Mark Antokolski House in Vilnius

The palace has always been representional: rulers, kings, emperors and kings-to-be like Napoleon, Stanislaus August Poniatowski, Alexander I, Louis XVIII and others used to stay there on their visits to VilniusThe Soviets turned the palace into an officer's club later to be converted into Artist HouseIn 1939, when Vilnius had been part of Lithuania, plans to settle the Presidency in the palace were advanced. However, it was not until 1997 that these plans were carried outAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The architect Michail Prozorov designed the rectangular building with three-walled apse according to the requirements of Karaim liturgyThe oriental-style exterior has a protruding central part and the onion-shaped dome over it. The distinctive exterior of the building emphasises its unique purposeIn 1949, the Kenessa, along with many other sacral buildings, was nationalized and closed down. In 1988, it was returned to the Karaim community. In 1993, it was re-consecrated and has remained open sinceAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

It was built from 1633 to 1654 under the patronage of the Vice-Chancellor of the Grand Duchy of Lithuania, Stephen Pac. Most probably the exterior was designed by Italian Constantino Tencalla. The exterior of the Church of St. Theresa is designed according to the models of Roman architecture: it is noble and harmonious, built along with the vertical principle with volutes and side obelisksThe St. Theresa Church (left) is located at Dawn St. nearby the Gate of Dawn (at the top) that is famous for its miraculous image of the Mother of Mercy (or Mary of Vilnius)The chapel is built by the Barefoot Carmelite monks for the miraculous picture of Mary of Vilnius in 1671. The St. Theresa Church was built with a large Barefoot Carmelite Monastery, established near Vilnius' defensive wall All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

It was not until 1503 when Grand Duke of Lithuania and King of Poland Alexander Jagiellon granted a privilege that the construction of the wall began. The year 1522 is considered to mark the end of the construction, when Grand Duke of Lithuania Sigismund the Old exempted the residents of Vilnius from the duty of keeping guard at the castle and ordered 24 guards to be posted at the city gatesThe length of the defensive wall was 2,5 kilometres having 10 gates. The wall surrounded the territory of today's Old Town, approximatelly 100 hectars. The foundation of the defensive wall was built of stone, and bricks were mainly used at the level of loopholes and higher. The was was adapted for defence with gunpoweder-operated firearms Until the late-18th century, the Vilnius defensive wall was frequently renovated. The wall served for the last time in 1794 during the uprising led by ...

St. Lazarus' almshouse operated in this church, plague and famine victims were buried there. In 1715, the church and the monastery were given to the brethren of St. Rochus who tended to sick people, and in 1752 - to the sisters of MaryIn a cemetery at the church many outstanding people were buried, among others architect Laurynas Stuoka-Gucevičius. A memorial plaque to him is set up on the south façade of the church. However, later the cemetery was turned into a storage site of construction materialsThe church was severely damaged during a fire in 1794. The church was reconstructed and slightly transformed in 1801-1806. In 1864, the convent was closed down, and the buildings converted into a prisonAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The courtyard of the palace. In 1834 the building was reconstructed and acquired its present appearance. In 1919 it was given to the university and was home to several well-known professors The façade is harmonious, moderately decorated. The façades of the servants' house facing the courtyard and Bokšto Str. (No. 5) Today the palace houses the Vilnius Picture Gallery and the Lithuanian Art MuseumAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

Earlier in this courtyard was an artillery school. The Rector of the Vilnius University S. Malewski as well as lived in the building of this courtyardA poet Adam Mickiewicz spent much time with his son in their house in 1818-1819. As the first-year student, he lived in one of those buildings. Later, it became a gathering place of the PhilomatsThe courtyard is surrounded by two-storey buildings. A Gothic façade of one of them is facing Pilies StreetAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2023

There were formerly two separate Gothic houses. Both were built before 1514 and belonged to clergy, goldsmiths, a surgeon and pharmacists. During the 1655-1661 war with Russia they were damaged and handed over to the capitulary of the Cathedral, which had them rebuilt in the Baroque styleThe building were severely damaged during the Second World War and renovated in 1957-1960Decorative Gothic façades and cylindrical vaults in the basement and on the ground floor have been reconstructed All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

Beside the main house (close to the Antakalnio St.) stands a residential house, in which the first exhibition of Lithuanian art took place in 1907A monument to the brothers Vileišis in Vilnius near the River NerisThe main Vileišis building was one of the first in Vilnius, for whose construction a rare material in Lithuania - concrete - was used. The main house was built in 1904-1906 by the Lithuanian businessman and public figure Petras Vileišis according to a design by engineer August Klein   All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

This is the first Evangelical Lutheran Church (Kirche) built-in Vilnius in 1555 on the initiative of the Chancellor of the Grand Duchy of Lithuania Nicholas Radziwiłł the Black. In front of the church, there is a monument erected to Martin Luther The church was rebuilt in 1662 and substantially reconstructed in 1738-1744. In 1944 it was closed down. In 1993 it was returned to the parishioners and renovatedThe church has a single nave and an original pentagonal shape. Its magnificent high altar was designed by German Protestant architect Jan (Johan) Krzysztof GlaubitzAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The building was noted for its stately late Baroque appearance. Michelangelo Palloni and Pietro Perti are thought to be the authors of the decorationsNoteworthy is an interesting Baroque pediment with a stucco bas-reliefA courtyard of the estate. Today, the buildings belongs to the Lithuanian Academy of Music and TheatreAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The historical building in Tyzenhauzų Str. in VilniusTyzenhauzų Str. building in VilniusTyzenhauzų Str. building in VilniusAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2021

The main altar with Late Baroque forms, made from dark woodInterior of Church of St. Francis and St. BernardineWhile restoring the church, one of the largest mural paintings from the Late Gothic and Renaissance periods was discovered. They depict scenes from the Bible, Franciscan legends and symbolic imagesAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The Russian Orthodox Church of St. Parasceve (or Piatnickaya Church) is located in the centre of Vilnius' Old Town where a Russian Orthodox Church stood since the times of the Lithuanian Grand Duke Algirdas in the mid-14th centurySt. Parasceve Russian Orthodox Church is the oldest surviving Russian Orthodox Church in Lithuania located in the former Russian quarter of the Old TownThe church was reconstructed in the mid-19th century by the famous Russian architect N. ChaginAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2021

The present church was built in the late 17th century, after its predecessor was burnt down in the 1655 during the war with Russia. The church was completed only in the middle of the 18th century The nave is 24 metres high, making it the tallest in Vilnius; and its length is the same, with accounts for its concentrated appearance when viewed from the sideIn the north tower is a particularly ornate chapel, dedicated to the Dominican St. Hyacinth, with frescoes depicting scenes from his life. The fresco above the entrance depicts the Virgin Mary and Angels. The church was returned to the Dominicans in 1993All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The church is an elegant late Baroque monument built-in 1702-1730. It is made even more attractive by an asymmetrical monastery ensemble in 1713-1730The towers date from the mid-18th century. They end in rococo domes with lanterns Both the church and the monastery belonged to the Jesuit Order. The monastery was intended for the Jesuit monks with 10 years of service experience seeking to become professed Jesiuts, i.e., to make the last ceremonial vowes All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The Bastion is comprised of a tower, cannon room and 48 m. the long corridor connecting it with the towerThe walls and moats of the Bastion were excavated in 1965-1970, and the canon room was renovated in 1985-1986 The entire Bastion is converted into a museum, and since 1987 it houses an exhibition of defensive fortifications and weaponryAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The church was built on the north side of the Lukiškių Square in 1624. However, the present building dates from the late 17th-18th cent.It is a single-nave Baroque church with cylindrical vaults. An image of the miraculous painting of the 18th century high altar occupies the niche above the porticoThe niches hold wooden 18th cent. statues of St. Hyacinth and St. Dominic. During the Soviet times there were designs to demolish the church but it did not ever happenAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The silver cofin of St. Casimir is under a plaster canopy accompanied by relics. Under the cofin is a miraculous painting in a silver frame, with a silver statue with the saint's attributes placed on the cofin. The relief features a very rare depiction of a smiling Blessed Virgin Mary with Baby JesusIn the chapel there are eight silver-plated wooden Baroque statues of the Kings and Grand Dukes of Poland and Lithuania from the Gediminid and Jagiellon dynasties from the 17th centuryThree-Handed Image of St. Casimir c. 1520. This painting is considered to be miraculous. In 1743 the painting was put into a silver, gold-plated framing. St. Casimir is holding lilies and a rosary, which are his symbolsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

A former Gothic façade that was uncovered at Karmelitų Str. around Rūdninkų Square in the Old Town of VilniusThe back-side façade from the inner courtyardThe back-side façade from the inner courtyard. The house is located on the territory of WWII Large Jewish GhettoAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020