensemble encompasses the park of 36 ha. Situated on two terraces, the park consisted of two parts - the upper and the great park. A view of Vilnius and the Neris River  is exposed from a steep slopeSince 1960 the ensemble belongs to the Lithuanian Academy of Science and is gradually renovatedAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2021

St. Lazarus' almshouse operated in this church, plague and famine victims were buried there. In 1715, the church and the monastery were given to the brethren of St. Rochus who tended to sick people, and in 1752 - to the sisters of MaryIn a cemetery at the church many outstanding people were buried, among others architect Laurynas Stuoka-Gucevičius. A memorial plaque to him is set up on the south façade of the church. However, later the cemetery was turned into a storage site of construction materialsThe church was severely damaged during a fire in 1794. The church was reconstructed and slightly transformed in 1801-1806. In 1864, the convent was closed down, and the buildings converted into a prisonAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020