Church of the Assumption of the Holy Virgin Mary and the Franciscan Monastery

The architect whose name is most closely associated with Vilnius University is the Jesuit Tomas Zhebrauskas who founded (together with Elžbieta Oginskaitė-Puzinienė, the daughter of the famous manor owner Mykolas Oginskis) and designed the observatory, in 1753. The White Hall belongs to the observatory The astronomical observatory of Vilnius University is one of the oldest in Europe and the oldest in the former Polish-Lithuanian Commonwealth. It was famous in Europe for its astronomers and their works until it was closed after the fire of 1876The White Hall today is, in fact, a reading room of the Library of Vilnius UniversityAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2023

This building in Savičiaus Street in Vilnius Old Town acquired its present appearance in the 18th century with the 19th-century façade. Until the mid-19th century, the building was home to Vilnius governors and burgomasters In 1995, on the artist's 120th anniversary, a memorial culture center and the flat museum was opened in this house. The center and museum, today, hosts lectures on music, art, and philosophy, as well as chamber concertsM. K. Čiurlionis created 350 musical pieces and around 500 artworks. When he lived in this house, he created his most remarkable paintingsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

It was not until 1503 when Grand Duke of Lithuania and King of Poland Alexander Jagiellon granted a privilege that the construction of the wall began. The year 1522 is considered to mark the end of the construction, when Grand Duke of Lithuania Sigismund the Old exempted the residents of Vilnius from the duty of keeping guard at the castle and ordered 24 guards to be posted at the city gatesThe length of the defensive wall was 2,5 kilometres having 10 gates. The wall surrounded the territory of today's Old Town, approximatelly 100 hectars. The foundation of the defensive wall was built of stone, and bricks were mainly used at the level of loopholes and higher. The was was adapted for defence with gunpoweder-operated firearms Until the late-18th century, the Vilnius defensive wall was frequently renovated. The wall served for the last time in 1794 during the uprising led by ...

Upper Caste's Gediminas Tower (14th century) with the Royal Palace of Lithuania (the Palace of Grand Dukes of Lithuania, 16th century). Today, it houses a museum and an observation deck from which it can be seen a beautiful panorama of the city from the 75 m. high perchThe museum exposition features plans of castlereconstruction as well as armamentsGediminas Tower with the Lithuanian tricolor flag became a symbol of Lithuania. Gediminas Tower is a Western tower of the Higher Castle of Vilnius with an octagonal plan, stone foundations, and mainly brick walls built in the Gothic mannerAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The founder of the church was a Grand Hetman and Vilnius Voivode of the Grand Duchy of Lithuania. The 17th-century church's façade is modest, however the interior is richly ornate with a number of stucco mouldings The church was built to mark the liberation of Vilnius from Moscow (The 1655-1661 War) and the founder's own escape from the hands of rebellious soldiers. The interior was created by the Italians G. P. Perti and G. M. Galli, who decorated it with more than 2,000 stucco mouldings The chandelier was created in 1905 in Riga and represents the Biblical Noah's arkAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The church received its current form in 1738-1749 after fires in the cityThe church was rebuilted by Vilnius Baroque architect J. K. Glaubitz in the ornate Late Baroque style, and installed 24 altars insite The church bell tower received its current shape in 1737. The bell tower is 68 m tall. It is the tallest building in Vilnius Old TownAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The building in Vilnius Street in Vilnius No. 25 in which Jonas Basanavičius died in hospital on February 16th, 1927. The day of his death coincided with the anniversary of the Independence Act in 1918A memorial plaque on the building informs that in this building in 1909 the Editorial Board of the oldest Lithuanian newspaper "Lithuanian News" started to work Another memorial plague on the building as this building housed a music school, where the famous violinist Jascha Heifetz studied in 1905-1909 All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2022

Church of St. Anne (left) and Bernardine Church (right). The church of St. Anne is a unique monument of red firebrick Gothic architecture in LithuaniaSt. Anne Church, designed in 1495-1500 by Benedikt Rejt, built up at the turn of the 15th century, and renovated in 1902-1909. 35 different kinds of brick were used help in creating the church. The façade was reinforced in 1960-1970St. Anne Church - a church which French Emperor Napoleon Bonaparte wanted to put on his palm and carry it over to Paris. The Church of St. Anne is symmetrical, marked by graceful, pointed forms that continue upwardAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

Trakų St. finishes where it meets Pylimo St, which runs along the course of the old city wall. There used to be a gate here, which was pulled down together with the wall at the very beginning of the 19th century. In the niche of the Umiastowski estate (Trakų St. 2) there is a Statue of "The City Guard" (1973) In Trakų Street, there is the Church of Our Lady of the Assumption that was founded here by the noble Goštautas family in 1387, the same year as Lithuania became converted to Christianity. However, it is believed that the church with the monastery existed even earlierOne of courtyards of the buildings in Trakų StreetAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The main façade of the Presidential Palace (Prezidentura) in Vilnius at Simonas Daukantas SquareThe presidential coat-of-arms is adorning the entrance to the President's Chancellery on University StreetThe Inner Courtyard of the Presidential Palace - the palace of the President of the Republic of Lithuania since 1997All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

The silver cofin of St. Casimir is under a plaster canopy accompanied by relics. Under the cofin is a miraculous painting in a silver frame, with a silver statue with the saint's attributes placed on the cofin. The relief features a very rare depiction of a smiling Blessed Virgin Mary with Baby JesusIn the chapel there are eight silver-plated wooden Baroque statues of the Kings and Grand Dukes of Poland and Lithuania from the Gediminid and Jagiellon dynasties from the 17th centuryThree-Handed Image of St. Casimir c. 1520. This painting is considered to be miraculous. In 1743 the painting was put into a silver, gold-plated framing. St. Casimir is holding lilies and a rosary, which are his symbolsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

The palace has always been representional: rulers, kings, emperors and kings-to-be like Napoleon, Stanislaus August Poniatowski, Alexander I, Louis XVIII and others used to stay there on their visits to VilniusThe Soviets turned the palace into an officer's club later to be converted into Artist HouseIn 1939, when Vilnius had been part of Lithuania, plans to settle the Presidency in the palace were advanced. However, it was not until 1997 that these plans were carried outAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

Originally, the Vilnius Lower Castle's jurisdictional court and administration was housed in this building during the 17th and 18th centuries. In the 18th century it was reconstructed into a weapons store-house and militarry baracks. Today, the museum holds the most important archaeological, historical, and ethnic cultural collections of Lithuania that cover Lithuania's history from the Stone Age to the present-day. In front of the building is a monument to King Mindaugas In 2003, a monument to King Mindaugas was erected in the square in front of the building of New Arsenal (today Lithuanian National Museum)In the 19th century, an entrance in the Classical style was biultAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2018

Wonderful panoramic view can be seen from the roof (platform) of Gediminas Tower (Upper Castle Tower)Despite wars and destructions, the architectural ensemble of Vilnius Old Town remains unique. Baroque domes and towers of Vilnius Old Town coexist with an irregular medieval city plan Vilnius Old Town is lacking German or Scandinavian features, rather reminiscent of Prague or Rome, Vilnius differs greatly from the other Baltic capitalsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

There were formerly two separate Gothic houses. Both were built before 1514 and belonged to clergy, goldsmiths, a surgeon and pharmacists. During the 1655-1661 war with Russia they were damaged and handed over to the capitulary of the Cathedral, which had them rebuilt in the Baroque styleThe building were severely damaged during the Second World War and renovated in 1957-1960Decorative Gothic façades and cylindrical vaults in the basement and on the ground floor have been reconstructed All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

This is the first Evangelical Lutheran Church (Kirche) built-in Vilnius in 1555 on the initiative of the Chancellor of the Grand Duchy of Lithuania Nicholas Radziwiłł the Black. In front of the church, there is a monument erected to Martin Luther The church was rebuilt in 1662 and substantially reconstructed in 1738-1744. In 1944 it was closed down. In 1993 it was returned to the parishioners and renovatedThe church has a single nave and an original pentagonal shape. Its magnificent high altar was designed by German Protestant architect Jan (Johan) Krzysztof GlaubitzAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The church is an elegant late Baroque monument built-in 1702-1730. It is made even more attractive by an asymmetrical monastery ensemble in 1713-1730The towers date from the mid-18th century. They end in rococo domes with lanterns Both the church and the monastery belonged to the Jesuit Order. The monastery was intended for the Jesuit monks with 10 years of service experience seeking to become professed Jesiuts, i.e., to make the last ceremonial vowes All photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

The church was financed by Grand Chancellor of the Grand Duchy of Lithuania, Grand Hetman, and Vilnius Voivode - Lew Sapieha, who had converted to Roman Catholicism from Calvinism. He was one of the most influential nobles in the Grand Duchy of LithuaniaLew Sapieha gave the church and surrounding buildings for the Bernardine nuns to have a convent and built a Sapieha family mausoleum in the churchThe convent was also a place where the daughters of rich aristocrats were taught. Today, the Church Heritage Museum operates in the churchAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2019

A former Gothic façade that was uncovered at Karmelitų Str. around Rūdninkų Square in the Old Town of VilniusThe back-side façade from the inner courtyardThe back-side façade from the inner courtyard. The house is located on the territory of WWII Large Jewish GhettoAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2020

Polish King Jan Sobieski, Russian Emperor Alexander I and French Emperor Napoleon I visited the mansion on various occasions. The building was reconstructed in 1839-1841. The present façade is ClassicalA Florentine artist Michelangelo Palloni, was invited from Italy in 1674 to work at Pažaislis monastery and church near Kaunas, and Mykolas Kazimieras Pacas then commissioned him to paint frescoes for of this estate.Unfortunately, none of the original interior, which also included rich stucco work, remainsAll photos are copyrighted by Vladislav B. Sotirovic© Vladislav B. Sotirovic 2022